This sentence is very distinctive, and the author has succeeded in giving abstract things a sense of image. "I have no companion for a long time, and I speak to the oriole." Lonely poets only talk to orioles, but write their lonely feelings in an interesting and carefree way, which makes the early spring days very troublesome. In the long days, poets are extremely boring without poetry friends and wine friends. It's strange that an oriole can talk to others. This is in contrast to the loneliness without a partner, and it also reflects that the troubles of leisure are still there. In fact, the so-called "letting go of spring worries" is not exhaustive. The beauty of words and feelings is implicit.
Because of the difficulty of worrying about spring, and because there is no one to talk to, the poet moved the boat to visit friends and naturally transitioned to Xia Gan. "Flocculent shadows are fragrant, and spring is nowhere." The poet has left the room and merged into the embrace of nature. In late spring, catkins are flying, and under the sunshine, the realm is beautiful. In that place where catkins are floating and apples are fragrant, it is naturally full of spring. I tried to find Chunchun and found Chunchun here. The poet's joy is beyond words. At this point, endless spring worries are really released.