Narrative characteristics of Red Sorghum! Mo Yan's! Seeing clearly is a narrative feature, not an artistic feature!

Mo Yan's narrative pays special attention to feeling, and develops experience and expression in the form of three-dimensional feeling, which constitutes the whole time and space experience. Red Sorghum is basically described from the subjective perspective of "I". This way of narration from the subjective perspective of "I" not only facilitates narration and description, but also opens up time and space to express experience freely and casually, forming a backward effect, which also reflects Mo Yan's unreasonable separation and distance from modern China society and traditional China culture. In the concrete narration, the author intends to strengthen the feelings of the characters in the works and let the people and things in the works exist and act in their own feelings; Or deliberately create a special atmosphere to release feelings. Mo Yan also combined the feelings and imagination of light, color, shape, sound, taste, touch and taste, organically combined time and space, reality and fantasy, and accurately expressed the inner world of the characters. For example, in Red Sorghum, my father saw the blood on Wang's face on the way to ambush:

On his cheek, there is something dark blue flowing. Father reached out and touched the sticky and hot liquid. Father smelled a fishy smell similar to the mud of the Mohe River, but it was much fresher than the mud of the Mohe River. It overwhelms the fragrance of mint and the bitterness of sorghum, and awakens his father's approaching memory, connecting the mud in the ink river, the black soil under sorghum, the past that will never die and the present that will never stay. Sometimes, everything will spit out the smell of human blood.

A smell of blood will trigger multiple feelings of father, connect the ink river, sorghum and black soil in life, organically integrate reality with the past, form a whole experience of time and space, and accurately express a teenager's extremely complicated psychology on the way to ambush before the too heavy test of life and death comes.

Another example is an exaggerated description of "my" grandmother before her death. Under the blue sky, white clouds and red sorghum, she saw "a group of white wild pigeons falling from the sky". Then, with the help of stream of consciousness, the author describes this series of colorful illusions in poetic language, especially the illusion of Red Sorghum. "They groaned, twisted, cried and twisted." The constant transformation of space, time and description perspective accurately described my grandmother's love for life and longing for a better life. Mo Yan's creative use of this narrative mode reflects the discourse tendency of China's social and cultural enlightenment and human nature liberation in the 1980s, as well as the fundamental obstruction of China's traditional culture to enlightenment and the absurdity of human nature.