"Going to Sanshan and Returning to Wangjing Town at Night" —— Original poem
Looking at Chang 'an, the river looks at Jingxian.
The beauty of the sky flies, and it is uneven.
Yu Xia scattered into Qi, and Chengjiang was as quiet as practice.
Noisy birds cover Chunzhou, and miscellaneous English is full of Fangdian.
Go to Fang Yi for prostitution and enjoy a feast.
What is the sad moment? Tears are running down your cheeks.
Who can stay the same if they know their hometown?
Note 1, Sanshan: the name of the mountain is in the southwest of Nanjing today. Still hope: look back. Jingyi: A guide to the health of the capital of Qi State, which is now Nanjing.
2. Looking at Chang 'an: Borrowing the poem "Going South to the Baling River and Looking Back at Chang 'an" in RoyceWong's Seven Wounded Poems at the end of Han Dynasty. Ba, the name of water, originated in Lantian, Shaanxi Province and flows east of Chang 'an. Seeing Jingxian County from Heyang —— Borrowing the poem "Introducing Wangjingfang" from the Poem of Heyang by Pan Yue, a poet in the Western Jin Dynasty. Heyang: The old city is in the west of Meng County, Henan Province. Jingxian county refers to Luoyang, the capital of the Western Jin Dynasty. In the evening, I attached myself to Sanshan and looked back at the capital Jiankang.
3. Li: Motive usage means "irradiation makes ... colorful". Liao Fei: The roof of the house rises like a flying wing. Liao: The roof. Rugged: A rugged appearance. Under the sunshine, the buildings in Kyoto are colorful, and the height is scattered.
4. yee: patterned silk and brocade. Chengjiang: Clear water. Practice: white silk. The clear river is as calm as a white horse.
5. Birds cover Chunzhou: Describe the number of birds. Cover: cover. Miscellaneous English: All kinds of flowers. Diana: The countryside.
6. Party: Will. Stagnation: long residence time. Stay too long. Huai: I miss it.
7. Ceremony: refers to the date of reunification. Disappointment: Disappointed. Pheasant: Snow Beads. The meaning of two sentences is: after leaving, thinking about when to come back makes people feel sad and sad, leaving tears like snow beads.
8, before: black hair. Change: here refers to whitening. Who can't keep his hair white when he is homesick?
Make an appreciative comment
Xie Tiao (464-499) was a famous poet in the Southern Dynasties. He used to be the satrap of Xuancheng, known as Xie Xuancheng in the world. He was called "Xiao Xie" because he was good at depicting landscapes with Xie Lingyun, and he was also called "big and small thanks" with Xie Lingyun. Good at cursive script and five-character verse. Shen Yue and others created an "eternal style", which is characterized by paying attention to temperament, choice of words and duality. His poems originated from the beginning, and his achievements were highest in describing mountains and rivers. Beautiful and handsome in poetic style. Zhong Rong called it "a wonderful sentence, often a warning to the world." The Collection of Xie Xuan consists of five volumes.
The poem "Going to Three Mountains and Arriving in Wang Jingyi at Night" was written by a poet who went to Three Mountains (in the southwest of Nanjing today, there are three peaks on it, connecting the north and the south) and looked back at the capital Jinling (now Nanjing) in the Spring Festival Evening. The poem begins like this: Looking at Chang 'an, the river looks at Jingxian.
Here, the poets compare their Wangjing with the poet's own by borrowing RoyceWong's "Going South to Fuling and Looking Back at Chang 'an" (the first of three mourning poems) and Pan Yue's "Introducing Wangjing Room" (the second of two poems in Heyang County). Although it is related to the poems of predecessors, it looks handy and natural. This opening subtly reveals the theme and lays a lyrical tone for the whole poem: Seeing is deeper than beauty, which is similar to the opening of another poem by the poet, "Let Beijing send a new forest to Beijing overnight to give it to colleagues in Xifu", "The river flows day and night, and the guests are sad. "
If you climb Wangjing Town, you are sure to see something. Therefore, after the poem has a title, it will naturally turn to the description of the scene you see: the beauty of the sky is visible. The residual clouds of the sunset are scattered like rosy clouds, and the clear river is as calm as white. Noisy birdsong covers the spring, and all kinds of flowers cover the countryside in the suburbs. "Daylight" two sentences, written in the overlooking buildings, the poet did not elaborate and describe the whole picture of the building, but touched it with a lot of pen and ink, outlining the apex of the building-"Liao", highlighting the characteristics of commanding and overlooking. Describe Liao and put it in the bright sunshine to make the building more magnificent. In particular, the word "fly" made the originally static and lifeless "Liao" come alive and move.
