What poems describe rural life?

1. Poems about rural life 1, two quatrains (Du Fu)

Jiangshan bathed in spring, how beautiful, flowers send flowers.

Swallows are busy nesting in wet mud and sleeping in pairs on the warm beach.

2. Zhuli Pavilion (Wang Wei)

I leaned alone in the dense bamboo, playing the piano and humming a song.

It's too light for anyone to hear, except my partner, Mingyue.

3. Passing the village for the aged (Meng Haoran)

This old friend prepared a delicious meal and invited me to his hospitable farm.

Green Woods surround the village and green hills are located outside the city.

Open the window facing the valley vegetable garden and pass the glass to talk about crops.

Please come here to see chrysanthemums when the ninth festival comes.

4. A letter from my cabin in Wangchuan to Pei Di (Wang Wei)

The mountains are cold and blue, and the autumn waters are gurgling.

At the door of my thatched cottage, leaning on my cane, I listened to the cicadas singing in the evening breeze.

Sunset lingers at the ferry, and the smoke from supper rises from the house.

Summer value meets Yu Zui, and the five willows sing wild poems? .

5. Returning to the Garden is one of them (Tao Yuanming)

Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.

Land reclamation in the south and return to the countryside.

The house is surrounded by about ten acres of land, thatched cottages.

The elm tree is behind Liu Yin and in front of Luotang in Li Tao.

6. Pastoral words (Li Bai)

Jia Yi was demoted for three years in Wanli, Ban Chao.

How to lead a white calf? Drinking water is good for clean water.

7. Chai Lu (Wang Wei)

No one can be seen in the silent valley, only the voice is heard.

The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.

8. An autumn night in the mountains (Wang Wei)

The empty mountains are bathed in a new rain, and feel the early autumn at night.

The bright moon shed clear light from the cracks and cleared the fountain on the rocks.

The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.

Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.

9. April in the countryside (Weng Juan)

The mountains and plains are all green, and the sound of Zigui is raining like smoke.

In April, there were few idle people in the countryside, and sericulture was planted in the fields.

10, Four Seasons Pastoral Miscellaneous (Fan Chengda)

Plum golden apricot fat, wheat white, cauliflower thin.

No one has ever crossed the fence, only dragonflies and butterflies are flying.

1 1, visit Shanxi village (land tour)

Don't laugh at the farmhouse music brewed in the muddled month. In the harvest month, the dishes for guests are very rich.

There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay.

12, Autumn Rain Pastoral (Geng Kun)

The desert is covered with dark clouds and the drizzle is falling.

For the ancient road submerged by forest, it is all wasteland.

When these five crops are harvested, several families in the isolated village cook.

Turbulent flow all over the nursery, rotten leaves write autumn branches.

New firewood wets dusk, and old fishing moves in the morning.

Last year, chrysanthemums were in full bloom in Dongli.

13, Wu Xinyi (Wang Wei)

The branches of the topmost hibiscus flowers are full of scarlet calyx in the mountains.

There is no one in the stream, and it has begun to fall.

14, Shang Qi pastoral is the thing (Wang Wei)

The screen is on the water, and there are no mountains in the east.

The sun is hidden outside the mulberry trees, and the river between the wells is clear.

The shepherd boy looked at the village, and the hound came back with people.

What's with silence? Fei Jing has a day off.

15, home bound Songshan (Wang Wei)

The clear river flows slowly through the bushes like my chariot.

I became a traveling companion and went home with the birds at dusk.

An abandoned city wall is above an old ferry, and the autumn sunset drowns the peaks.

In a distant place, next to Songshan Mountain, I will close my door and get peace.

16, Cui Puyang's brother Ji Chongqian, Xing Shan (going to Shanxi is also for Weimen) (Wang Wei)

Good autumn, KuangJun idle pool.

I know the mountain in front of the door under the leisurely Xilin.

Across thousands of miles of the sky, several peaks emerged from the clouds.

