There are 126 movies hidden in this cross talk. Several famous partners and two great authors. Who are they?

There is such a cross talk, I believe some cross talk lovers must be strange and familiar. What is familiar is that I remember the name as soon as I hear it, but strangely, I haven't heard it for a long time. At first glance, this cross talk actually doesn't sound interesting. It is a modern cross talk adapted from the traditional cross talk Duidui, which uses the names of various movies as the upper and lower parts of the pair. It sounds similar to the idea of playing cards in the future, and they all use business cards as playing cards.

However, if you are a cross talk lover and a movie fan, then this cross talk is too classic for you, because in this cross talk, the author roughly counts the names of 126 movies, and some movies are still classics of that year and even continue to this day.

Well, don't keep me in suspense. The name of this cross talk has come out, that is, 1987 Spring Festival Evening cross talk "Bridge to Sound" by Wei Liu and Feng Gong.

I. Working background

The Spring Festival Evening of 1987 is called the Year of Crosstalk. Jiang Kun Tang Jiezhong's "Tiger Head Dream" opened the curtain of new TV crosstalk, and Ma Ji and his disciples' "Tiger Head Dream" is also a classic joke. These two cross talks even influenced the Spring Festival Evening 30 years later, and there appeared "Dream of Tiger Head" and "Dream of Tiger Head" one after another.

Others, such as Learn to Broadcast, are also their representative works, and Interrupt by Hou is not novel in creativity, but the program is very funny.

Comparatively speaking, as two newcomers on the stage of the Spring Festival Evening for the second time, Wei Liu and Feng Gong's "Joe Dui Lian" is relatively lonely, and its influence is far less than other cross talks. Although Gong is now a famous crosstalk performer, he was indeed a mistress at that time, and they appeared earlier. Many factors lead to this cross talk's fame is not very big.

But good works must stand the test of time. Because of its novel content, ingenious design and comprehensive coverage of films, Qiaodui Film Association can even be called an archive of China film industry.

Second, the content of the work

Of course, the most ingenious thing about "Bridge to Sound" is that it uses the movie name as the couplet. It is said that these 100 movies are far-fetched, but there are still many upper and lower couplets that are quite exquisite, not only with neat words, but also with similar contents. For example:

The night is boundless, a foreign translation film, a domestic theme film.

Lotus Lantern is a myth and a historical story to Peach Blossom Fan.

Breaking through the Wujiang River is the same as the theme of revolutionary war in Taking Huashan Abroad.

5 1 Station is a spy war film before liberation and a life film for 72 tenants in the old society.

Good woman, Qin Xianglian, model husband, Li Shizhen, this is absolutely true.

What's more, overseas Hong Haier, Sister Liu and Oliver Twist, Du Shiniang.

There are also Handsome Boy, Kelpolo and the Flower Girl and Yesenia, among which Kelpolo may not be as famous as the other three translated films, but this film is in tune with China and Italy, which was rare in that year, and Ying Da's father Ying Ruocheng is also among the actors.

It's not over yet, and "the tiger king steals the bride" and "the eldest sister-in-law Li Er remarries".

The tiger king grabbed the kiss and was the daughter of the sea. This is a happy event, Li Er's wife remarried, this is a mysterious Buddha, this is a strange marriage.

As for the bottom of this cross talk, it is actually not very neat and the number of words does not match, but the names of eight consecutive story films must be written with great care.

Three. Two authors

Wei Liu and Feng Gong are the two actors in Bridge to Sound, but the author of this cross talk is another person, that is, Dong and Xue Yongnian, two cross talk actors from Wuhan. In fact, Qiaoduyin won an award in Hubei Province as early as 1985, because this work is really novel, and it was selected in the Spring Festival Evening, and its lyrics were modified and won the prize in the Spring Festival Evening.

It is said that these two crosstalk performers are magical, a little magical. First of all, although both of them have been rooted in Wuhan for decades, their birthplace is in the north. Dong was born in Liyuan family, and his grandfather and father were both famous Peking Opera artists. His hometown is Beijing. Xue Yongnian's hometown is Tianjin.

Secondly, their crosstalk skills and apprentices present another interesting scene. Dong's first teacher was Han Zikang, and his official apprentice was Kang, so his master was a literary artist himself.

Xue Yongnian was the first person who wanted to learn, but because he was young, he turned to his disciple Zhu Xue for cross talk, but they didn't know each other. It was not until Xue Yongnian came to Wuhan that he officially joined Han Zikang. Han Zikang is Gao's apprentice and Zhang's younger brother. In other words, Xue Yongnian became the youngest longevity artist and the granddaddy of Dong. However, because Xue Yongnian is so young, he usually pretends to be Zhu's apprentice, so he and Dong have become the other disciples who ask questions. It is not surprising that Zhang Shouchen's disciples can create such excellent works.

This time, I thought of this little-known cross talk, mainly lamenting the degree of care of these cross talk actors in those years. To write such a cross talk, you should not only know the cross talk skills but also know how to pair, at the same time, you should be very familiar with the film, and finally you should arrange it carefully. This is the craftsman spirit, and it is also the most lacking thing in phonology at present!