Old Poems about Ode to Willows Ode to Willows Author: He Zhizhang
Jasper is made up into a tree as high as a tree, with thousands of green silk ribbons hanging down. I don’t know who cuts out the thin leaves. The spring breeze in February is like scissors.
Appreciation
This poem uses willow trees to sing about the spring breeze, comparing the spring breeze to scissors, saying that she is the creator of beauty, and praising her for cutting out spring. The poem is filled with people's joy at early spring. The novelty and appropriateness of comparisons and metaphors are the success of this poem. "Notes on Tang Poems" says: "The objects are wonderful and the language is gentle."
This is a poem about objects, written about the willows in early spring in February.
When writing about Yangliu, where should I start? There is no doubt that its beauty lies in its long and draping branches. Once a year, it grows new green leaves, drooping, and has a charming attitude in the spring breeze. This is something everyone can appreciate. In classical poetry, this kind of image beauty is used to describe and compare the slender figure and graceful waist of a beautiful woman, which is what we often see. This poem has a new idea and is turned upside down. "Jasper makes up a tree as high as a tree". At the beginning, willow appears as a beauty: "Ten thousand green silk ribbons hang down", and these thousands of draping silks also become her skirt. The word "high" in the previous sentence brings out the graceful grace of the beauty Tingting; the word "hang" in the second sentence implies that the slender waist is flowing in the wind. There are no words "willow" and "waist branch" in the poem, but the weeping willows in early spring and the beauty incarnated by the willow trees come alive. "Southern History" said that Liu Zhizhi, the governor of Yizhou, presented several willow trees, "the branches are very long, like silk threads." Emperor Wu of Qi planted these willows in front of the Yunhe Palace in Taichang, and admired them without caring about them, saying that they were "romantic and cute." ". The wicker is referred to as "green silk ribbon" here, which may be a metaphor for this famous allusion about willow. But this is chemical use, and no trace can be seen.
"Jasper made up" leads to "green silk ribbon", "green silk ribbon" leads to "who cuts it out", and finally, the invisible and elusive "spring breeze" is also used. "Like scissors" is vividly depicted. These "scissors" cut out green and bright red flowers and plants, giving the earth a new look. It is a symbol of natural vitality and a revelation of beauty that spring brings to people. From "jasper makeup" to "scissors", we can see a series of processes of the poet's artistic conception. The series of images that appear in the poem are closely linked to each other.
Some people may wonder: There were many famous beauties in ancient my country, Liu, why do we use jasper only to compare them? I think this has two meanings: First, the name Biyu is related to the color of willow. "Bi" and "green" in the next sentence are complementary to each other. Second, Biyu will always leave a youthful impression in people's minds. When people think of jasper, they will think of the widely circulated "Jasper Song", "When Jasper Breaks the Melon", as well as poems such as "The Little House Girl of Biyu" (Xiao Yi's "Lotus Picking Ode"). Jasper has almost become a general term for young and beautiful women in ancient literary works. Comparing willow with jasper, people will imagine that this beauty has not yet reached the age of prosperity; this willow is still a young willow in early spring, and has not yet reached the time of dense leaves hiding crows; and the following "thin leaves" and "February" "Spring Breeze" is related again. ?
Liu Author: Luo Yin
Ba Anqing came to say goodbye frequently, cuddling together for the best part of spring. The flying catkins in my own house are still uncertain, and I am arguing about hanging silk and stumbling passers-by?
Appreciation
This poem "Ode to Liu Qijue" is about the farewell scene outside Chang'an City and on the shore of Bashui on a sunny day in late spring. However, it does not write about one's own farewell, but talks about the farewell of others; it does not talk about the farewell of ordinary couples or relatives and friends, but the touching scene of advocating farewell to a sweetheart. And all of this does not appear in the form of direct writing, but uses the technique of Bixing to write about people and use the image of spring willows to express it. Therefore, compared with ordinary farewell poems, this poem about willows is more profound in thoughts and feelings. The art is very innovative.