17, Bird Watching Creek (Wang Wei)

People are idle, osmanthus flowers fall, and the night is quiet and empty.

When the moon comes out, the birds are startled, and the sound enters the spring stream.

18, Zhong Nanshan (Wang Wei)

The majestic Tian Yishan is close to Chang 'an, and the mountains continue to extend to the sea.

The white clouds merged behind, and the blue mist melted into the mountains and disappeared.

The central mountain peaks separate the southwest, and the valleys are different.

Want to find a house to live in the mountains, is it convenient for the water guide to ask the woodcutter?

2. What are the poems describing rural life (1)? From the content point of view, the pastoral poems in the prosperous Tang Dynasty mostly describe beautiful rural scenery, warm rural life and sincere and simple rural interpersonal relationships; The pastoral poems of the mid-Tang Dynasty began to describe the hardships of family life and pay attention to the sufferings of people's livelihood.

(2) In terms of artistic techniques, most of the pastoral poems in the prosperous Tang Dynasty used line drawing techniques, with elegant and natural style and fresh and distant artistic conception; The pastoral poems in the middle Tang Dynasty often reflect common social phenomena with typical events. The following concrete analysis: Prosperous Tang Dynasty: With the arrival of poems in prosperous Tang Dynasty, landscape poems appeared spectacular.

Wang Wei and Meng Haoran inherited the tradition of Tao and Xie's landscape poetry, and formed a school of landscape pastoral poetry that complements the frontier fortress poetry school. There is not a single poet in the Tang Dynasty who has not written poems describing natural scenery.

Such as Wang Ji's Wild Hope, Wang Bo's Mountain and Chen Ziang's Du Jingmen; Zhang's "Moonlit Night on the Spring River"; Zhang Jiuling's "Looking at Lushan Waterfall at Hukou"; Wang Zhihuan's "In the Heron Lodge"; Du Fu's Wang Yue, Jiang Cun and Ascending the Mountain; Wei's Xixi Chuzhou: Gu Kuang's Mountain Farmhouse; A night-mooring near maple bridge of Zhang Ji; Dai Shulun's Su Xiting; Fishing Bay in Chu Guangxi; Chang Jian's "Zen Forest after Broken Mountain Temple": Han Yu's "By Hengshan Temple" I wrote this poem on the tower; Meng Jiao's Wandering Stone Dragon Vortex; Bai Juyi's Spring Tour in Qiantang, Ode to Mujiang, Peach Blossom in Dalin Temple and Spring Hope in Hangzhou; Liu Yuxi's Wushan Goddess Temple; Liu Zongyuan's The Fisherman and Jiang Xue; Li He's Wushan Gao; Dumei's mountain road; Li Shangyin's Leyuan Scenic Area; Wen's "Good Morning Tour" ... There are many poets who are famous for their landscape poems in the Tang Dynasty, but Meng Haoran, Wang Wei and Li Bai are the main ones who can represent the maturity of landscape poems. Meng Haoran, a native of Lumenshan, Xiangyang, was one of the few poets who took cloth as their home in feudal times.

Li Bai has a poem for Meng Haoran: "Master, I cheer you from my heart, and your reputation has risen to the sky." In the rosy youth, you gave up the importance of hats and chariots and chose pine trees and clouds; Now whitehead.

Drunk moon, sage of dreams, bewitched by flowers, you turned a deaf ear to the emperor. Gaoshan, how I long to reach you, that's all. "

Meng Haoran is a real hermit. The ancient scholar "If you are poor, you will help the world, and if you are poor, you will be immune to it."

He chose the second way, gave up his desire, indulged in natural landscapes indifferently and quietly, and pursued the highest realm of poetry-natural beauty. His poems are close to Tao's, but they have their own style.

"Clouds dream and fog come, and Yueyang City is trapped" and "stormy as snow, you can't sit still" are rare. Representative poems are those that present a quiet, cold and steep artistic conception and are deeply imprinted with hermit feelings.

