Romantic literature in France started late due to special historical reasons, and really rose in11920s. Once the romantic literature rose, it immediately formed a vigorous literary movement. Victor hugo is not only one of the outstanding representatives of French romantic literature, but also the leader of European romantic literature movement.
/kloc-In the second half of the 0/9th century, a literary school-naturalism appeared in France, and its representatives were Zola and Gongel.
Since 1930s, a new literary trend of thought-critical realism has risen in developed capitalist countries and gradually formed the mainstream literary trend of thought.
France is the birthplace of critical realism. As soon as it appeared, it showed its sharp critical edge. Among them, Stendhal is a great representative of French critical realism literature in the19th century. Is one of the founders of critical realism literature; One of his works, Human Comedy, was praised as a "great work" by Engels, who praised him for providing an outstanding realistic history for French society, especially the upper class in Paris.
/kloc-at the end of 0/9th century and the beginning of 1930s, symbolism literature appeared, which produced the most influential and representative writer Charles Pieete Le. He was the most important poet of symbolism poetry school and the founder of modernist literature in Europe and America, and was as famous as Hugo in France in19th century.
In the history of modern music, French composer Debussy is an important composer in the history of European music, and his creation opened the door to modern music in the twentieth century. Known as the "modern young piano prince", Richard Clayderman's To Alice, Beethoven's Destiny and Butterfly Lovers. ...
It is quite difficult for French culture to develop today. Facing the impact of the world culture in the 2nd/Kloc-0th century and the strong desire to communicate with cultures of different nationalities, regions and faiths, French culture has always been at the forefront of the cultures of all countries in the world, playing the most important role in promoting the cultural development of all mankind, playing a unique role and occupying an important position and prestige in the international political arena. This kind of good wish urges China and France to come together and build a bridge with "culture" as the medium. Hold a large-scale event with historical creativity-Sino-French Culture Year.
2/kloc-the development prospect and far-reaching influence of French culture and China literature in the 20th century. When we look back on the brilliant achievements of French culture and history, we have to pay attention to French culture in 2 1 century again. What will happen to French culture and China literature in the next few years? What will the scene be like? At the same time, what is the far-reaching influence on China literature? All these should arouse the attention of cultural scholars, writers and theorists, and look at various problems that cannot be ignored in the development of French culture and China literature in the 2/kloc-0 century as a whole.
According to the data, the New Culture Movement in China in the19th century was deeply influenced by French culture, but we can't see the profound relationship between French culture and our national culture. We can find similarities, positively diagnose the French culture in the 2nd/Kloc-0th century, and make it develop together with China literature in seeking common ground while reserving differences and complementing each other's advantages.
Next, I will talk about the changes and influences of French culture on China Culture Year and China literature from the following facts.
Xu Beihong, the late famous master of modern Chinese painting in China, went to France to study painting art in his early years; There is also a young woman, Pan, who is oppressed by old feudal ideas and old morality. After graduating from Shanghai as an art teacher, she was sent to France to study oil painting and sculpture, becoming an "artist famous for her two arts" and winning the Rome Prize which only the French can enjoy.
Notre Dame de Paris, a novel by French writer victor hugo, has been adapted into different artistic forms such as opera and film. Last August, French artists brought Hugo Madonna to the Great Hall of the People in China for five days, which was warmly welcomed by the people of China. Once again, I feel the charm of French culture and the classics of the masters.
Andre malraux, another famous French writer, published the novel "The Human Situation" describing the "April 12th" massacre in Shanghai in 1933, and his works won the French Gunger Prize for Literature.
Zhu Dequn, an outstanding abstract painter, was the first person from China to be awarded the title of Academician of the French Academy of Arts. China writer Francois Cheng was elected as an academician of the French Academy.
When there are different schools of literary creation in the French literary world, they have exerted profound influences on literary creation in different countries all over the world.
Sansa, a girl from China, wrote the French version of the novel Peace Without Doors, and won the French Academy Award, the Goncourt First Prize and the New Year Award. Go Girl became one of the best-selling autobiographical novels in France in 2002 and 2003. French President Jacques Chirac read her novel and called her "the cultural emissary of China" among French writers.
China's famous contemporary writer Jia Pingwa's Wasted Capital and Walking in the Mountains were published in France, which aroused widespread concern of the French people (readers) and made them feel the cultural charm of China. Therefore, Mr Jia won the French Fermine Prize for Literature.
The only purpose of giving the above examples is to show that French culture not only affects China literature, but also plays a role in learning from each other and complementing each other's strengths in the development of China literature. No one can have a better culture than any other country. Only by giving full play to one's own advantages and learning from each other's strong points will it be conducive to the continuous development of one's national cultural undertakings, so this Sino-French cultural exchange forum was held with the Sino-French Cultural Year as the medium.