The title of the poem is "Liu", which is a chant of willow, so the whole poem uses poems, but there are similarities. Its technique of comparison is used flexibly and skillfully. Even if it is at a distance, it is also interesting to compare. The first sentence rises in the scene and flourishes, bringing out the willows in farewell; on a sunny spring day, by the Bashui Bridge, batches of people leaving the poem break off the willows to say goodbye. The second sentence writes about the willow branches leaning against each other, leaning against each other, which is a metaphor for showing openness, and evokes the emotion of the last two sentences. "Snuggling and leaning on each other" describes the graceful posture of the weeping willows in the spring breeze, which makes people imagine the scene of young men and women being intimate and reluctant to leave when they say goodbye. They are in love with each other and cannot bear the lingering feeling of spring. However, they are not like relatives and friends, let alone a couple. They seem to be a couple passionately in love. They also seem to understand that there will be no time to see each other after they say goodbye, and they want to enjoy every moment of happiness before parting. Anyone with a discerning eye can tell at a glance that this is a way for a girl to say goodbye to a good friend. The last two sentences express feelings about the uncertainty of flying catkins and the entanglement of wicker sticks. The willows are used as metaphors for people, pointing out the late spring season and revealing the identities of the parties involved in the farewell. The poet uses "flying catkins without determination" to imply that such women cannot control their own destiny. He also uses "hanging silk to trip passers-by" to point out that they cannot and do not understand the mood of those passing by. They cannot stay with their lingering love threads. Live. "Strive" refers to "how", and the last sentence is "Strive to trip up people with long strips", which has similar meaning, and more directly points out that they are prostitutes in brothels. Generally speaking, the poetry is making fun of these involuntary prostitutes, pitying them for showing off their coquettishness in vain. However, the poet's attitude is sympathetic and euphemistic, and there is an indescribable sigh in it.
In the Tang Dynasty, scholars and women advocates were two relatively active classes in the prosperous city.
Their hierarchical status is very different, but they have various connections and many romances; they also have some kind of similar fate and similar encounters. In "The Legend of the Pipa", the famous prostitute in Chang'an whose "eldest daughter married a merchant" and Bai Juyi, a talented man from Chang'an who was the "Sima of Jiangzhou", had similar experiences and fates of "both being destitute in the end of the world". In the song "Willow", Luo Yin intentionally or unintentionally mocks others' encounters and partings, revealing a bitter sentiment of self-mockery. Although the poet laments that women cannot help themselves, he also understands that his own destiny is also uncontrollable, and his future "may not be as good as others" (Luo Yin's "Gift to the Prostitute Yunying"). Therefore, in the image of the flying catkins and the entangled willow silk, it is not just the fate of Changnv's own family and other passers-by, but the misfortune of all "those who have fallen from the world", including the poet himself, is a kind of A deep sigh about the joys and sorrows of life.
This poem is about Liu, and every sentence is a metaphor for a person. The metaphor is appropriate and the intention is obvious. At the same time, the comparison is inspired by the comparison and leads to discussion. Therefore, the poems about Liu, metaphors for people, descriptions, discussions, pens and thoughts, are integrated and interesting. Among the quatrains about willow chanting in the Tang Dynasty, it is also unique. (Ni Qixin) Liu Author: Li Shangyin
I once danced in the east wind and enjoyed the spring garden. How can I be willing to arrive on a clear autumn day with both the setting sun and the cicadas!
The poem is about willows in autumn, but the poet does not start from the front, but first recalls its scene in spring, and then returns to the willows in front of him. You see, in the Leyou Garden filled with ladies and gentlemen, on a prosperous spring day, the graceful spring willows and the dancing girls are combined in the lively dance banquet. It is difficult to tell who is the dancing girl and who is the willow. Branches, how beautiful the artistic conception is! But the Qiu Liu in front of him was a completely opposite scene. "Qingqiu", "setting sun" and "autumn cicadas" highlight the desolation of the environment. The prosperity of the willows in spring reflects the withering of the willows in autumn. The more prosperous and proud the spring is, the more it shows the haggardness of the willows in autumn. It is through this strong contrast that the poet expresses his lament for the sparse decline of autumn willows. The whole poem is written about willow, but there is no word "willow" in it. Every sentence describes the scenery, and every sentence is lyrical. When the poet was young, he was full of fantasy and confidence, and he had lofty ambitions, just like spring willows filled with vitality. However, due to the party strife, the poet has been living a sinking life. The autumn willows in the poem that have experienced great changes in prosperity and decline are a true portrayal of the poet's self-destruction of his old age and his own life experience. Liu Author: Zheng Gu Tang
On the half smoke and half rain stream bridge, the apricots reflect the peach mountain road. You will be far away from others, and you will be disturbed by thousands of threads and spring breeze.
Brief Notes
Half smoke and half rain: clouds and mist mixed with drizzle.
yingxingyingtao: with apricot trees and peach trees.
