Sheng cha zi yuan Xi
Ouyang xiu in northern song dynasty
On the fifteenth day of the first lunar month, the flower market is brightly lit.
The moon rose to the willow tree, and he met me at dusk.
On the Lantern Festival on the fifteenth day of the first month of this year, the moonlight and lights are still the same as last year.
See last year, tears Man Chun shirt sleeve.
This word and Cui Hu's masterpiece "South Village of Beijing" (last year today, peach blossoms set each other off in this door. Where is the face going? Peach blossoms still smile at the spring breeze. The poem describes the author's lingering and unforgettable love in the past and expresses the sense of loss and loneliness after the old love broke up.
The first part is about the events in January last year. The first two sentences are about the bustling night of the Lantern Festival, which renders a warm atmosphere for the appearance of lovers below. The latter two sentences blend with each other, writing the scene of lovers' deep affection and love words under the moonlight and willow shadows, creating a hazy, quiet and graceful artistic conception.
The next article is about the suffering of lovesickness on January Eve this year. The contrast between "The Moon Lights Are Still On" and "Nobody Seen Last Year" leads to the heavy sadness of "Tears on Man Chun's Shirts and Sleeves" and expresses the poet's love for his former lover.
This word not only describes the beauty of Iraqis and the warmth and sweetness of falling in love that day, but also describes the disappointment and sadness that Iraqis did not see today. In writing, it adopts the contrast technique of last year and this year, which makes the past and the present in sharp contrast, thus effectively expressing the sadness and pain of the love experience that the poet wants to talk about. This paragraph-by-paragraph structure of juxtaposition of text and meaning has formed the overlap of rotation and chanting, which makes people feel emotional when reading one chant and three sighs.