He wrote about the hermit's feelings: "On the North Peak among the white clouds, you found a quiet seclusion. Now, when I climb this mountain to see you, my heart flies with the geese.

……"。 His poem describes the joy of the Tian family: "Old friend, you prepare chicken and rice for me and entertain me on your farm.

The edge of the green forest, and the pale blue in the remote mountainous areas. Open the window facing the valley vegetable garden and pass the glass to talk about crops.

Please come here to see chrysanthemums when the ninth festival comes. "("Passing through the Old Village ") The quiet and cold artistic conception and natural and quiet interest can't hide the loneliness and loneliness inside.

Holding the examination paper in meditation, we seem to see a poet with a high heart walking alone on the mountain road, and the mountain wind is blowing his elegant gown. Wang Wei writes political poems and frontier poems, but what can reflect his unique achievements is his unique pastoral poems.

He witnessed the ups and downs of officialdom, the world was cold, and experienced the ups and downs of his official career. After that, his persistence and enthusiasm of "I hope I can shoot the heavenly generals with a bow, and I will smell the chivalrous bones when I die" quickly cooled down. After middle age, I held that "I am not arrogant in the paint garden, and I am responsible for it."

Instead, send a micro-official and dance a few trees. "Life attitude, hidden officer, chose a life path that is both official and hidden.

His pastoral poems are not only a portrayal of his personal soul, but also a projection of the ideological trend in the poetic country era. Wang Wei's landscape poems have both magnificent natural scenery and beautiful landscape paintings.

For example, the Hanshui River overflowed, and the Sanxiang Building was blocked by Chu, and its nine streams touched the door of the scene. The river crosses heaven and earth, where the colors of the mountains are yes and no.

Human habitation seems to float on the ripples in the distant sky. These beautiful days in Xiangyang have fascinated my old mountain! . "

Another example is "Zhong Nanshan", "Taiyi is still in the sky, and even the mountains go to the sea corner. The white clouds merged behind, and the blue mist melted into the mountains and disappeared.

The central mountain peaks separate the southwest, and the valleys are different. Want to invest in accommodation, I called the woodcutter on the river. "

The first song was about the scenery of Jianghan. With the creation and brushwork of ink and wash landscapes, the magnificent scenery of Jianghan was outlined, with water and sky floating together and mountains without scenery. The latter poem is about the scenery of Zhong Nanshan, with hazy images and rich meanings. All over the mountains are green mountains and green waters, and thousands of rocks and valleys are shrouded in "white clouds" and "green haze"

But in Wang Wei's poems, there are more elegant and smart pictures, with a bit of Zen. He is a man of great understanding. His superhuman talent not only has great achievements in poetry, calligraphy and painting, but also has great wisdom in meditation and enlightenment. The painter's vision, the musician's hearing, the poet's feelings and the Buddhist mentality endowed him with extraordinary artistic strength. Almost every scene is filled with a unique soul and feeling, and he melts himself into the scene, forming a realm of Zhuang Zen where things are me and I am things.

Wang Wei's landscape poems describe the heart with the environment, without trace, with images outside the image, scenery outside the scene, unexpected arrival, and distant artistic conception. Such as, Zhu, Bird Watching Creek, Caotiaowu, etc.

Empty mountains, bamboo forests, streams, bright moons, flowers and birds ... what a quiet, beautiful, pure and flawless world, and what an independent and closed world. This quiet and ethereal uninhabited land is the realm of Zhuang Zen, which is a poetic thing I have forgotten! "Wang Chuan Ji" and his landscape works in his later years all sparkled with a kind of meditation, showing a picture of vague things and harmonious thoughts.

Here, the poet sucks nature into himself and melts his life into the landscape, forming a "no man's land" where things are me and I am things; "The sunshine on the moss, the bright moon in the forest, the mountain birds under the moon, and the" fragrant flowers "that bloom and fall are both external images and the poet's quiet inner fantasy. Wang Wei's landscape poems with harmonious thinking and environment not only contain a kind of static beauty, but also show the artistic characteristics of "beautiful and delicate" and "profound and elegant".

