The author personifies wicker rattan and oriole with human touch. Obviously reluctant to leave, he transferred this emotion to wicker vine and oriole, so this is a typical transformation of subject and object, subtly and implicitly expressing the poet's attachment to the lake pavilion.
It can also be simply considered as lyrical by borrowing scenery, expressing the feelings of parting through the descriptions of wicker, rattan and oriole.
For example, Bai Juyi's "Night Thoughts on the Winter Solstice in Handan" "Every winter solstice in Handan has my shadow in front of the lamp. If you want to sit at home late at night, you should also say "people who travel far away" and write "homesickness" on the front. What is touching is that the scene he imagined when he was homesick was the family's yearning for himself.
This winter solstice, my family must be very unhappy because I am far from home. When I miss my family in front of the lamp until late at night, my family is still awake, sitting in front of the lamp, "talking about travelers"! what did you say ? This leaves readers with a broad imagination.
Another example is Wang Wei's "Mountain Holiday Thinking of Shandong Brothers": "Being a stranger alone in a foreign land, I miss my relatives twice every festive season. If you know from a distance that there are brothers climbing mountains, there will be one less person in the dogwood. " Throughout the ages, wanderers and travelers in different places can have a strong * * * sound when reading this poem.
This artistic power comes from its simple, profound and high artistic generalization, and also from its extraordinary "subject-object shift" expression.