Appreciation and reappearance of modern poetry Visiting friends in rainy days Author: Visiting love in rainy days. The water stain of the umbrella splashed on the neck along the back, and a chill swept down like a knife. Suddenly, I remembered that the sound of water in the south of the Yangtze River came from a small canal, winding at the back door of my house. In March, a rising tide blows. In the river, there is a boat on the shore, and someone asks the weather in the same village across the water. All kinds of homesickness are everywhere, only one apricot flower has disappeared in the wind and rain. Suddenly I heard someone sighing at the tall building. Before the host opened the door, I hid in the umbrella and turned up the trench coat collar to track the rain. The author briefly introduces Love, formerly known as Molov, a contemporary poet, which has a far-reaching influence on the development of modern poetry in Taiwan Province Province and was once praised as "the poet demon" by the poetry circle. His published poems include Linghe, Death of a Stone Chamber, Lotus Lake, Because of the Wind, Moonlight Room and so on. His masterpiece "Death of a Stone Chamber" has been widely valued by the poetry circle, and there have been endless comments since its publication. 1982 The Reprint of Blood won the literary recommendation award of China Times, and the poetry collection Injury of Time won the literary creation award of Zhongshan City, Taiwan Province Province in the same year. 1986 won the Wu Sanlian Literature Award. Appreciating Taiwan Province poet Love, a man who is full of twists and turns in his poetry creation and pursuit, likes both praise and criticism, and is most impressed by the surreal magic style in Death of a Stone Chamber. However, when I watched Visiting Friends on rainy days, I felt the other side of "poetic magic". Perhaps the highest realm of poetry is so simple, so indifferent and so quiet. This poem is selected from the fifth series of Songs of Poets and Demons: homesickness, poetic lingering, and distant artistic conception. Deep and affectionate without affectation, short sentences are convincing, which take readers to the hazy and worrying rain, inadvertently flow into the neck, along the back, and cut the memory like a cold blade. The underwater sound of Jiangnan, boats in Jiangnan, old friends in Jiangnan, streets and apricot flowers all come to the pen, splashing nostalgia and melancholy for their hometown, forgetting to visit relatives and friends, and waiting for me to follow the rain. Love is good at finding the most suitable intersection between modernity and classicism. It seems that he read that "when children meet strangers, they all smile and ask where the visitors are from" by chanting "Ask each other from a distance/in the same village". A close reading of "I suddenly heard someone in a tall building/mourning for Hu Jia" seems to have heard the sad song played by Yao Si's old country between his fingers; From a deeper understanding, we will understand that the poet misses not only Jiangnan, but also the Jiangnan culture with clouds, dances and sounds of literati. "Liu Siyan" was originally a parallel prose format, which was used in modern poetry with fresh and classical melody and provided the best outlet for content expression. The language of "rain" is like a drizzle in the south of the Yangtze River. It is gentle and gentle, gently and slowly slipping through my heart, with a little sadness, a little miss, and a little deep attachment and ardent miss.
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