After Wang and Meng, Li Bai created a new realm of landscape poetry. The distinctive feature of Li Bai's landscape poems is the individualization of natural landscape.

Landscape poetry is the objectification of the poet's aesthetic ideal.

3. What are the poems describing rural life? In the name of each sentence, there is an autumn night in the mountains.

(Tang) Wang Wei

The empty mountain after the rain stands in the autumn evening.

Moonlight in the pine forest, crystal stone in the stream.

The bamboo whispers that the laundry girl returns, and the lotus leaves lie in front of the fishing boat.

My friend's prince, what does it matter if spring is over and you are still here? .

Guogurenzhuang

(Tang) Meng Haoran

Prepare chicken and rice for me, old friend. You entertain me on your farm.

We looked at the green trees around your village and the pale blue of the distant mountains.

We open your window and overlook the garden and fields, holding cups and talking about mulberry and hemp.

Wait until the mountain is on holiday, and I'll come back at chrysanthemum time.

Cunju

(Qing) Gao Ding

Grasshoppers fly in February,

The willows on the embankment are drunk with spring smoke.

The children came back from school early,

Fly a kite in the east wind.

Su Xinshi xugong shop

Yang Wanli (Southern Song Dynasty)

The hedge is wide and deep.

The flowers at the top of the tree are not shady.

The children chased Huang Die,

Flying into cauliflower is nowhere to be found.

Children fishing

(Tang)

A unkempt little boy learned to bow,

Sit by, raspberry moss reflection.

Passers-by ask and wave,

Frightened fish should not be surprised.

4. What poems describe "a beautiful rural life"? 1, prepare chicken and rice for me, old friend, you entertain me on your farm. -Meng Haoran, Passing the Old People's Village in Tang Dynasty

My old friend prepared a sumptuous meal and invited me to his hospitable farmhouse.

2, tonight, I know that spring is blooming and the sound of insects is new through the green screen window. -"Moonlit Night" by Liu in Tang Dynasty

I didn't know that spring was coming until tonight, because you heard the chirping of insects outside the screen window reflected by leaves, and that was the first time they arrived at the house.

3. Beans are planted in Nanshan, and the grass is covered with bean seedlings. -Tao Yuanming's Three Songs of Returning to the Garden in Wei and Jin Dynasties

I plant beans at the foot of Nanshan, where weeds are flourishing and peas are sparse.

4, plum apricot fat, wheat cabbage flowers thin. -Fan Chengda Song "Four Seasons Pastoral Miscellaneous Glory, Part II"

A plum tree becomes golden, and the apricots grow bigger and bigger; Buckwheat flowers are white and rape flowers are sparse.

5. The village is far away, and there is smoke in Yiyi market. -Tao Yuanming's "Return to the Garden, Part I" in Wei and Jin Dynasties

The neighboring village in the distance is faintly visible, and there is smoke in the village.

6. One or two chickens crow in the rain, and the Banqiao of Zhuxicun Road is inclined. -Wang Jian's Rain Over the Mountain Villa in the Tang Dynasty

There is a crow in the rain, and one or two families can be seen faintly in the mountain village. On the village road above Zhuxi, a slab bridge is oblique.

7. There are few people in the wild and few wheels in the backcountry. -Tao Yuanming's "Return to the Garden" in Wei and Jin Dynasties

There are few friends in the countryside and secular, and there are few horses and chariots in remote alleys.

8. An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer. -Wang's "Returning to Wangchuan Village in the Autumn"

A row of egrets swept through the vast and flat paddy fields; There was an oriole cry in the dense forest near the field.

9. When I sip my newly cooked wine, only one chicken will approach the game. -Tao Yuanming's Five Songs of Returning to the Garden in Wei and Jin Dynasties

Filter the newly brewed wine at home and make a chicken to entertain the neighbors.