2 1 century is a great era for the development of literature in China. On the one hand, through the unremitting efforts of several generations of literary masters and young people who love literature like me, we have made great achievements. On the other hand, we actively learn from French culture to enrich our creative skills and horizons, which is a gratifying situation for China's literary career in the 2 1 century.
What will be the future development of French culture and China literature in 2 1 century?
According to my observation, I think its future development will be a promising road, a bright tomorrow and a sunrise cause. The key problem lies in how we view the changes between French culture and China literature in the 2nd/Kloc-0th century, and how to coordinate and formulate a set of scientific strategic norms for future development, with the general principle of making it develop more smoothly as the starting point. To put it simply, it is how to deal with the cultural relationship between our nation and France, so that the two can accept each other and integrate into one, without losing our unique charm.
China and France, as two countries representing the East and the West, are far apart, but both have a strong desire to develop their own national cultures, attach great importance to protecting and promoting their own national cultures, and advocate active dialogue and cross-cultural exchanges between different civilizations. It advocates maintaining the characteristics of national culture, protecting the diversity of world culture and promoting the diversified development of world culture. Based on this * * * similarity, I think both China and France should seek common ground while reserving differences, and actively introduce the essence of cultures from all over the world as a reference for their own cultural development, which will be beneficial to the cultural development of China and France.
Perhaps, the cultures of both China and France have the hope of going abroad and going to the world urgently, and the large-scale activity of Sino-French Culture Year also came into being.
Here, I want to talk about the significance of this Sino-French Cultural Year. It's not just what I mentioned above, it should have a deeper meaning. Will be in the past ten or twenty years, or even a hundred years later. In any case, we are obliged to do everything that is conducive to the future development of French-Chinese culture.
Reflections on French Culture and China Literature in 2 1 century.
It's hard for us humans to move today. How can we make our human society more civilized in the 2 1 century, so that everyone living on the earth can enjoy a happy life in the bright spring?
However, the world is not peaceful every day, especially in Iraq (special topics, galleries), Afghanistan and the Middle East ... Remember the year before last, the former Afghan government Taliban was listed on the UNESCO World Cultural Heritage List to prevent the US government from attacking Afghanistan, and the ancient Buddha statues of more than 3,000 years were blown up by the former Afghan government Taliban? How many priceless works of art were destroyed by Saddam Hussein's Iraqi government before the American-British attack on March 20, 2003? It can be said that in every war, we human beings suffer the pain of losing our loved ones, and at the same time, our own ancient cultural works of art are also lost in the war.
In today's era of great change, how will we humans choose the road of cultural development? As we all know, the older the culture and art, the more the essence of the world.
2 1 century, how can China and France carry forward their national culture and go global?
As the president of France, Jacques Chirac actively advocated cultural innovation. He once said, "Although I don't like some modern art, I think we should respect and encourage artists' spirit of exploration". From the president's words, we should have every reason to see a strong signal, that is, it is an honor to promote the cause of human culture in the 2 1 century, which deserves pride and pride.
I think it would be better to gather the wisdom of many people. The key issue is to jointly find ways to solve the outstanding difficulties in the development of human cultural undertakings. Isn't it easy to solve any problems?
Now, I want to talk about some immature ideas about the future development of French culture and China literature in the 2 1 century for reference only.
First of all, the large-scale activities of the Sino-French Cultural Year have been officially designated as one of the cooperation projects between the Chinese and French governments, with two or four sessions each year, which has become the frontier for all countries in the world to understand the current cultural development;
Secondly, set up a special fund for Sino-French cooperation in scientific research projects in the field of culture and art or international organizations (UNESCO and foundations) to provide financial support;
Third, hold international high-level cultural academic forums, publish professional journals, and guide cultural and artistic research to produce sustained results;
Fourth, organize experts and scholars in the cultural fields of China and France to hold academic lectures and exchanges in different capacities;
Fifth, primary and secondary schools across the country offer specialized courses, starting with dolls and receiving industry culture education, so as to train future successors who are interested in the cultural field.
The ancients said, "Everything stands, and if it doesn't stand, it will be abolished."
We should take a positive view of the large-scale activities of the Sino-French Cultural Year held by China and France, seize every opportunity and keep pace with the times. In short, in the 2nd/kloc-0th century, French culture and China literature will continue to play their roles, accept the charm of Haichuan, and develop their own culture through more exchanges and communication, so as to promote the cultural cause of all mankind and strive for new brilliant achievements.