What are the requirements for writing seven-character quatrains?

Seven-character quatrains belong to modern poems with strict metrical requirements. The first is fixed length. The whole poem consists of four sentences, each with seven words, totaling * * * 28 words. Secondly, the rhyme is rigorous, usually only flat, not rhyming. Also pay attention to the level tone, that is, it conforms to the level tone law, that is, under normal circumstances, two syllables (two words) are a step, and the level tone is alternately arranged.

According to the level of the first two words in the first sentence, seven-character quatrains can be divided into two categories: upgrading and upgrading.

Among them, there are two horizontal styles:

First, the level tone, the first sentence rhymes;

Second, the first sentence doesn't rhyme.

There are two types of single eyelids:

First, it is flat and even, and the first sentence rhymes;

Second, from beginning to end, the first sentence doesn't rhyme.

According to Pinglv, seven-character quatrains have four standard sentence patterns:

First, flat and flat (flat and flat, the last word is flat, called flat feet);

The second is flat and flat (flat and flat, the last word is flat and flat, called flat and flat feet);

The third is flat and flat (flat and flat, the last word is flat, called flat feet);

Fourth, plain (plain, the last word is plain, so it is called plain).

Its flat sticker has a certain elasticity, that is, the so-called "135 regardless, 246 is clear", but it is also necessary to avoid making a flat three-level tone.

Extended data:

The development of seven-character quatrains;

In the early Tang Dynasty, the seven-character quatrains were not only few in number and narrow in subject matter, but also had little influence on the poetry circle and were not mature enough in art. Not only was the rhythm not completely coordinated, but the style was relatively sluggish (such as the first half of an antithetical poem) and lacked long rhyme. Famous poets in the early Tang Dynasty, such as Shen Quanqi and Song, were good at writing regular poems, but the level of seven-character regular poems was average.

In the prosperous Tang Dynasty, a large number of poets with four wonders emerged, and they made great progress in art, which can keep pace with the five wonders. Li Bai, Wang Changling, Wang Zhihuan, Wang Wei, Jia Zhi, Gao Shi, Cen Can and Chang Jian. It was really a group of four-line experts in the poetry circle at that time. Li Bai and Wang Changling are two people who represent the highest achievements of the Four Wonders.

Wang Changling took the lead in creating seven wonders, and the themes of the seven wonders in his works have been greatly expanded, such as joining the army, leaving the village, remembering the past, seeing off, hunting, feasting, worshiping Buddha, worshiping Taoism, thinking of women and complaining about the palace. All of them can be expressed by the four wonders, which expands the influence of the four wonders in poetry. Li Bai's seven-character quatrains can better reflect the typical characteristics of quatrains in the prosperous Tang Dynasty.

In the middle Tang Dynasty, there were many poets who were good at the Four Musts, such as Li Yi and Liu Yuxi, but their basic methods did not break through their predecessors. In the late Tang Dynasty, the Seven Wonders had a new development in the hands of Du Mu, Li Shangyin and Wen.

Baidu encyclopedia-seven-character quatrains