10 I was passing a friend's farmhouse when his children shouted from outside the thorn gate. -Li Bai, a good pillow and bowl from Zhongnanshan to Hu Si in Tang Dynasty.

When Hushan people came to his house together, the children came out and quickly opened Chai Men.

5. What poems are there that describe longing for rural life? 1, the fun of Xiacun, the seventh.

Song Dynasty: Fan Chengda

During the day, weeding in the fields and rubbing hemp thread at home at night, the men and women in the village took on all the housework.

Although the children don't plow and weave, they also learn a kind of melon in the shade of mulberry trees.

2. Seven Pastoral Music Six/Idle Living

Tang Dynasty: Wang Wei

Hearts also contain fresh rain overnight, green willows and a touch of spring smoke.

The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping.

3. Seven rural music, the first part

Tang Dynasty: Wang Wei

I hate to see thousands of families crossing the north and south neighbors.

The government has a bottom, and who is it?

4. Animal husbandry

Tang Dynasty: Meng Haoran

The disadvantages are separated from the dust, but the first thing is to promote the sky.

Cloth is close to three paths and thousands of trees have been planted.

Yu Yue was pushed to move, but he was in his thirties and hasn't met him yet.

It was too late to write the sword, and it was dusk in Yuan Qiu.

Pregnant in the morning, often confused during the day.

I admire swans in the sky and compete for food.

Looking at Jinmamen, I will take the road of firewood.

Country songs have no confidants, and eventually no friends or relatives.

Who can recommend Ganquan Fu for Yang Xiong?

5. Jiangnan Chunhuai

Tang Dynasty: Li Bai

How long can youth last? Birds sing in spring.

People in the world, I don't know where to go home, wandering, white-haired.

The shadow lingers in Chu month, but the heart flies to Qin Yun.

This body is particularly brilliant, and the countryside has long been deserted.

It's the end of the year. Where should we go? Sing Long song se bekin's song.

In March, Keith, the son of Nanxiang, returned to his hometown from the county seat, passing by and talking about the old days in Xiyuan.

Qing Dynasty: Chen Xun

Don't ask the countryside, come back in ten years. A smile means knowing spring consciously. At the fence, more than three flowers are shining at me.

Sadness and happiness are groundless, but I feel safe here. Who went to the countryside, sad, was two-year-old Cheng Ping.

7. Autumn rain is pastoral.

Tang Dynasty: Geng Kun

The desert is covered with dark clouds and the drizzle is falling. For the ancient road submerged by forest, it is all wasteland.

When these five crops are harvested, several families in the isolated village cook. Turbulent flow all over the nursery, rotten leaves write autumn branches.

New firewood wets dusk, and old fishing moves in the morning. Last year, chrysanthemums were in full bloom in Dongli.

8.sapphire case

Song Dynasty: Cao Formation

If you have a plan, you must come back early. It's good to be poor at home. When did it go from south to north? Time is running out, poor green temple, and darkness is fading away.

The lonely hall with the remnant light. When the homesickness was shocking, the dream began to wake up. The moon sets and the sky is gray. With a cock crow, Ma Si people got up and went to Chang 'an Road again.

On the 9 th, all of them were sent to Hubei in Xin.

Tang Dynasty: Meng Haoran

Xin lay in the south and returned to the old bamboo forest. I don't use it every time, but I have a heart to save Sichuan.

Those who give and forget the machine, the countryside is in Hanyin. Because you went to your hometown, you sent it away.

10, Tanxi looking for an old friend

Tang Dynasty: Meng Haoran

Flowers are accompanied by dragons and bamboos, and the pond jumps over Maxi River. If the pastoral people don't see it, they doubt that they will live in the cave.

