Wen Que is happy, and the five mountains view peaches. How can the poet describe the scene when the spring tide comes concretely and vividly?

Personally, I prefer the window of Cao Zhou. - -! This word is dedicated to the overwhelming tide in Zhejiang. There were many poets who chanted the tide in the Song Dynasty, and Su Shi, Xin Qiji and other generations all left poems that chanted the tide. Although the theme of this thoughtful poem is nothing novel, it has its own characteristics and is worth reading. The first paragraph of the word describes the tide. The next movie is about the scene after the tide has passed. "Tianshuibi" is a light blue dye. The first two sentences say that the autumn water of Qiantang River seems to be dyed into the color of "Tianshui Bi", which refers to the perception of the future ebb and flow and calm. "Aodai Snow Mountain has thorns and the wind blows the sea." Write in two sentences that the tide is roaring and surging, as if it were a snowy mountain carried by a turtle, as if it were a dragon that woke up and crouched at the bottom of the sea, and as if it were a swift wind that blew the sea upright. The poet used several vivid metaphors one after another to vividly describe the thrilling scene of the Qianjiang spring tide. The image is vividly displayed, making people feel as if they were there. Compared with the description of watching tide in Meicheng's Seven Hairs, it is not as elegant as prose, but more refined than the former. The next article writes that the tide has passed the wind, and the river surface is another scene. There are three sentences, namely, "Counting a few drops of cigarettes and a touch of rosy glow, Bai Niao is smooth sailing", which describe the scenery in the distance and high places respectively. Some distant green hills are still green, although shrouded in a faint mist. Xia Hong on the horizon seems to be just a gauze woven, with the wet meaning after tidal spray; Near dusk, Bai Ou flew up and down, and the sail stood on its side, indicating that seagulls were flying by boat. The poet chose some typical scenes to form a colorful picture, which is pleasing to the eye and immersive. The last sentence, "Smell the night flute across the river", uses static knot to move, and uses auditory description to wrap the whole word, which is in contrast with the previous visual description. The whole word is purely about scenery. At this time, it is charming to point out that there are people in the scene and me in the scene. You can hear the flute on the other side of the river, which means that it is calm and all is silent. Writing a flute is actually about the water of Qiantang River. In terms of time, the whole word is written from day to dusk, and from dusk to night. From the artistic realm, it is also from extremely noisy to extremely quiet. The whole process before and after "Watching Tao" is vividly described, which makes readers feel ashamed of watching a vivid film with close-ups and scene changes. Similarly, because poets are also painters, they can "take painting as their word". In particular, the phrase "the night flute is heard across the river" has an endless aftertaste, which seems to be broken, and it has the same effect as the Tang Dynasty's "the end of the song is not seen, and the peak on the river is green" (the sound of drums and pianos in Xiangling, Qian Qi). Zong Baihua, an aesthetician, praised the poet for "being able to set off the real scenery with air and shoot it with ink, showing infinity in all directions" (The Birth of China's Artistic Conception). [