What is the creative tendency of mainstream poetry in the Eastern Jin Dynasty?

The creative tendency of mainstream poetry in the Eastern Jin Dynasty: From the brief comments of Tan Daoluan, Liu Xie and Zhong Rong in the Southern Dynasties, we can see the evolution of mainstream poetry in this period.

There is still a lack of coherent research on the development and evolution of the main trend of poetry in this period Like Mr. Yao Yao's metaphysics? Scenery? Pastoral Poetry-On the poems of the Eastern Jin Dynasty, it seems that it is rare to study specific problems and analyze the achievements of romantic changes in poetry.

When it comes to this period of poetic history, literary history, poetic history and other works are as precious as gold, and often focus on Guo Pu and Tao Yuanming, while paying insufficient attention to the occurrence, development and evolution of metaphysical poetry in the Eastern Jin Dynasty, which often gives people a feeling that they only pay attention to the beginning and the end, and the middle is too short.

literary criticism

Literary criticism was fully developed in the Southern Dynasties. With the prosperity of literary creation, the analysis of literary system and the discussion of literary essence are more systematic and in-depth. The difference between writing and writing reflects the understanding and requirements of literary creation at that time. Yongming's theory of rhythm summed up the application law of Chinese phonology in verse, which had a great influence on the formation of new-style poetry at that time and later-generation rhythmic poetry.

Liu Xie's Wen Xin Diao Long is an epoch-making masterpiece in the history of literary criticism, which is systematic and complete, closely discussed and comprehensively discussed all aspects of literary creation. Zhong Rong's Shi Pin is an important monograph on poetry, which has many insightful opinions on the ideological and artistic standards, writers' genres, specific evaluations and so on.