6. There are five poems about rural life, one of which is Tao Yuanming, who loves hills and mountains. Thirteen years after falling into the dust net by mistake, birds love the old forest and fish in the pond miss home. After clearing land in the south, they returned to the garden. There are more than ten acres of square houses, 89 thatched houses, the back eaves of Liu Yin, and the warmth of Luo tang qian in Li Tao. Virtual rooms have more leisure. After staying in a cage for a long time, you will return to nature. Secondly, there are few people in the wild and few wheels in the backcountry. During the day, I hide the scenery and think about wine. When I get back to the market, I'll wear grass. Meet without gossip, but know Sang Ma long. Sangma is getting longer and longer and my land is getting wider and wider. I am often afraid of frost, which will be like grass. But I didn't go against my will. I spent four years traveling all over the mountains and rivers, enjoying the wild forests, trying to walk in the wild market with my sons and nephews, wandering among the hills and living in the past. There are traces of wells, bamboo and mulberry trees here. I asked the people who got paid, and they told me that they would die without recovery. I abandoned the market all my life, really. Life seems unreal. Two chickens move around. It's dark during the day, and the Beijing salary replaces the bright candle. Happiness comes and bitterness goes, and the dusk is short, which has returned to Tianxu. Brief introduction to the poet Tao Yuanming (365-427), with a cheerful personality, was called Mr. Wuliu. After his death, his relatives and friends married Jingjie privately.

Chaisang people in Xunyang (now Jiujiang City) in the Eastern Jin Dynasty. Writing background In the second year of Jin Dynasty, that is, the year after Yuan Ming resigned from Peng, the poet wrote five famous poems and returned to the garden. This is the poet's farewell to the old and welcome the new. The profound ideological changes it reflects and the exquisite artistic skills it shows are not only valued by scholars who have always studied Tao Yuanming. The appreciation of five poems in "Returning to the Garden" is an inseparable organic whole. This is not only because the five poems describe the poet's rich and fulfilling seclusion life from resignation, gathering with relatives and friends, enjoying farming, visiting the elderly and drinking at night, but more importantly, they are natural and enjoyable in terms of the feelings expressed. However, the bright color of happiness and optimism reflects the whole article. Some commentators are happy to praise the "non-adhesion" in Yuan Ming's chest. In fact, "adhesion" still exists. That is to say, in the resignation in the late Yuan Dynasty and early Ming Dynasty, I wrote "the word belongs to Xi", but there were also sentences of "being disappointed and sad alone". In other words, there is always a trace of sadness in his heart. Nature loves Qiushan "), but it gradually becomes clear in the process of constantly filtering out ideological impurities. Just as a person doesn't want to touch the hidden pain in his heart, the poet doesn't want to mention the filthy officialdom he just pulled out of in Returning to the Garden. It's a pity to fall into the dust net by mistake. And "walking for thirteen years" means that he "devoted himself to school" from the age of 29. 4 1 year-old "fifty bushels of rice, how can you bow down and go back to the village? "I resigned from pengze county for thirteen years as the official rise and fall. However, today, after all, I got what I wanted, and my mood at this moment suddenly relieved. " There are more than ten acres of square houses and eight or nine huts. "Among them, there is also a hometown." I Love My Family "is affectionate." Yin's back eaves. The cool breeze soothed the anxiety in the poet's heart. In front of me, the beauty of peaches and plums is too numerous to mention, which has aroused much joy in the poet's heart. The poet is communicating with ignorant plants and trees. From a distance, the kitchen smoke melted in the twilight, and I listened attentively, vaguely listening to the barking of dogs and chickens. The papers piled up in front of him disappeared and were replaced by beloved "Qing Qin" and "different books". A variety of tricks "("Breaking Up with Shan Juyuan ") is regarded as the reason for being an official. The poet here seems to have used the word "dust" intentionally or unintentionally. He told us that everything he had suffered from the "dust net" was over and there would be no more. In this sense, it is indeed a bit "vacant"; But in reality, he returned to a life completely arranged and dominated by himself. "After staying in the cage for a long time, he returned to nature. "Dragon and Thirteen Years set each other off, Fan Cage and Dust Net set each other off, Sex and Sex set each other off, and the word" return "made it clear that the poet who returned to the soul finally got gratifying compensation." There are few people in the wild and few wheels in the backcountry. "I think these two sentences should be interpreted in reverse:" I came to the wild for rare people, and I lived in a secluded alley to avoid rewards. "It should be noted that this is not an objective narrative, but a subjective choice. The poet retired from officialdom to "wild" and from "wild" to I'm afraid I'm not far from the world. I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm not far from the world. I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid that life in the country is simple and even poor, quiet and even lonely. However, it is this environment that enables people to acquire the same language and cultivate a simple and sincere feeling. "They will be happy sooner or later if they hear more people." (Migration) The poet spared no expense in his life. It is this kind of true feelings between heaven and earth. A new life begins with the shame of being trapped in the official office by plowing and washing snow. Perhaps it is because of the bondage of officials' bodies and the decline of physical fitness. Perhaps because of the long-term separation from the countryside, agronomy is a bit sparse. "Grass is full of bean seedlings" and it is not well cultivated. What is revealed here is a sense of shame and self-encouragement. "The morning is ridiculous, and Yuelian takes it home." Just in terms of time.

