At the same time, the life expressed in the poem is confused with sleeping in bed today and watching and enjoying the moon. The reason for this is that the "bed" for sleeping at night has been deeply rooted in each of our minds and has always been the most profound experience accumulation in our minds. When we read the poem "A ray of light at the foot of my bed", we will naturally think of sleeping at night in real life without thinking, but we can't ask why or what kind of life this poem reflects. In fact, it is illogical to understand the "bed" in the poem as a bed for sleeping at night in today's life. According to relevant research data, "bed" has five views in poetry.
(1) refers to the well platform. Some scholars have written articles for textual research. Shi Cheng, president of China Educators Association, published the research results in magazines, and also created poems and paintings with friends.
② refers to the well site. According to archaeological discoveries, the earliest well in China was Mu Jing. In the ancient well field several meters high, it surrounds the wellhead in the shape of a box to prevent people from falling into the well. The box is shaped like four walls and an old bed. Therefore, the ancient well site is also called the silver bed, which shows that there is a relationship between the well and the bed, and the relationship between the well and the bed is due to their similarity in shape and function. In the ancient system, there was a special word to refer to, and that was "Han". Shuowen interprets "Han" as "shaft lining", which means "shaft lining".
(3) "Bed" is the general term for "window". (4) take the original meaning, that is, the device of sitting and lying. The book of songs, the four cadres, the fetters of affection, the annotations of Yi Skinning and Wang Du and those who are content with the bottom are the foreshadowing.
People think that bed should be interpreted as Hu's bed. In ancient times, Hu bed was also called "horizontal bed", "top seat" and "rope bed". It is a foldable portable chair, which functions like a small stool of Mazar, or a lounge chair and chair. This kind of bed can be moved anywhere at will to sit and lie down for leisure. But the surface where people sit is not a board, but something like a foldable cloth, and the legs on both sides can be put away.
Therefore, due to the fuzziness of "bed" in poetry, the understanding of the artistic conception expressed in the whole poem is by no means single. Imagine that every night we sleep in bed, and the moonlight shines obliquely on the bed through the window. It is possible for people to see the moonlight shining through the window when lying in bed, but it is a bit puzzling to look up at the moon when lying in bed. It is difficult to form a smooth logical relationship between the object "moonlight" pointed by a series of actions such as "sleeping", "lifting" and "watching". In fact, "lifting" and "looking" can only be realized when people are sitting on the bed, standing or leaning somewhere, but they can't cooperate well with the action of "sleeping".
So according to modern people's understanding of life, "will the bright light at the foot of my bed be frosty?" . The ancient poem "Looking around, I found it was moonlight, then sinking, and suddenly thinking of home" is really debatable. Sleeping in bed, looking up at the moon, and sinking back, I suddenly feel that my understanding of home is inconsistent with real life. In addition, judging from the expressions of "looking up" and "looking down" in the poem, the related posture of "looking up" is obviously either sitting or standing. If it is related to the ancient meaning of "bed" in poetry, both postures are possible. Moreover, only these two postures meet the preconditions of "lifting" and "lifting".
Therefore, it is not difficult for us to imagine that "Silent Night Thinking" is about taking a stool to rest in the yard at night. Sitting alone in the yard to enjoy the cool. Suddenly, the moonlight shone directly in front of his eyes, and there was a kind of "lifting" and "falling" behavior. Perhaps this is the real artistic conception of Silent Night Thinking. In addition, according to the ancient meaning of "bed" mentioned above, we can make some different assumptions. For example, standing in front of the window (bed, the cross of this "window") or standing (or leaning) in the field by the well, "I looked behind my back and found it was moonlight, then sank and suddenly thought of home" and so on. As for what kind of situation this poem expresses, who can make it clear? Then, even our experts and scholars can't have a unified cognitive understanding of life (the artistic conception of poetry) expressed in such a poem "Thinking about a Quiet Night", and there are different opinions. Do we still have enough reasons to include it in the Chinese textbook for the first grade of primary school?