Li Bai created the least poetic form.

The least poetic form in Li Bai's poems is metrical poems. He wrote a large number of Yuefu poems, accounting for almost a quarter of all poems, and was the poet who wrote the most Yuefu poems in the Tang Dynasty.

His best quatrains come from Yuefu. Li Bai also freely used the quatrains used as Yuefu in the Tang Dynasty. All these show that Li Bai's poems are close to folk songs.

Li Bai's best genre is seven-character poems and quatrains. Li Bai's seven-character song also adopts the structure of opening, closing, jumping and swinging. The beginning of a poem is often abrupt, such as a sudden surge, while the middle image of the poem is abrupt, often omitting the transitional care, as if there is no trace to follow, and the end of the poem comes to an abrupt end at the emotional climax.

The influence of Li Bai's poems

In Li Bai's poems, imagination, exaggeration, metaphor, personification and other techniques are often used comprehensively to produce magical brilliance and magnificent artistic conception, which is the reason why Li Bai's romantic poems give people heroic and unrestrained, elegant and immortal.

Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.