Director: Ray
Starring: Xie Dan, Tsering Danjin, Rencheji and Shen Jian.
Screenwriter: Vincent Shen Lei Bao Xiao
Master planner: Sina, Gidemaga and Wang Shengde.
Producer: Lu Ailing
Producer: Wang Jianguo
Produced by Shaanxi Pu Tian Film and Television Culture Co., Ltd. in 2004 (agreed) Lhasa girl, mom and dad, agreed, start all over again, homesickness, three flowers remember, dancer Zhuo Ma, a heart, sister La, moonlight grassland, Zhuo Ma, good luck, etc …
20 10 (voice of mother tongue)
Compatriots' sympathy in Yushu disaster area, mother tongue voice, hometown Guoluo, reunion, life value, collectors' brothers and so on …
20 1 1 (voice of unity)
The voice of unity, praying for good luck, good luck, blessings in my heart and so on …
Excellent music
In 2004, Lhasa girl, mom and dad, commitment, starting from scratch, pulling sister, etc.
In 2005, the sun, moon and stars in my heart, moonlight grassland and so on.
In 2006, the lark in the grassland, the snowy area in my hometown, etc.
In 2007, three bowls of wine were given to you, Kerry, Guoluo and others in my hometown.
In 2008, the Holy Land Lhasa, Ama Tsering Wangmo, etc.
In 2009, "Hometown Nangqian" and "Waiting"
20 10 waiting for fate, sadness, modern people, dawn, etc.
20 1 1, son of the snowy area, missing the guru, calling for progress, etc.
20 12 Nadachu, scaring Mu Ye, etc.
When Xie Dan, a 6-year-old boy, appeared at the competition with his guitar, I believe that the audience would burst into thunderous applause. On the stage, he was calm, confident and not nervous at all. Although he is young, he is quite skilled in playing. He said that his first teacher was his grandmother, and his achievements today are closely related to her careful teaching. Friends who have heard of "Ama Tsering Wangmo" will think what a great mother she is.
Snow Mountain is included in the Voice of Snowland. Lyrics choose the theme of praising the snowy area, which is often used to play and sing songs, but the whole song is mainly accompanied by accordion, and the form and structure of music are different from those of playing and singing songs. The whole song is divided into two parts, with the themes of "Snow Mountain" and "Fame" respectively, which shows the singer's reverence for the snow mountain and pride in Tibet's reputation. I like the rap part of this song very much. "Snowy snow mountain is the castle in my heart. Pure water is the blood of my ancestors. The call of blood relatives is my song. The tribe in the third district is my brother. " Poetic antithesis is neat: snow-capped mountains-castles; Clear water-bloodline; Calling-singing; Tribal brothers. This compilation was translated by Yang Ruizhiba, and its level is amazing, which not only truly reflects the original intention of the lyrics, but also fully shows the subtlety of Tibetan. In MTV, Xie Dan even danced a dance, which I believe many friends have never seen. Although there is a little shyness and youth in the middle, it is really cute.
Miss Guru is also included in the waiting. This is a poem written by Xie Dan in memory of the sage and guru Jin Mei Pengcuo of the French king Ruyibao. The opening of the song is quiet and heavy, and the melody is sad. Xie Dan sat on a stone in the forest, and the voice and appearance of the guru came to him. Through singing, Xie Dan called the guru who pointed out the way for the world and missed the guru who cared about all beings. When a red sun soars over the altar-like Buddhist Academy, the dharma capacity of becoming a master appears in the sunrise, Xie Dan is pious and folded, and the listener's heart is also pious. Xie Dan and Lausanne sang "Calling for Progress" in "Master and Apprentice". This is a cheerful song, and the tacit understanding between them is much better than that in their hometown in the snowy area, but Xie Dan's composure and Lausanne's slight formality are still obvious. Lausanne is often forgotten except for the dazzling light of Xie Dan. Although Lausanne also has a good voice and can play the mandolin skillfully, even Lausanne's facial features are more perfect than Xie Dan's, but it can't beat the edge of Xie Dan. Most of love's 0: 34 seconds drooped eyes and smiled, and I don't know how many dreams filled me.
The Girl in Lhasa in Xie Dan's first solo album "The Agreement" was independently created by Xie Dan. I have always liked such neat lyrics, from the eyes of Lhasa girls to the contributions of grassland boys, to Cangyang love songs to Batang Heizi. Four seemingly unrelated themes can fully show the characteristics of Tibet, and they are connected in series with some Xinjiang-style melodies. This song has a high click-through rate on major Tibetan music websites. It not only sang the beautiful humanities of our beautiful Tibet, but also sang the love of our new generation of young people for the snowy area.
The Prairie Lark, included in the mandolin, is Genxia's first work. Although the lyrics are simple and the melody is not necessarily complicated, it is simple and elegant. I like the chorus "I am your grassland, I am your home, you are my girl, kind Zhuo Ma". What kind of man can call it grassland and what kind of man can call it home. Every time I hear this sentence, I can't help but think of a scene: an endless prairie, a man running at once, his direction is a tent in the distance, and a beautiful girl is looking out in front of the tent. I hope that man is Xie Dan and that girl is myself. I believe everyone has heard of "kind Zhuo Ma", but I believe I am the only one who has the honor to hear of "kind Kaka". He is not the first person to adapt this sentence, but the one he adapted will live in my heart forever. Playing and singing, like the black boy in Batang, is one of the most native music forms of Tibetans. Debye, Volgon and Riga, the famous masters of playing and singing, all brought the essence of playing and singing into full play and won the hearts of the people. But they will be old one day. After ten years, who will lead the coquettish music? It must be Xie Dan. Because he not only has skillful playing skills, beautiful singing, profound Tibetan culture, but also has high musical literacy. Xie Dan was the composer of some songs in the early pop album "Appointment", and Xie Dan was also the songwriter of many works in some playing and singing works. Xie Dan changed people's previous impression of playing and singing singers, and attracted a large number of young friends to know, appreciate and love playing and singing with his handsome appearance and avant-garde dress without losing ethnic customs. When he dressed in Tibetan costumes, played the mandolin, or sang devoutly or exultantly or proudly, his voice entered everyone's eyes, and his voice also entered everyone's hearts.
The original Tibetan culture such as playing and singing has gradually disappeared, and too many popular, avant-garde and trendy elements are flooding, challenging the production direction of Tibetan music. National music must not disappear. I hope that after 20 years, playing and singing will be inherited and carried forward by Xie Dan.