On the eve of Yuanjiu's ascent, I was fortunate to read an article by Mr. Jin Tingjiang interviewing Mr. Long Ke about the origin of Yuanjiu's ascent. It can be seen that "Yuan Zhen" and "Yuan Zhen Gao Deng Festival" are a topic of great concern. From 9: 00 pm to 5: 00 am, before dawn, Mr. Jin went to Longke to write a blog, which was basically all night. It is a blessing that Sri Lankan people are so obsessed with the study of local culture, and this website highly values it. I hope more people of insight have enthusiasm and persistence in the research and dissemination of Baqu culture. (This article is transferred from Mr. Jin Tingjiang's blog:/? 1047/viewspace-23851.html) On the occasion of the Golden Festival of Yuanjiu, the dispute over the origin of the Golden Festival of Yuanjiu has intensified. Local scholars such as Continent Knife, Long Ke and Nong Mo have written articles to expound their views. Mr. Jin Tingjiang, executive editor of Xinhuanet Dazhou Sub-channel, also participated in the debate. Today, he interviewed Yuan Zhen on this topic. Jin Tingjiang: Mr. Long Ke, my debate with you has attracted the attention of many literary friends, and some friends even worry that we will lose our friendship. It seems that the online debate is not enough, so I came to visit you specially to fight with you for 300 rounds in the form of an interview. Please give me your advice. Long Ke: Argument is the bole of truth. As Nong Moge said: I appreciate the liveliness and prosperity of Dazhou's literary world. The cultural development of any country or nation is inseparable from criticism, and even more inseparable from counter-criticism. The more you distinguish the truth, the clearer it becomes. It's okay to be a little intense, sharp or even extreme, as long as it's justified, factual and reasonable. Being brave in criticism, especially in counter-criticism, is a personality quality that a scholar should have. Many of Mr. Jin's expositions about Yuan Zhen are biased, so I stand up and criticize them. I am convinced that academic debate and friendship are not contradictory. Jin Tingjiang: I don't object to the rock climbing festival, because "climbing every year makes everyone progress" is our common aspiration. However, I am opposed to the theory of "commemorating Yuan Zhen". In my opinion on the origin of Yuan Jiu's ascension to heaven, I listed four reasons, and it is those reasons that angered you and triggered this "contention of a hundred schools of thought". Do you really recognize Yuan Zhen's political character? Is he really worthy of our worship? Long Ke: When people criticize Yuan Zhen, they are always entangled in his personality. There are two main charges: ingratitude and fawning on eunuchs. The former's "evidence" is "Biography of Yingying", while the latter's evidence is that he was appointed as a doctor of ancestral temple by virtue of the quotations of eunuch Cui. In Biography of Yingying, Zhang Sheng abandoned Cui Yingying at first, and "whitewashed his mistakes, so he fell into evil interest", which was despised by the world. Later generations thought the legend was Yuan Zhen's autobiographical novel, so they accused him of being ruthless. That was not the case. A novel is a novel, and Zhang Sheng in the text is not Yuan Zhen. . . . . Jin Tingjiang: In Yingying Biography, Zhang's experience is the same as that of Yuan Zhen. His mother's surname is Zheng and his cousin's surname is Cui. Zhang's good friend was a real person and a poet in the Tang Dynasty. Both Chen Yinque and Lu Xun think that Zhang Sheng is a self-contained Yuan Zhen. Many people hold this view, so do I Long Ke: I remember Mr. Jin wrote an article "My Love with Me". The words "flowing water", "Meng Xing" and "Russian hair" in the article do exist. The situation of "current" is exactly the same as yours. Is that you? Are all those stories true? After a thousand years, future generations will be convinced of this article, because I am afraid that "the dream of the stars has already given birth to a lot of children, and it is really a big injustice to graze and shoot sculptures all day long." Similarly, Zhang Sheng and Yuan Zhen are not the same person. Zhang Sheng is unfortunate, and Yuan Zhen should not be held responsible. Jin Tingjiang: I saw this rebuttal for the first time, but it really makes sense. In this case, it is untenable to say that Yuan Zhen abandoned poor girls in order to climb high branches. Long Ke: The marriage between Yuan Zhen and Wei Cong has not changed his fate, so it is impossible to "climb high". You mended my clothes from your own wicker basket, and I coaxed it from your golden hairpin to buy wine, a song "Send Sadness". You eat your food with wild vegetables, but your food is sweet. You cook with dead branches with leaves. . . . . "After the wedding, Yuan Zhen had no official title. How poor was the husband and wife's life? Jin Tingjiang: So, it's not fake that he attached himself to the eunuch, is it? What is the explanation? Long Ke: Under the influence of the great climate, Yuan Zhen had to depend on eunuchs in order to realize his political ambitions, which should be a manifestation of his enterprising spirit. However, he got out of the mud without getting dirty. During his tenure, he rectified the bureaucracy and carried out preferential policies, doing countless good things for the people, and Shi Kejian was no exception. Jin Tingjiang: But during his tenure as Sima in Tongzhou, he had no political achievements, and the poems he wrote during this period were also hateful. Since he doesn't love Tongzhou, how can we respect his totem? Long Ke: He wrote 180 poems in Tongzhou, and none of them really praised Baqu. But this just shows that he is honest and not hypocritical. How can you ask him to praise the ancient Tongzhou, a land of anxiety, where "insects and snakes block the official road by day", the shade blocks the sun, it is damp and damp, "mosquitoes and frogs bite people", wild animals harm people and "live in people"? Unlike many literati, he didn't whitewash the peace, but reflected the real situation at that time in a realistic way, which reflected the literary accomplishment of a great poet, which was really admirable. Jin Tingjiang: