Even if Yun Lan sighs, how can the years go with the wind?
He, like a beam of light in the world, illuminates the darkness of life and dispels the haze in his heart.
He, let you learn to stick to yourself and be yourself in this hustle and bustle.
Wandering in the paradise of art is an artistic practice and a secular innovation.
I like Mr. Mu Xin's words very much: "Time and tide wait for no man, I never spare time."
Mr. Mu Xin is such a person. He practiced in the noisy world and turned himself into a poem and hope.
Nobody knows what art is. In different people's minds, the standards for art are different. But our yearning for beauty and art is the same. In this world, some people live to teach you love and hope, and how to live.
Mr Mu Xin's real name is Sun Pu and his pen name is Mu Xin. 1927, a native of Wuzhen, Zhejiang Province, was born in a noble family. He is both a scholarly family and a business family. Mr Mu Xin has a profound family background and culture. He studied poetry and songs from an early age and loved art.
At the end of 1937, Wuzhen fell. The housekeeper of Mao Dun's old house was afraid of losing his book, so he lent it to Mu Xin. The war is fierce outside, current events are changeable, and the table at home is not messy, but Mu Xin is burning the midnight oil to read.
From 65438 to 0946, Mu Xin entered the Shanghai Academy of Fine Arts founded by Liu Haisu to study oil painting, then switched to Lin Fengmian, who had a closer artistic concept, and entered the Hangzhou Chinese Painting Academy to continue the exploration of Chinese and Western painting.
From 65438 to 0947, Mu Xin participated in the student movement against hunger and civil war, distributing leaflets on the streets and making anti-war posters. He was expelled from school and wanted by the Kuomintang. As a last resort, Mu Xin had to avoid the disaster in Taiwan Province Province. 1949 before the founding of new China, he returned to the mainland.
"If you decide your life by art, you can't live like ordinary people".
1950, Mu Xin was hired as a teacher by Hang No.1 Middle School. But soon, Mu Xin resigned. After resigning, he came to Moganshan with books and brushes, and began to concentrate on reading, tirelessly sketching, writing poems and creating novels every day. The conditions on Mogan Mountain are hard, and there is no electricity, so he reads all night by candlelight. The wind was bitter and cold, and his hands and feet ached, but he didn't give up.
1956, in order to make a living, Mu Xin had to go down the mountain. He lived in seclusion for six years, wrote several short stories and accumulated more than a dozen thick literary manuscripts. After going down the mountain, Mu Xin first returned to his alma mater to teach, and then entered Shanghai Arts and Crafts Factory as a designer.
197 1 year, Mu Xin was arrested and imprisoned during the "Cultural Revolution" and was imprisoned for 18 months. All 20 manuscripts were burned, three fingers were broken, and my mother died of disappearance.
In prison, Mr. Mu Xin wrote 650,000 words of prison notes and confessions with pen and paper, and black and white keys, who drew the piano by hand, silently "played" Mozart and Bach.
He said, "I am a slave by day and a prince by night." When he got out of prison, he was smiling and full of energy. The hardships of life did not crush him, but let him plug in a pair of spiritual wings for himself.
"Some birds are caged. Every feather of theirs shines with the light of freedom. "
Rehabilitate after the Cultural Revolution. During the period from 1977 to 1979, Mu Xin was placed under house arrest again and his personal freedom was restricted. From 65438 to 0982, Mu Xin lived in New York, USA, and traveled extensively in northern and southern Europe.
When Mu Xin was a teenager, his life had been ups and downs for decades. In a foreign country, all the ups and downs are condensed into one chapter. For the "Cultural Revolution", Mu Xin never complained or recalled in his article, leaving only one feeling: "I sincerely feel that the world can be forgiven."
"Not precocious, not a genius, but a genius must be late."
200 1 Shanghai Literature published Mu Xin's "Shanghai Fu", which was famous for a while and expensive in Luoyang. This year, he was 74 years old and a late bloomer. There are his maturity, his sadness and his happiness in the text, and the things accumulated over the years slowly flow in his works. Mr. Mu Xin's poems are far-reaching, beautiful and widely circulated. Is the first "once slow":
"Remember earlier when I was a teenager.
Everyone is sincere.
A word is a word.
Chen Qing Railway Station
The long street was dark and empty.
The small shop selling soybean milk is steaming hot.
In the past, the color of the sun changed slowly.
Cars, horses and mail are all slow.
Love only one person in my life.
These locks used to look good, too.
The key is exquisite fashion.
If you lock it, people will understand. "
Time used to pass slowly. Hut Hutong, neighborhood, harmonious and natural. Now there are many high-rise buildings, the neighbors are alienated, and there is little intersection at hand.
The previous life was poetic, and there were times when the soul was beaten at a slow pace. Love and freedom are deposited in people's hearts. Nowadays, life is fast and short, people's hearts are occupied by rampant material desires, and poetry is gradually fading away.
Literature and art need to be chewed slowly and fermented slowly in time. Mr Mu Xin brewed fragrant wine with his pen and tasted the sweetness of life.