7. The poems of rural life are those 1. When Mei visited Dongxi to see the water, she took a boat near the island late at night.

Wild birds have leisure when sleeping on the shore, but old trees have flowers without ugly branches. Short hair is like scissors, and the sand stays flat and clean on the screen.

I'm lost here, but I must go back. The horse is tired and weak at night. 2. My letter to King Pei Di VI from my cabin in Wangchuan. Now the mountain is cold and blue, and the autumn water has been flowing all day.

At the door of my thatched cottage, leaning on my cane, I listened to the cicadas singing in the evening breeze. Sunset lingers at the ferry, and the smoke from supper rises from the house.

Oh, when will I make a wish to the great hermit again and sing a wild poem under five willows? . 3. Jiang Cun Du Fu Bao Cun Xi in Qingjiang River, and everything in Changjiang Village is quiet.

Since I left, I have come to Liang, and I am very close to seagulls in the water. The old lady is using a chessboard, and the younger son is making a hook with an injection.

As long as some old friends give me some money, what do I ask? 4. water sprite. In Zhangjiang, south of the Yangtze River, people on both sides of the river painted eaves. A lotus bush is light, watching the dance again and again, and the wind is ten miles away.

The original painting is far away from the sky, the wine flag is outside the wind, and it loves to kill Jiangnan. 5. In early summer, I lived in seclusion, and I was better at visiting Hushan than Weng Fangjia, and the path of Huaiyin Nakano was oblique.

When the lake overflows, egrets fly in the air and frogs hum by the lake. The new crop of bamboo shoots has matured, and the magnolia has just begun to blossom.

Alas, let bygones be bygones, who * * * will sleep in afternoon European tea. 6. Wei, a native of Chuzhou, Xixi, was born beside Youcaoxi, and orioles sang in the trees.

The spring tide brought the rain late and urgent, and there was no boat on the wild crossing. 7. My cabin in Wangchuan, after a long rain, Wang Wei, the forest stored rainwater, slowly smoked, steaming, and was still cooking.

An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer. I learned to watch the morning glory on the quiet mountain, which is delicious in Panasonic Zhai Qing.

Why should I scare seagulls, even if I think about it, by giving the honorary position to any clown? . 8. After the rain, there were one or two chickens crowing in Wang Jianyu village, and the bridge on Zhuxicun Road was oblique.

Mother-in-law called a silkworm bath and laid gardenias in the atrium. 9. The topic of Du Muyu in Yangzhou Zen Temple has been noisy, blowing in the wind.

Moss covered the steps, and Bai Niao deliberately stayed behind. The mist in the evening is getting deeper and deeper, and the sunset gradually lowers a small building.

Who knows that Zhuxi Road is blowing Yangzhou songs?