Among the three schools of Yushan, Loujiang and Yunjian, Yun Jian based on Jishe was actually the earliest school, and its evolution process was also the most complicated. The institution was founded in Chongzhen in the second year, with six leaders, namely Xia, Du, Zhou, Zhou and Zhou, all of whom are famous scholars in Songjiang. At that time, "Mr. Zilong, lying down, was weaker than the crown. When he heard it was a ride, he came back in high spirits. Gentlemen are young and stunned, but their talents are proficient in classics and history, and their writing style is amazing, so they become the number of six sons "(Du's" Country "). It can be seen that Chen Zilong was not the backbone of several clubs at first. However, during the development of Yun Jian School, Chen Zilong came to the front desk of several clubs with his outstanding talent and became the chief representative of Yun Jian School.
Chen Zilong, Song, Song Cunbiao and Song Zhengbi are the main members of Yun Jian Poetry School. Later members were Xia Wanchun, Qian Fangbiao, Dong Yu and Jiang Pingjie. Among them, Xia Wanchun is very special. Although he was a late member, he died in the same year as the early leader Chen Zilong. However, because Chen Zilong was 23 years younger, he was still listed as a deceased member.
Chen Zilong and Xia Wanchun are the most outstanding poets of Yun Jian Poetry School. Their poems express patriotic feelings, generosity and tragic. At the same time, Chen Zilong and Xia Wanchun are both brilliant, and they are both good at writing seven-character poems, which not only feature integrity. Besides seven-character poems, Chen Zilong is also good at seven-character poems, while Xia Wanchun is better at five-character poems.
Yun Jian Poetry School is one of the three major poetry schools in the late Ming and early Qing Dynasties, and ranks third with Yushan Poetry School with money as the core and Loudong Poetry School with Wu as the core. However, due to the successive deaths of Chen Zilong, Xia Wanchun and Wen Li in the Qing Dynasty, Yun Jian Poetry School declined rapidly, and its direct influence was less than that of Yushan Poetry School and Loudong Poetry School. However, the orientation of "adhering to the Tang Dynasty" advocated by the poetry school and the emphasis on rhyme have influenced Wu and others, the leading figures of Loudong poetry school. Yun Jian Poetry School is one of the three major poetry schools in the late Ming and early Qing Dynasties, and ranks third with Yushan Poetry School with money as the core and Loudong Poetry School with Wu as the core. However, due to the successive deaths of Chen Zilong, Xia Wanchun and Wen Li shortly after entering the Qing Dynasty, Yun Jian Poetry School declined rapidly, and its influence was far less than that of Yushan Poetry School and Loudong Poetry School.
From the root, the Poetry School and the Loudong Poetry School are both late representatives of the Ming Dynasty's retro school, both of which follow the retro literary thought represented by the first seven scholars, and are also close friends with the leaders of the two factions and Wu. Wu Shifeng's first change was from learning the gloomy style of Du Fu and others to learning the rhyme of Ci and Fu in the Six Dynasties and the early Tang Dynasty, which was obviously influenced. The second change was from lyric poetry to narrative poetry. In the late Ming Dynasty, A Journey to Luoyang was influenced by Chen Zilong's Da Liang Xing, but its style was different, and it was biased towards the narrative poetry style of Yuan Zhen and Bai Juyi, which was related to Chen Zilong. Through the above analysis, we can see the two influences on the transformation of Wu Shifeng. For this reason, Zhu Pengnian, a poet in Tongzhi period, commented on Wu: "The poem of Huangmenya in Miao years is the voice after the reunion?" After Dinghu Dragon went, the rise and fall of the dragon was absolutely miserable. The article holds that Wu Shige inherited the style of poetry school in the late Ming Dynasty. (Yellow Gate, Chen Zilong used to be a soldier. Yellow Gate is synonymous with "giving things". )
However, as mentioned above, the influence on Wu was limited to the first two changes. Fundamentally speaking, although Chen Zilong also wrote short narrative poems, he opposed the narrative poems of Yuan Zhen and Bai Juyi. Therefore, Wu's breakthrough lies in the reasonable inheritance of Yuan and Bai, and at the same time, he maintains "homology" with "Floating Clouds" in terms of rhetoric and rhyme, thus forming a unique "Mei Village Style". The influence of Wu Loudong's poetry school in the Qing Dynasty was intermittent and continued until the late Qing Dynasty and the early Republic of China. Wang Guowei and others have written some long poems in this way, but their achievements are far from those of Wu.
Therefore, from the strict faction analysis, it can be said that Yun Jian Poetry School declined rapidly after Chen Zilong's martyrdom, but from the internal influence analysis between factions, it can be considered that Yun Jian's poetic style is still inherited to some extent by Lou Dong Poetry School.
As far as the influence of Yushan Poetry School headed by Qian is concerned, it mainly lies in opposing the pure prosperity of Tang Dynasty and advocating both Tang and Song Dynasties. Although Qian and others oppose the reflection on the first seven poets and the school of poetry, Qian and others are also retro in nature. Qian's "Pen Collection" in his later years is Du Fu's "Autumn Xing" (eight poems), which is more serious than the usual recollection. Scholars and poets in later generations have different opinions on the collection of strokes. Chen Yinque thinks that "Toubi Collection" is better than Du Fu's works, which is really an exaggeration. There are also some people who think that "collecting pens" is too arrogant, but it is too demeaning. Objectively speaking, Bi Ji is valuable, but if it is pure literature, it is not a good work. In the final analysis, the influence of Yushan Poetry School is only the influence of the object of law, which has little to do with literature and art itself. Therefore, from the perspective of literature and art, the influence of Yushan Poetry School is not only inferior to Loudong Poetry School, but even inferior to Yun Jian Poetry School.