"Wind, water, a bridge." This is what Mu Xin muttered when he looked at the design of the art museum before he died.
In Wuzhen, Mu Xin's parents, this sentence is now hanging at the gate of Mu Xin Art Museum, which is the most poetic description and courtesy to the poet.
Mu Xin said, "You look at the painting, and I look into your eyes."
When we stay quietly in Mu Xin's paintings, we will suddenly feel the power that penetrates the soul in the paintings:
"Twilight", Twilight deeply calmed the myth of fading.
In "Weak Water and Half a Thousand", the ink time meanders in the jungle.
"It thundered in the afternoon under the banyan tree", and the banyan tree in the shade disturbed the afternoon thunder.
"Su Xia" splashed ink, rendering a flowing dream.
The stone house is intact, and the years are sick. Mu Xin once said: "When everything collapsed, I told myself to seek eternal life in despair." Behind those desperate times, we can feel Mu Xin's dialogue with art with pen and ink in the depths of his soul. His passion for art is eternal.
Mu Xin's paintings outline a unique charm, which contains poetic depth. This is a kind of worldly practice and an expression of walking with art. Perhaps, as he said, "The heart is not where it lives, but what it loves."
Mr Mu Xin has made great achievements in painting. From 65438 to 0984, he held a solo exhibition at Harvard University. The collection of wooden heart paintings published by Yale has been distributed all over the world and is highly praised.
33 ink paintings are collected by major museums and private collections. He was also the first China painter whose works were collected by the British Museum in the 20th century.
1982 In August, Chen Danqing met Mr. Mu Xin on the new york subway. The following spring, Chen Danqing was surprised to see Mu Xin's article "Three Women in the Street" in the local Overseas Chinese Daily.
Being in a foreign country, they became bosom friends and talked all night. Mr. Mu Xin's writing passion has been aroused, and he has published numerous famous works, which aroused the affection of western readers. Many of his articles have also been translated into English, which has become a model reading material for the course of literature history in American universities.
From 65438 to 0984, strongly recommended by Chen Danqing, Mu Xin participated in the inaugural issue of United Literature, which brought together famous Chinese writers from Hong Kong, Taiwan and overseas. The inaugural issue is Mu Xin's "Prose Exhibition" entitled "Mu Xin, a literary Robinson".
Mu Xin's erudition and elegance made Chen Danqing admire him. He consulted many artists who worshipped Mu Xin and invited Mu Xin to give a lecture. Who would have thought that this lesson would last for five years? Later, Mu Xin said with a smile: This is a literary adventure.
In 2002, Chen Danqing compiled his five-year study notes into Memoirs of Literature, which became a best seller once published. This book has more than 400,000 words, and it is said that there are more than 2 million manuscripts of Mr. Mu Xin.
In the book, we see those unique insights scattered everywhere like pearls, transparent, beautiful and bright, which silently infects readers who pick up shells on the beach.
Mr. Mu Xin is a real man with artistic pursuits. /kloc-when he was 0/2 years old, he studied it with the pronoun Xia.
He said, "I take a bath in the morning just to wash away the night."
In search of art, 23-year-old Mu Xin went to Moganshan alone. On his desk, there is a sentence written by Flaubert: "Art is vast enough to occupy a person." He left the best years to Moganshan, and art is life and faith for him.
During the Cultural Revolution, he was arrested and humiliated, and many people like him chose to commit suicide. However, Mu Xin did not appreciate this martyrdom journey with death, but appreciated martyrdom with life like Sima Qian.
After he was released from prison, he could have lived a rich life and a smooth life, but he was not willing to be mediocre and never stopped pursuing art. At the most glorious time, he chose to run away.
He went to new york for further study. New york is a paradise for art, where artists can indulge in the world of art and their artistic potential will be infinitely stimulated.
New york lives in extreme poverty and has no livelihood. But even so, he still lived a noble life. I cut my own shirts and coats, design and make my own shoes and hats, and I can cook eggs in twelve ways.
"No matter how hard you suffer, you should smile and live like a human being."
Perhaps, only through the years of suffering can we have a soul that penetrates art.
Chen Danqing asked Mu Xin, "How to become an artist?" Mu Xin replied: "Even life should become art". When others write lyrics, they are venting their past sadness and complaining for themselves. Mu Xin said nothing about his turbulent life.
He said: "literature and art are my beliefs, and it is this belief that helped me through the disaster."
201165438+February 2 1, at three o'clock in the morning, Begonia flowers woke up, but Wuzhen didn't wake up. In this century, the old man died alone, leaving only countless calligraphy and paintings, countless thoughts and sorrows, leaving us with eternal sadness.
Art, a distant dream
There is an old man.
Keep it for life.
His waist is always straight.
His body has been standing.
His eyes are always deep.
His hands are always like jade.
He is in the art palace.
As if eager for something-with great desire.
Just to find inner peace.
Even wandering
Even if the world is at home.
Even after the disaster
Even if I'm alone
This world,
There should be no wooden heart
Again, have a wooden heart.