Will get: know, understand.
Liren: A person who is far away from his hometown.
Infinite meaning: refers to the emotion of homesickness.
Catkins: Catkins.
To provoke: to attract, to tease.
Appreciation
The meaning of the first two sentences is: Willow trees are planted beside the stream bridge and beside the mountain road, contrasting with the apricot trees and peach trees. The last two sentences are: Willow trees seem to understand the infinite emotion of being away from others and homesickness. Thousands of willow silks float down countless catkins to attract the charming spring.
This poem expresses the author's deep homesickness by describing the soft and graceful willow trees in spring
◇Literary imagery:
From "The Book of Songs· "Xiaoya·Caiwei" "I have passed away in the past, and the willows are still there". Willows have formed an indissoluble bond with Chinese poetry. In the collection of Li Shangyin admired by Xikun poets alone, there are nearly twenty poems written by Liu. Others such as Li Qi's "Listening to An Wanshan Playing the Zhen Song" "The tune changes like hearing the spring willows, and the flowers in the forest shine new", Wang Wei's "A Daughter's Journey to Luoyang" "The painted pavilions and Zhu Towers look at each other, red peaches and green willows hang down the eaves" "Towards", Du Shenyan's "Wandering with Jinling Lu Cheng in Early Spring" "Yunxia rises over the sea and plum blossoms cross the river in spring", Cen Shen's "He Jia Zhishe Ren's Early Visit to the Daming Palace" "Flowers greet the sword and the stars first fall" , the dew on the willow flags has not yet dried", Wang Changling's "Regrets between Boudoirs" "Suddenly seeing the color of willows on the street, I regret teaching my husband and son-in-law to look for a title", Wei Yingwu's "Eastern Suburbs" "The willows are scattered in the gentle breeze, and the green mountains are dancing with my thoughts", Zhou Zhihui's "Willows" 》"The traces of melancholy are chaotic with the wind, and the beauty of the rain is reflected in the rain"... all express the personal emotional and life experiences of poets of the past dynasties.
Relying on the willow after leaving love
The word "liu" means "liu". The two sounds of "liu" and "liu" are harmonious, so the ancients said "break the willow" to keep each other. , it means to be reluctant to leave friends when they are separated. It was first seen in "The Book of Songs" and was the first to chant willows to express feelings and express farewell to the willows.
Luo Yin's "Willow": "Ba'an Qing comes to say goodbye frequently, and we can't stand each other until spring. The catkins flying in our own house are still uncertain, and we are arguing about the hanging silk and stumbling passers-by?" This is the use of Bixing techniques, with the help of spring. The image of Liu depicts the lingering scene of prostitutes bidding farewell to their sweethearts outside Chang'an City on a sunny day in late spring on the bank of Ba River. ?
Most poets use "willow" as an image in their poems, and they all think about breaking branches and giving them to each other. For example, Shi Jianwu's "Breaking Willows" "I saw the willows on the roadside in spring, and they broke every new one. This year "Return to the place where it was last year, and don't send it away to others who left last year"; Dai Shulun's "Willow on the Embankment" "Weeping willows have ten thousand silks, weaving farewells when spring comes. The place where passers-by climb and break is when I have a broken heart"; Bai Juyi's "Remembering Willows" "I planted willows in the south of the Yangtze River, Farewell to the south of the Yangtze River for two springs. Reminiscing on the banks of the Qingqing River, I don’t know who Pan Zhe is, etc. And Yong Yuzhi's "Willows by the River": "On the edge of the ancient embankment, there is a green tree smoke. If the silk is unbroken, leave it to tie Lang's boat.
"The idea is novel, the imagination is unique and appropriate to the situation. The heroine in the poem not only does not break the willows to say goodbye, but hopes that the willow silk will continue to be continuous so as to tie the lover's boat and never be separated. It is really unique.
The jasper spring willow full of spring
"Green Willow" written by Xiao Yi of the Southern Dynasty: "Long strips hang down to touch the ground, and the light flowers catch the wind. The dew is stained with green, and the small leaves are not blocking the sky. "The poet concentrated his pen and ink on the flowers, colors and leaves of the willow, and captured the word "green" to describe the feeling of the willow tree just taking off its leaves and flying flowers in the beautiful spring. It is clear and vivid. "Village Residence" by Gao Ding of the Qing Dynasty: " The grass is long and the orioles are flying in the February sky, and the willows are blowing on the embankment and are drunk with the spring smoke. The children came back early from school and were busy taking advantage of the east wind to fly kites. "Write a picture of a rural spring scene full of life.
