From the moment Zhang Ye lay in Yunlin, he won more than anyone. Yellow birds cannot talk about the past,
Bai Lianhua has lived in vain until now. Every year, the country dreams of glory, and the world is high.
At first, I thought * * * you would be disappointed, and the sky outside Zixiao Peak sank. In addition, it may be related to the double flight of the yellow bird. Orioles always appear in pairs. "Two orioles sing green willows, and a row of egrets go up to the sky." This is a well-known quatrain, which also illustrates this point. In lyric poetry, people always use the "yellow bird" to get excited and compare things with me to achieve strong artistic effect. For example: "the fluttering yellow bird, male and female depend on each other. Who will pay for missing my independence? " (Song of the Yellow Bird) This poem was first published in The History of the Three Kingdoms? Koguryo notebook? Glazed glass king. The author Li Lei is the son of Zhu Meng, King of Koguryo, and the second king of Koguryo. In the second year of Han Hongjia (BC 19), Li Lei succeeded to the throne and was called the Ming King of Liuli. In October of the fourth year of Hongjia, Wang gave up his surname and married Goguryeo, Shibi and Han's daughter Luo Ji as his second wife. The rivalry between the two women is conducive to the construction of the East and West Palace in Wunvshan City today, which will separate the two concubines and ease the contradiction. Later, Li Lei went out hunting for seven days and didn't come back, so the second concubine fought again. He Ji scolded Luo Ji: "It's rude of you to be the concubine of the Han family!" Luigi swallowed the humiliation and left the palace. When Li Lei knew it, he rode behind it. Luo Ji's temper is fierce, and he won't return after being persuaded. Li Lei returned to the palace alone, resting under a tree on the road, looking up at the sky and sighing. At this moment, a pair of yellow birds flew in. singing in the trees, very emotional, recited this song "Song of Yellow Birds". The poem says that the yellow birds fly easily and happily, and they are very close in pairs, but I am so lonely that my beloved can't accompany me home! In this poem, the author compares himself to a yellow bird, which highlights his loneliness, expresses the pain of being separated from his beloved princess and expresses his attachment to her beloved princess.
In later literary works, we can also see examples of using yellow birds to express parting. In the early Tang Dynasty, Du Fu wrote: "Only when the wanderer can come can there be a new beauty shock. The bright sun on the sea is about to rise, and Jiangnan in the south of the Yangtze River is reviving. I watched an oriole fly in the warm air, and the clear light turned into green duckweed. Suddenly an old song is filled, thinking about it. " The sentence "only wanderers can come, and the new beauty is always shocking" not only leads to the following, but also dominates the whole article. "Absolutely" and "slightly surprised" point out the unique feelings of people traveling in a foreign land: the clouds, plums, willows, yellow birds and duckweeds below. They are all footnotes of New Phenology. The contrast between "novelty" and "antique" of scenery has changed from "shock" to "sadness", showing the thinking of "independence" and "return". The image of "yellow bird" expresses the theme of parting from other images here. Today last year, in this door, the peach blossoms set each other off in red, and the peach blossoms still smiled in the spring breeze, although the face didn't know where it went (Tang Cuihu):
This is a lyric poem with sincere feelings. At the end of Cuihu Jinshi, Tomb-Sweeping Day traveled alone in Nanzhuang, a suburb of Chang 'an, and walked to the front of a farmer's house with peach blossoms. A beautiful girl came out and received him warmly, leaving an unforgettable impression on the other side. When Tomb-Sweeping Day came back the next year, the door was closed and the girl didn't know where she was. Only peach blossoms are still in full bloom against the spring breeze, which makes people feel melancholy.
There is a legendary skill in this poem: "Cuihu ... promoted the scholar to the next position. During the Qingming Festival, he traveled to the south of the city alone, and he got a house full of people and an acre of palace. The flowers and trees were crowded and lonely. After a long time, a woman peeked through the door and asked, "Who is it? "I follow my surname, I said," I am looking for spring and walking alone, and I want to drink. " The woman arrived with a glass of water, opened the door, made a bed and sat down, leaning against Momo Xie Ke, standing alone, but with a strong meaning, coquetry and coquetry. Cui used words to pick, wrong, and it took a long time to notice. Cui resigned and delivered it to the door. If he is at a loss, Cui also hopes to return. Never come back again. And next year's Qingming, suddenly remembered, can't help but look for it. The door wall is the same, but I have locked it, because the poem is written on the door on the left ... "(Tang Mengbang's" Skill Poetry Emotion ").
It is doubtful whether you really have this "skill". Perhaps it is to have a poem first and then apply it to the above "skills". But two things seem to be certain: first, this poem has a plot; Second, the above "skills" help to understand this poem.
There are two scenes in the four poems that are the same and reflect each other. Scene 1: Seeking for Spring and Meeting Beauty-"On this day last year, in this door, people's faces and peaches set each other off." If we really believe in this kind of thing, we should admit that the poet really grasped the most beautiful and moving scene "Peach Blossoms set each other off in red" in the whole process of "seeking beauty in spring", which not only set a beautiful background for the "peach blossom-like" face, but also set off the radiant face of the girl, implicitly showing the poet's infatuation and emotion, as well as the situation that the two sides were affectionate but did not communicate. Through this most touching scene, readers can be inspired to imagine many beautiful things before and after. At this point, Bai Meng's "poetic art" may be exactly what he did, especially in his later operas (such as Peach Blossom).
The second scene: find again. It is also the season of spring, and it is also the gateway for flowers and trees to bloom and peach blossoms to hide. However, the "human face" that adds luster to all this has gone nowhere, and only a peach blossom in front of the door is still smiling in the spring breeze. The association of spring breeze peach blossom laughter originally originated from "peach blossom and human face reflect red" Today last year, the girl I met unexpectedly under Taoke must be smiling and affectionate; Today's peach blossom, with a sad face and the same smile, can evoke better memories of the past and the feeling that the good times are not always there. What else can it do? The word "return" contains infinite disappointment.
In fact, the whole poem takes "human face" and "peach blossom" as the main lines, and through the comparison between "last year" and "today", it expresses the poet's feelings caused by these two different experiences tactfully. Contrast and thinking play an extremely important role in this poem. Because the lost beauty is written in the memory, the memory is particularly precious, beautiful and full of emotion, which is a vivid description of "peach blossoms set each other off"; It is precisely because of such beautiful memories that I am particularly disappointed with the loss of beautiful things, and therefore I have the feeling that "people don't know where to go, but peach blossoms are still smiling in the spring breeze"
Although this poem has some plots, legendary techniques and even drama, it is not a narrative poem, but a lyric poem. "Skill" may contribute to its wide spread, but its typical significance lies in describing a certain life experience, rather than telling a story that people are interested in. Readers may not have met stories in similar skill poems, but they may have had such a life experience: they accidentally and inadvertently met something beautiful, but when they deliberately pursued it, they could never get it back. This may be one of the reasons why this poem has maintained its enduring artistic vitality.
"Seeking Beauty in Spring" and "Seeking Nothing Again" can be written as narrative poems. The author didn't write it like this, but it just shows that Tang people are more accustomed to feeling the events in life with the eyes and feelings of lyric poets.