The phrase "Yu Xia" has always been regarded as an epigram to write about scenery. Looking at its characteristics, there are at least three points: First, it is clever in metaphor, "the scenery that is difficult to write is like the present." The painter doesn't have to take pains to capture the artistic image, just according to these two poems, he can draw a beautiful and unique sunset picture on the riverside. Because the poet compares Yu Xia and Chengjiang with Qi and Lian respectively, which is novel and appropriate, and makes Yu Xia and Chengjiang, which were originally concrete things, more vivid and sensible. Second, the colors are bright and beautiful. Satin-like sunset glow and white silk-like clear river water are fused and cast together, with distinct beauty and elements, bringing out the best in each other and harmonious colors. Third, as Xie Tiao himself said to Shen Yue, "A good poem is round and beautiful, flowing like a projectile." It is round and smooth, and the antithesis is neat and natural, with no trace of deliberate carving. The epigram of "keeping your word" can often be sung through the ages and make the whole article shine. These two poems by Xie Tiao are praised and quoted by later poets. Li Bai's Ode to the Moon on the West Tower of Jinling City has the praise and memory of "explaining Qing Jiang as a practice makes people remember Xie Xuanhui for a long time", while Wang Anshi's word "a thousand miles into the river as a practice" has slightly changed the word "Guizhixiang" ("watching off when boarding a ship").
The sentence "Noisy Birds" about flowers and birds is also very interesting and distinctive. These two sentences mainly talk about people's auditory image and olfactory image. Birds are the former and flowers are the latter. The words "Fu" and "Man" describe birds and flowers, while the word "Spring" directly points out the season when the poet boarded the "Three Mountains".
The poet climbed to the top of the mountain and looked out, full of beautiful scenery in Beijing. The beautiful scenery touched the poet's feelings, and he deeply missed his hometown from the heart: he went to the exile, stayed as a prostitute and held a banquet. When it's time for Danggui, I'm disappointed and tears fall like snow beads. People with feelings know that they are homesick. Who can't change their black hair? ?
The sentence "Gone" is a link between the preceding and the following, from the description of the scenery above to the direct expression below. From regret, I will have to leave Beijing where birds are singing and flowers are fragrant, cut into the poet's fond memories of his past hometown and turn to nature.
Following the above sentence, the feeling of homesickness deepened: the poet first looked back at the past, then looked forward to returning home, and then he was disappointed with the hopeless return home, so that he burst into tears. The metaphor of "tears are like tears" is very simple, omitting a thousand words, but "more is told in silence than in voice".
"Love" is the conclusion of the whole poem. There is no doubt that the rhetorical question means yes. This stubbornness shows that the homesickness caused by the poet's climbing Wangjing is natural. Because "sentimentality hurts separation since ancient times", homesickness is the emotion of every wanderer living in a foreign land, which can be seen from the poems such as sheep fat water and yellow bird in the Book of Songs. The second is to explain the poet's homesickness. Nostalgia can make people's black hair turn white, which shows the depth and strength of this feeling. Didn't Li Bai have a poem "White hair and three thousands of feet, sorrow is like a beard" ("Song of Autumn Pu")?
In a word, this poem takes mountaineering as a clue and writes out what it sees and feels. This poem depicts a colorful picture of the sunset in Beijing in spring, expressing the poet's homesickness caused by looking at the capital from afar. Reading makes people feel like chewing olives, and the aftertaste is more leisurely. To borrow a sentence from Shen Deqian in the Qing Dynasty, "I feel that there is affection in pen and ink, and there is mystery outside pen and ink."