Among the classical poems written by Liu in spring, He Zhizhang's "Ode to the Willow" is the most famous: "The jasper makes up a tree as high as ten thousand people. A green silk ribbon hangs down. I don’t know who cuts out the thin leaves. The spring breeze in February is like scissors. "The poem is contrary to the previous writing method that used the image of willow to describe the slender figure of the beauty. Instead, the willow appears as the beauty "jasper". It uses anthropomorphic techniques to vividly depict the willow's long and draping branches and green new leaves. Charming posture in the spring breeze
Reflections on the fleeting life
Li Shangyin is a poet who loves to use the image of "willow" in the past. His "Willow": "I once chased the east wind. Whispering and dancing feast, enjoying the spring garden and the heart-broken sky. How can I be willing to arrive on a clear autumn day, with the setting sun and cicadas already there? "The spring willow is used as a comparison to describe the decline of the willow in autumn. The prosperity of the willow in spring reflects the withering of the willow in autumn. The more prosperous and proud the spring is, the more it shows the haggardness of the willow in autumn. Li Shangyin's Youth He was a Jinshi at that time and had the lofty ambition of "wanting to return to heaven and earth in a small boat". However, due to party strife, he was reduced to a lower official for a long time. At this time, he mourned his deceased wife and lamented the future. One can imagine his miserable mood. The past and present experience in the poem Isn't the autumn willow tree, with its great changes in prosperity and decline, a vivid portrayal of the poet's self-deprecation and lamentation about his life?
Bai Juyi's "Old Willow in the West of the Qinzheng Building": "The half-decayed tree is facing the wind, and the passionate man is standing on the horse." A willow tree in Kaiyuan, spring of the second year of Changqing. "Using simple strokes, he sketched a self-portrait - "Picture of a Horse Standing in the Wind". Another of his poems, "Words on Willow Branches": "A tree has thousands of branches in the spring breeze, tender as gold and soft as silk. In the deserted garden at the west corner of Yongfeng, no one belongs to that person every day. "To write about a willow with prosperous branches and graceful dancing, but it is in a desolate and desolate situation, this is clearly a lament for the political corruption and buried talents at that time. The willow in it is clearly a portrayal of the poet himself who was surrounded by cliques.< /p>
Ming Dynasty poet Gao Qi's "Autumn Willows": "It's no longer possible to pull back the long strips, and the capital will never be restored to its old state. At this time, I was worried about killing Huan Sima, and the dusk rain and autumn wind filled Hannan. "Describes the dry willow branches that have lost their former green, soft, long and drooping appearance, thus recalling the characters and expressing the emotion of the passing of time and the frequent changes in the world.
Poets have always used " "Willow" has been included in poetry, but few people have written about winter willow. This is not the case with Lu Guimeng, a Chinese poet of the Tang Dynasty. His "Winter Willow": "The willow pavilion is slanted towards the barbarian window, and the scattered and decaying strips are adjacent to the Xiaojiang River." It was at the point where the frosty wind broke that a pair of cold gulls started to fly. "It writes about the withered winter willows in the cold wind, embodying the poet's feelings of self-harm.
The charming dream lover
Li Shangyin's poem "Giving Willows" depicts The grace of spring willows: "The Zhangtai is hidden, and the Ying road is even more uneven. Seeing that she is extremely romantic, come and be graceful. The bridge is about to break, and the embankment is far away. I can bear to let the flowers bloom like snow, and flutter the wine flag in the brothel. "The whole poem is drawn in white. "Ying" and "Jagged" describe the lush scene of willows with bright or dark colors and soft hanging strips. "Romantic" and "graceful" describe the lightness of the willows. The flowers flying like "snow" describe the spring willows. The prosperity of the poem is written to the extreme; if you look carefully, you will find that they are not only writing about willows, but also about people. Between the lines, there seems to be a graceful and graceful girl's figure moving, graceful and graceful, and singing about willows means singing about people. The reluctance to leave is a sign of attachment to the one he loves.
