The original creative intention of the finger writer has been blurred, but it is not without traces, even in poetry.
Captured some valuable enlightenment. The first thing to note is that the poet did not choose the word "I" in this poem.
As the main word of this poem, the strong lyric image of the subject adopts the general name of "we". be like
A group of spectators, "we" are always silent (we look at it quietly,/afraid to surprise it), showing a "flowing water" look.
The helplessness of "Spring is gone". However, as a kind of mass existence, "we" at least made one thing clear, namely:
The symbolic meaning of "oriole" is not only for "me". Secondly, "like spring, flame,
The metaphor of "like enthusiasm" also gives us an important hint. Because whether it is spring, flame or enthusiasm, it means something.
A beautiful thing is lost, and this thing "disappears". From this, we can think that youth is perishable and never dies.
Back, love is not immortal, and so on. Therefore, in order to determine the specific meaning of the image of "oriole", we must also contact Xu.
To analyze the ideological situation of Zhimo at that time.
We know that when the poet first returned to China, he was full of ambition and high spirits. He formed a group of like-minded friends.
Crescent Society is ready to "show its edge" in society. He called his ambition of high fitness "pure faith", while Hu Shi called it washing.
It is distilled into three words: "love, freedom and beauty". It is because of this "simple belief" that he rejects all reality.
Things, the pursuit of a more complete and more detached ending. Politically, it is so important that some people think it is "new"
The Moon Sect was the third political force in China at that time. However, in reality, any such "simple belief" is
Times have changed, and with the change of family, poets have gradually become negative and decadent. He was infected by Hardy's sadness.
The idealistic state of mind, "carrying a heavy ideological burden,/will not let go sooner or later" (Hardy) is exactly what he thought at that time.
A portrayal of love. People always think that Xu Zhimo lived smartly and died detached. Cai Yuanpei's elegiac couplet reads:
Conversation is poetry, action is poetry, and you can travel all your life.
It is poetry, and its meaning has penetrated, and it has its own oriental soil;
You can die by boat, you can die by car, and you can lie in the compartment.
Those who can die or die in an airplane accident need not be regarded as afraid of the road.
But who knows the taste of the poet's heart? From the point of view, I think the image of "oriole" is his distant symbol.
The ideal of "love, freedom and beauty"; And Xu Zhimo can only wait and see helplessly, and the enthusiasm of his youth has gone away.
The oriole was caught without a trace.
Some people think that the image of "oriole" is the representation of Shelley's image of "lark". If this is true, then I think
It is also used in the opposite direction. The flamboyant and honest and frank enthusiasm of the lark has been found in the oriole.