Even so, his poetry writing only belongs to his own hobby, and has not left the purpose of history for generations, let alone create a style of writing in Tongzhou. The glory of Bashan writers today has nothing to do with him. Why do you owe the prosperity of Baqu culture to him far-fetched? Long Ke: Yuan Zhen was quite famous in the literary world at that time. When he comes to Tongzhou, a large number of fans will inevitably learn from him or sing, and the influence on Baqu culture can be imagined. The continuation of culture is like the fruit of dandelion. Wherever it flies, it will take root and sprout. Jin Tingjiang: The achievements of poetry can't cover up his political inaction. For Tongzhou, he has no political achievements. As a Sima with no real power, it is also difficult to achieve "the love of one's life and many achievements." Long Ke: Although Yuan Zhen took the post of Sima, he was "a cadre sent by the central authorities" after all. The local governor will definitely give him three points, and will solicit and listen to his opinions on many things and let him participate in the discussion of state affairs. Many historical data show that he supervised the harvest of agriculture, prayed for the well-being of the people, and created a harmonious official management in Tongzhou. Especially in only seven months after taking over the secretariat, "the minutes should be simplified, and the farmers should be rewarded and punished, the city should not be bullied and the officials should not invade." "It has greatly changed the scattered and backward appearance of Tongzhou. Jin Tingjiang: It is impossible to "greatly change the scattered and backward face of Tongzhou" in just seven months. Long Ke: Under the premise of assisting the government to lay a certain foundation in the first three years, seven months' finishing touch can completely realize transformation. Jin Tingjiang: Your explanation of Yuan Zhen's political character makes me more acceptable. Next, discuss the second controversial point: whether Gayun Pavilion was built for rock climbing. If it was built for climbing mountains, then this folk custom already existed at that time, and the "theory of commemorating Yuan Zhen" was broken. Long Ke: The records in the county annals of the Republic of China are very detailed. This pavilion was built to suppress the colorful clouds on the mountain that are considered ominous, and obviously has nothing to do with mountaineering. Jin Tingjiang: According to general legend, colorful clouds are auspicious signs, and immortals walk in the clouds. People should think that this is a fairy mountain. How to build a pavilion to suppress it? It is not necessarily true that the county annals are so recorded. Long Ke: How people explain natural phenomena depends on the level of understanding and the situation at that time. Zhang San may be lucky to see the colorful clouds, and Li Si may be unlucky to see the same colorful clouds. Zhang San called it Xiangyun, while Li Si did the opposite. Jin Tingjiang: I still doubt the authenticity and accuracy of the historical materials recorded in County Records of the Republic of China, but until I read more reliable information, I agree with you for the time being. Long Ke: This is just like saying that there is no historical evidence to prove that Yuan Jiu's ascent has anything to do with Yuan Zhen. It can only be based on the relevant expressions in the existing historical materials. Strictly speaking, Li Bingru's and Liu Cunhou's poems can't be conclusive evidence to commemorate Yuan Zhen's theory, but only these barely convincing written records can be found at present. In addition, Yuan Zhen ranks ninth at home and is called Yuan Jiu, so we regard it as a coincidence with the day of Yuan Jiu, and interpret "Yuan Jiu Ascending the Mountain" with the theory of commemorating Yuan Zhen. In addition, there are no absolute allusions to the origin of all traditional festivals, and most of them take folklore. It is not unreasonable for us to regard the theory of commemorating Yuan Zhen as a beautiful legend. Your Book of Changes has also increased the gold content of "Yuan Jiu Gao Deng", which can also exist as a statement. If we can find accurate literature records in the future, we will correct and supplement them in time. Jin Tingjiang: In short, are you a hardcore "Yuan Ting faction" now? Long ke: yes, I even hope I can't find a new saying, because I like Yuan Zhen too much. I don't know when the poem "Once the sea was difficult for water, it was amber forever" began to haunt me. Probably started when I was a child, but "teenagers don't know the taste of sorrow" and didn't chew it out. They just gulped it into their compositions, talked about it and showed it off. In my youth, I was confused and had a little understanding. After all, I have a little knowledge and know nothing. If you are not confused when you enter, you are always troubled by the word "confused". You often "stand alone in a tall building and look at the horizon" before you know that "I went to sea because of my dream" and my dream is slim. " In addition to Wushan, it is because of missing and thinking endlessly. The experience of life is so profound, the realization of feelings is so well known, and the romantic figures through the ages are second to none. Jin Tingjiang: Maybe you think of yourself as Yuan Zhen? Do you think you have something in common with him? Long ke: stop it, you won't understand, because people have different life experiences and different understanding and cognition of life. By the way, I will climb the mountain on the ninth day. Will you go? Jin Tingjiang: Of course I'm going. How can you miss such a grand event? I have noticed that you have been going to Phoenix Mountain almost every day recently to exercise? Long Ke: People living in cities often feel that they are "cornered", especially when there was no riverside road a few years ago. Phoenix Mountain is my paradise, where I can find the peace and happiness I want. Jin Tingjiang: I don't understand what you are talking about more and more. It's better to leave early, lest you catch your poet's disease. Goodbye, see you at Phoenix Mountain.
Please accept it, thank you!