? Is it broken? return
You stand on the bridge and watch the scenery.
See the scenery? See you upstairs
Ming? Decorate your window?
Did you decorate it? Dream on.
? When I first read the broken chapter, I was attracted by the twists and turns. Cut seems to be relative? In the transformation of aesthetic subject and object, his poems show us? Is it? Freehand painting? ,? These paintings? In the waterfall? Answer? Poetic world of style.
Poetry? By watching? The change of direction and placement makes the poems achieve overlapping visual effects, and the forms of poems become rich. "You stand on the bridge and watch the scenery" is written in the first place? Take "you" as the starting point of vision, and the landing point of vision is "scenery". ? "Look at the scenery? exist
Does "See you upstairs" come from the third place? According to the idea, "see the scenery? "The visual landing point should also be the scenery, but the visual landing point of poetry has become" you ". First one? What about the third? Between scales, between "you" and "scenery", "look at the scenery? There is a visual transformation between "you" and "you", and the spatial distance is enlarged.
At the beginning of the poem? Section, "Ming? Decorate your window? " What is the visual starting point? "Ming" in life? Is the visual impact static? "the window?" . "Don't you decorate? Dream " had this for the first time? Taking "you" as the starting point of vision, the visual landing point is transformed into a dynamic "don't? Dream. "
Ming? "and" window? "Between you and no? "Dreams between visual objects? Very? At the same time, the change forms the sum of spatial distance? Manage the distance. First one? Visual painting of festivals? Send? Are you online? Oh, my God, what is this? Two pictures of the festival? Into the night? The time span between the sky and the night adds to the inner charm of poetry.