Xin Qiji, who was born in the army, had the experience of fighting the enemy on the battlefield. He is familiar with military life and has been looking forward to focusing on the battlefield and practicing martial arts. Therefore, when his pen is a long sword, military images such as knife, gun, sword, halberd, bow, arrow, ge, armor, iron horse, standard, general and Indiana Jones naturally appear in his pen, such as "riding a bow and knife", "leaning on Wan Li as a long sword", "rugged halberd" and "but"
Drunk in the dream of watching the sword under the oil lamp, dreaming back to the old days of the military camp, a horn sounded. Eight hundred li mo, fifty strings over the Great Wall. This is a military parade on the battlefield in autumn. Horses run like Ma Delu, bows and arrows fly like thunder. It is a good idea for the emperor to complete the great cause of recovering the lost land of the country and gain a good reputation from generation to generation. It's in vain. ("Get out of the queue, give Zhuang Yan Chen Tongfu to send")
The setting sun fills the dust, and Hu rides and hunts in the clear autumn. Han Jiaqun practiced 100,000, and the ship was towering. Who throws a whip to fly across, recalls the past and licks the blood. The season is young and the horse is mink hair. ("Water Regulation" Part I)
The intensive military image group and the magnificent aesthetic realm can better reflect the individual characteristics of Xin Ci, and also reflect another great change in the history of Song Ci, that is, the agitation of masculinity, and the feminine beauty in Ci finally gave way to the vigorous beauty and lofty beauty of bloody men.
Wang Guowei once said: "I look at things and everything is my color." Xin Qiji looks at things with his unique eyes, and any ordinary scenery can be transformed into the image of a soldier. In the eyes of his soldiers, the green hills can still be turned into galloping horses, and the pine trees in the forest can also be turned into brave soldiers waiting for inspection: "The mountains face east and the horses are circling." The waves are stormy, the beads are splashed backwards, the bridges are inserted horizontally, and there is a lack of bows at the beginning of the month. Old leisure, heaven teaches many things, and the principal is a hundred thousand loose. My home is very small, outside the shadow of the dragon and snake, in the wind and rain. The militarization of lyrical images (Qinyuanchun) is the unique artistic feature of Jia Xuan's ci.
Jia Xuan's Ci not only transformed image group, but also updated its expression techniques. On the basis of Su Shi's "Poetry as Ci", he further took Wen as Ci, and transplanted the common techniques of composition, discussion and dialogue in China's ancient Ci into Ci. "He Xin Lang Farewell to Twelve Brothers of Mao Family", that is, it adopts the structure of ci and fu, "full of grievances, all like to hate fu" (Song's "Nostalgia"), and its composition is unique and wonderful. Qinyuanchun will stop drinking and put away the wine glasses, imitating the guest-host question-and-answer style in Han Fu, which makes people talk with the wine glasses with originality. The discussion between the lines is bold and unrestrained, containing rich philosophy of life and sense of humor, with endless aftertaste. "Magnolia Slow" is written in the style of "Tian Wen" (poor tonight), and explores the mystery of the middle of the month with seven questions, which is strange, romantic and interesting. The innovation of expression has brought about new changes in the poetic realm. Taking text as a word is not only an innovation of method, but also a change of language. In addition to extracting language from real life, the predecessors mainly used exclamations from the previous generation's poems and fu, while Jia Xuan creatively used words in essays such as Jingshizi to write ci, which not only gave new vitality to the ancient language, but also expanded and enriched the vocabulary of ci as never before. At the end of the Song Dynasty, Liu Chenweng spoke highly of Jia Xuan's contribution to language change: "Words are aboveboard, like poetry and wonders of heaven and earth, but not as clumsy as the voice of a group of women. It is only the history that has not been applied to practice that attracts elegance and praise for Zheng Wei." Since you use such a word in front of Xin Jiaxuan, cover your mouth. Jia Xuan is brilliant, but he is like a mord. "(preface by Xin Jiaxuan) The language in the prose of classics and history is his own. How to heart lang:
Even I am weak. I have been disappointed all my life, and my friends have dispersed. Today, there are only a few left. White hair hanging down three thousands of feet, laughing at all things in the world. Ask what can make the public happy. I see how charming Castle Peak is, and I expect it to be. Emotions and looks are slightly similar.
A bottle is scratching its head in the east window. If you want to be far-sighted and stop writing poems, the flavor is at this time. Those who seek fame on the left side of the river don't know the secret of mud mash. Looking back, the clouds are flying. Don't hate the ancients, don't see their people, hate their guts, and don't see their crazy ears. People who know me, two or three sons.
