1, a guest from another country.
2. Become a frequent visitor.
3. Wan Li is a guest.
4. Be a guest in autumn when trees are sparse.
When relatives and friends are away, climb the high platform alone.
6. Watching the stage from a distance increases your anxiety.
7. climb high with illness.
8. Time is like running water. The next year has arrived, the one hundred years are almost gone, and there are not many days in the future.
Ascending the Mountain is a seven-metrical poem written by Du Fu, a poet in the Tang Dynasty, in Kuizhou in the autumn of the second year of Dali (767).
Original sentence:
The wind is fast and high, the ape cries sadly, and the birds are circling in the white sand.
The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably.
Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness.
After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.
Translation:
The sky is high and the wind is urgent, the apes sound sad, and the gulls play and hover in the clear water.
The endless leaves are falling, and the Yangtze River is rolling in and rushing.
Lamenting the wandering outside the autumn scenery, I went on stage alone in my old age.
I deeply regret that my temples are getting grayer and grayer. It is very painful for me to give up drinking after illness.
The first four sentences of this poem describe the scenery, describe the experience of climbing mountains, closely follow the seasonal characteristics of autumn and describe the empty and lonely scenery by the river. The first couplet is a partial close-up, and the couplet is an overall vision. The last four sentences are lyrical, describing the feelings of climbing mountains. Around the author's own life experience, they express the sadness of being poor, old and sick, and living in another country. The neckband hurts their life experience and reveals the meaning of metaphor, symbol and suggestion contained in the first four sentences of landscape writing. Tailian complained again, shutting down with the self-image of depression and disease. The language of this poem is concise, the whole poem is dual, and one or two sentences are still correct, which fully shows that Du Fu's mastery and application of poetic language temperament in his later years has reached the realm of tact.