Another poem by Li Shangyin, "Ode to the Broken Willows from the Pavilion" (Part 1): "For the time being, I will give you wine without any regrets. Don't lose it." A frown and a slim waist. There is only farewell before death in this world, and the spring breeze strives to cherish the long strips? "Write to comfort your lover when you say goodbye to him. You are already worried and thin, how can you withstand the damage? And before this painful farewell, how can you not cherish the long branches? Let those who are filled with the pain of parting try to analyze it as much as possible. "Cherish" and "loss" echo each other, because the frown and thin waist not only describe the girl positively, but also punctuate the willow. The willow leaves are compared to the eyebrows of the beauty, willow. The body is bigger than the waist of a beautiful woman. This poem first uses a metaphor to teach people not to fold, and then turns to clearly stating that it must be folded, and it is full of pessimism.
The Traitor
The poem "Weeping Willow" written by Tang Yanqian, a poet of the Tang Dynasty, has a different meaning: "There is no love in the spring breeze. Who dares to fight against the lightness in the world." The King of Chu planted seeds on the bank of the river for no reason, and his slim waist was damaged by starvation and he could not learn anything. "This poem not only describes the gracefulness, delicateness, lightness, and charm of the weeping willow, but also reminds me of the story of King Ling of Chu who "loved a thin waist, and many palace maids starved to death." The villain and the corrupt government are sharp in their tenderness and sharp in their implicitness, which can be called a masterpiece of "Yong Willow" by Zeng Gong, a poet of the Song Dynasty: "The chaotic strips have not yet turned into the first yellow, leaning on them." If you get the east wind, you will be crazy. The flying flowers are obscured by the sun and the moon, and I don’t know that there is clear frost in the sky and the earth. "The poet uses the image of wildly dancing willows and flying catkins to satirize the treacherous people who cling to the powerful and gain power.
"Every time I lean on the mist, thousands of threads flicker into the sky" (Li Shangyin's "The Fragment of the Willows from the Pavilion" Part 2), the charming and lovely willow standing in the Chinese poetry circle has been It has become a cultural symbol and an emotional medium, which has fascinated countless literati.
———— Willow Planting in Dongxi
Tang Bai Juyi
Ye. Planting willows in the water.
Cut them with an ax in the spring.
The length is neither the same nor the height.
Bury big trunks against the bank and plant twigs near the stream.
Pine and cypress trees are too strong to be moved.
It is better to plant this tree, which will flourish easily.
You can live without roots, and it is not too late to become a yin.
You can see Yiyi after not leaving the county for three years.
After planting, rest by the water and look up. Thinking about it in leisure time.
Wealth is not a wish, fame must wait.
If you don’t plant Dongxi willow, what do you want to do?
Qingmen willow?
Tang Bai Juyi
A green tree looks sad, and has been part of the separation and hatred of several people.
Because of the many farewells near the capital, the long strips have been reduced to reduce the spring breeze. .
Suzhou Liu
Tang Bai Juyi
The yellow and graceful flowers in the Golden Valley Garden, the dancing green trees beside the Qujiang Pavilion
The old people are parading everywhere. There are many willows all over the place, unlike Suzhou.
The fluttering white heads are blowing on your face, leaving you helpless.
The new willows in Chang'an
Tang Chenguang.
The clouds are beginning to rise over Jiumo, and the willows in Huangqu are new. The scenery of the garden is different, and the sun is shining first.
The color is light and not dusty. Just when I want to break it, I will go back in the morning.
Willows by the water in May
Tang Cuihu
The roots are tall and the branches are clear. . The face is still cold when sleeping, and the waist is clear and soft. >The fish are afraid of the long silk, and the birds are frightened by the weak branches. They are full of emotions in spring.
Willows
Tang Cui's oars
The wind. The sun is slowing down, and the smoke is blowing into the water. It will cause thousands of hatreds, and it will be tied to the short and long branches.
The bones are weak, the man is thin, the waist is light, and the girl is hungry. She has not returned to her hometown. .
Xinliu
Tang Cuilu
Ruthless and tender, it seems that it is leaning on the ancient platform in the wind.
How many years ago. Today, I hate that the color of Yugou comes from Dongting.
Willows on the embankment
Dai Shulun of Tang Dynasty
Weeping willows with thousands of silk threads, weaving in the places where travelers climb up and leave concubines. When the heart is broken.
The willows of the Changting Pavilion are washed by the rain, and the smoke is soft and green. .
Seeing off guests brings new regrets, and listening to orios reminisce about old travels. If you give away many gifts, you will get a late autumn.
Ti Liu
Tang Dihuan
The shadows are whirling here between the south and the north. There is no end to the emerald green, and there is more to it than love.
