Close to Zhu Zhechi, close to ink is black, which means: Zhu sees red, ink sees black. Metaphorically, being close to good people can make people better, while being close to bad people can make people worse. Refers to the objective environment has a great influence on people.
From: Jin Fuxuan's "The Prince of Shaofu is True": So close to Zhu Zhechi, so close to Mexico is black; The sound and harmony are clear, the shape is regular, and the shadow is straight.
It means: near Zhu Zhechi, near Mexico is black; If the voice is harmonious, it will sound clear and straight, and the shadow will look straight.
Tell people that a person living in a good environment will be affected by good, and living in a bad environment will also be affected by bad, emphasizing the impact of the environment on people.
Extended data:
Close to Zhu Zhechi, close to Mexico is synonymous with black people:
Seeing and hearing, wet; Dye: pollution. Ears often listen, eyes often see, unconsciously affected. It is said that if you watch too much and listen too much, you will be influenced invisibly, which means that you will be affected.
From: Lu Xun's Letter to Mother: "This is probably because I often stay with adults and have no children, so I know more things."
In this way, he became interested in painting and music, and formed the habit of reading.
Relevant persons introduced:
Fu Xuan (2 17~278), a native of Yang Ni (now southeast of Yao County, Shaanxi Province), was a writer and thinker in the early years of the Western Jin Dynasty. Born into an official family, his grandfather Fu Xie was the prefect of Hanyang in the Eastern Han Dynasty. Father Fu Gan, Wei Fufeng satrap.
Fu Xuan is knowledgeable, capable of writing and martial arts. Although he is outstanding, his works are not wasted. He was involved in the writing of Shu Wei. He also wrote hundreds of thousands of words of Fu Zi, and wrote books to comment on various theories and historical stories. Fu Xuan is good at Yuefu poetry. There are more than 60 poems today, most of which are Yuefu poems.
Although there are some ancestral temple movements and imitations, there are also many works that inherit the tradition of Yuefu folk songs in Han Dynasty and reflect social problems. Among them, the works that reflect women's problems are the most prominent.
Ruyu's "Bitterness" profoundly reveals the patriarchal phenomenon and the suffering of women in feudal society. "Madam Qin Hugh" describes Pang's just revenge, while "Autumn" shows his wife's chastity and lascivious behavior.
They all praised the noble qualities of front-line women. He also has a poem "The Wall Can't Move", which compares the nobility and the poor, and has the significance of criticizing the society. Fu Xuan's poems are flashy and flashy, and their styles are quite vigorous, such as The Separation of Qin Women.
Later generations praised it as "syllable agitation and ancient vigor" (Selected Poems of Cai Jitang), which has a charm of Han and Wei dynasties, but the language is sometimes difficult to understand. Fu Xuan also has some poems about love.
Such as Journey to Chang 'an, Car Demon, Yun Ge, etc. They make good use of metaphor and conciseness. Yun Ge and other forms of long and short sentences have a certain influence on Bao Zhao's poetry creation.
Baidu Encyclopedia-It's dark near Zhu Zhechi and Mexico.