The first sentence and the last four sentences all come from history, but they are innovative. His use of prosaic syntax does not violate the metrical norms of words, but it is still harmonious. Although the sentence patterns of the masterpiece Xijiang Moon (drunk and greedy) are plain, the rhyme and rhythm are still natural and smooth, vivid and vivid. In the history of Ci, Xin Qiji created and used the most colorful language. Elegance and fashion, ancient and modern, parallel and scattered, casual and ingenious. As Liu Xizai said in "A Brief Introduction to Art, Ci and Qulue" in the Qing Dynasty, "Jia Xuan's Ci is full of dragons and tigers, and the rational language and thin language of ancient books, once used, will be romantic. What is the difference between heaven and earth? Benti? Collection? Did you stir up the Song Dynasty? What happened? Shrimp shakes? Purpose? ∽ miscellaneous silly bag account Cu Chen Yun?
The profound content, the ever-changing expression and the unconventional language constitute the diversified artistic style of Jia Xuan's ci. Deep and elegant, solemn and stirring, delicate and smooth, beautiful and leisurely, delicate and beautiful, all of which are eclectic. Among them, the two ci styles that can best reflect his personality style are rigid and flexible, harmonious but different. Write heroism, but with a deep pen; Expressing tenderness, but full of heroic spirit. There are graceful and restrained in tragic, lingering in heroic and resolute in tender feelings, which is the unique style of Jia Xuan's ci, which is beyond the reach of Xin School. Fishing, as quoted earlier, is to break the rigid into the soft. On the surface, tenderness hurts and cherishes spring, but in fact it contains indomitable spirit and heroism, which is caused by "flying posture and extremely depressed frustration" in art. The first three words, "It's amazing to turn back and forth a thousand times" (Chen Tingzhuo's "Baiyuzhai Thorn", Volume 1). Look at the "Yongyu Le Jing Kougu Beiting Nostalgia" written in his later years;
Throughout the ages, heroes have been nowhere to be found except Sun Zhongmou. The dance floor was still there, but the heroes had already gone with the passage of time. The setting sun shines on the grassland covered with grass and trees. People say that this was once the place where Emperor Wu of Song lived. Looking back, how powerful he was when he led the Northern Expedition and recovered lost ground!
Yuanjia, sealing the wolf in Xu, won and ran north. I have been back to the south for forty-three years, and I still remember the war scenes in Yangzhou. Looking back, there was a crow club drum under the beaver temple. Who can ask, Lian Po is too old to eat?
Although the title of the word is "nostalgia", it is aimed at the ubiquitous reality. The emotions of grief and indignation are fierce, but they are implicitly spit out, extremely depressed and ups and downs. The diversification of the style of Xin Ci is also manifested in laughing and cursing, which have become excellent works; Zhuang Yi is harmonious, too. They are all great. In northern Song Shenzong and the period of Zhezong (1068 ~1kloc-0/00), funny and banter words prevailed, but all banter words in the Northern Song Dynasty, including Su Shi, were funny and had little serious meaning. Jia Xuan is full of humor, so he used this once popular joke and reformed it to vent his depression about life and dissatisfaction with various ugly phenomena in society. Since then, banter has a serious theme and profound ideological connotation. For example, BuOperator (general Li of past dynasties) wrote the dislocation of the upside down of the virtuous and the foolish, and Millennium Tune (drinking to people) showed the fluency without losing solemnity, seriousness without lack of humor in officialdom, which is another style feature of Xin Ci.
In the history of Song Ci, Xin Qiji has the largest number of works and the highest achievement and status. As far as the content realm, expression methods and language richness, profundity, creativity and pioneering are concerned, symplectic words can be said to be unprecedented. Liu Kezhuang said that Xin Ci was "resounding, loud and sonorous, sweeping away six rivers, sweeping away the ages, and having nothing in his life" (Preface to Xin Touxuan Collection). He created the "Jiaxuan Style" and established the bold school, which had far-reaching influence. The General Catalogue of Sikuquanshu (1998) and the Summary of Jiaxuan's Ci said: "His Ci is generous and wild, which is a change of tone for musicians, but a sudden emergence and can stand out. It has not been abolished so far. " Zhou Ji's Preface to the Catalogue of Selected Poems also said, "Su, Xin also. Dongpo's natural taste is unique, almost a perfect idea, but it is blunt and casual, and rarely perfect. Jiaxuan is calm and happy, and there are laws to follow. The kings of the Southern Song Dynasty all passed on their clothes. " Lu You, Zhang Xiaoxiang, Chen Liang, Liu Guo, Han Yuanji, Yuan Quhua, Liu Xianlun and Dai Fugu were poets of the same period, belonging to the same school.