The remaining rain lingers on the bank of Ba, and the mist covers the Sui River. He has a good reputation, can Qin Song succeed him?
Lonely Willow
Tang Dumu
A willow containing smoke will sway in the wind for a long time.
The beauty couldn't bear to be broken and looked back at her delicate hands with regret.
Liu Quatrains
Tang Dumu
Several trees have newly bloomed and green shadows are in full bloom, leaning against the wind and being fascinated by the spring.
I hate my hometown Fanchuan, half covering the village bridge and half brushing the stream.
Xinliu
Tang Dumu
Can't shake the wind and the dawn looks new, and the thin waist is jealous.
The green shade has not covered the water of the long embankment, and the golden ears are the first to greet the spring in the garden.
A few sad memories of the long journey, a branch and the rain send the dust off.
There are many farewells outside the east gate, worrying about killing people day and night.
Willows in Yugou
Xunhe of Tang Dynasty
When spring arrives in Yugou, the willows beside the ditch will be new in color. The thin cage penetrates the forbidden water and gently brushes the people entering the court.
The sun is approaching, the time is early, and the sky is low and the sky is even. The warbler's perch in the valley is not stable, and the painting of the palace maid is difficult to be realistic.
The sky in Chu State is shaking with waves, and the Sui Dynasty embankment is secretly stirring up dust. In the Imperial City, Longjin must be conquered first.
Willow
Tang Fangqian
Swaying in the wind, softer than silk near the embankment. Who knows if the attitude is strong? If the strength is weak, it will be difficult to maintain it.
Learn to dance with branches, turn your sleeves, and spread your eyebrows like leaves. How to climb up and down, Huaiyou wrote poems again.
Liu
Han Xie of the Tang Dynasty
A cage of gold thread brushed the curved bridge, and the waist was almost damaged by children.
Unfortunately, Linghe Biaoge is still there, and the spring is still long.
Two Songs of Willows
Tang Guyun
The dew and smoke are hanging down everywhere, the yellow blossoms are yellow and the green is tender.
The long embankment has not seen the wind floating catkins, and the vast road is the first to pity the sun reflecting the silk.
Leaning by the painted banquet to steal the dance, lowering oneself to the makeup pavilion to imitate frowning.
Leave the pavilion until late spring, and fold all the thousands of branches on the eaves.
The idle flowers and weeds are always competing for new ones, and the wrinkles on the eyebrows are uneven.
Don’t waste a spring by begging for the remaining strength of the east wind.
Willow
Han Cong of the Tang Dynasty
In the song of breaking willows, green strips were obtained, and the green sky was planted in the golden palace far away.
The palace maid from Shangyang said goodbye with a voice, but she was not angry and returned to dancing with her thin waist.
Liu
Han Gai of the Tang Dynasty
The snow is gone and the shadows on the green gate are faint, and the warm breeze returns late and early in the morning. If you rely on thin leaves to retain the spring color, you must tie the long strips with falling sunlight. Peng Ze was sentimental and depressed, but Sui Di had no one to rely on.
In this world, people who are hated are spared, but passers-by give rare gifts.
Yong of the Willows
Han Xie of the Tang Dynasty
The rain and the wind cannot control themselves, and the whole body is weak and hangs down to people.
The jade fiber is broken and given to each other from afar, just like when it is in the hands of Guanyin.
Yong Willow
Tang He Zhizhang
The jasper made up a tree as high as a tree, with thousands of green silk ribbons hanging down.
I don’t know who cut out the thin leaves. The spring breeze in February is like scissors.
New willows in Yugou
Tang Jialeng
Yanghe is early in Yuyuan, and the willows in Zhanggou are new in color. The roots are in recent days, and the leaves are covered with spring.
Beautiful nature contains green, and clear yin wants to protect people. Light clouds slant the view, and there are many dewdrops traveling in the dust.
The curls are worthy of leaving the gift, and I am alone looking at the frequency. If the king and grandson can be rewarded, they will climb and break in Fangchen.
New Willows in Yugou
Li Guan of the Tang Dynasty
Yugou returns to Guangmo, and the willow trees face the pedestrians. The green branches are full, and the trees are new with age.
Afraid of encountering unexpected visitors, worried about seeing farewell. Yingzhang Taiqi is close by, and Yuan Chun is far away.
The tender vagina is first covered with water, and the tall shadow gradually leaves the dust. Don't play the harp and the flute, or wet the towel with tears.