For example, the night berth on Jiande River: When my boat was sailing in the misty berth, at dusk, the memories of the old days began. The vastness of the wilderness is deeper than trees, and the moon is very close to the moon. This is a poem that expresses the idea of travel. The ingenious thing is that it is not based on pedestrians or ships, but on ships. Although seven sad words were revealed, he immediately turned his brush strokes to scenery description. Another example is the poem "Passing through the Old Village", which is described in plain language, with almost no exaggerated sentence. It describes a beautiful, simple and natural life scene and shows the poet's yearning for rural life.
In his poems, there are also neat and even sentences with meticulous descriptions and careful words, but they are not intentional, just words that come to mind at the moment. Such as "Spring Dawn", "I woke up in this beautiful spring morning, and birds were singing everywhere", which inadvertently revealed a beautiful and pleasant spring.
4. Ming Xiu's poetic realm is plain, clear and full of interest. For example, in "Night Sleeping on Jiande River", the first two sentences are touching the scene and the last two sentences are lyrical, which describes the fresh autumn night and highlights the subtle characteristics of the scenery. The whole poem is light, elegant, implicit, flowing, natural and charming, and quite distinctive.
5. Generally speaking, Meng Haoran's pastoral poetry was liberated from the narrow theme of object-chanting poetry and response system prevailing in the early Tang Dynasty, which showed more life, inherited Xie Lingyun's tradition and created the precedent of the pastoral poetry school in the prosperous Tang Dynasty.