Here, the poet intends to directly understand the ontology of Lushan Mountain through the misty yarn. You see, when he looks horizontally, he gets the impression that there are mountains and plains; Seen from the side, it is a strange peak. Whether you look at it from a distance, from a close distance, from a high place or from a low place, you will see a completely different scene. However, Su Shi, like other poets, did not stop at wonder and confusion, but thought further: after all, people saw the local scenery, not the true face of Lushan Mountain. The reason is that tourists can't see the whole picture outside Lushan Mountain and stay in the mountains blindly. "Only the trees can't see the forest", so it is naturally difficult to see its true image.
The last two sentences are wonderful, and the whole artistic conception is fully revealed, which provides readers with a space to relive their experiences and gallop their imagination. Don't just travel all over the mountains and rivers to have this kind of rational understanding? In short, when we are discussing a problem, aren't we in trouble because we have reached a dead end? When we are engaged in a certain job, don't we sometimes get entangled in some trivial things? Generally speaking, when people understand the objective world, are they often limited to a certain part or one aspect of prejudice, failing to focus on the overall situation and grasp the essence of objective things? ..... Isn't all this because the parties are "on this mountain" and therefore "unreal"? This living condition is similar to how tourists can't see the mountains!
Different people have different opinions. A little poem arouses people's aftertaste and deep thought! Therefore, "Tixilinbi" is not only a poet's eulogy of the wonders of Lushan Mountain, but also a philosopher's insight into the true face of Lushan Mountain. Because this understanding is profound and conforms to the objective laws, there is a profound philosophy that inspires people's hearts in addition to the absurd image of Gu Feng. Therefore, this little poem is particularly subtle and profound, which makes people never tire of reading it.
The meaning of this poem is very profound, but the language used is extremely simple. Simplicity is the linguistic feature of Su Shi's poems. Su Shi has no habit of carving when writing poems. What the poet pursues is to express a fresh and unprecedented artistic conception in simple and fluent language; And this artistic conception, from time to time flashing the light of philosophy. Judging from this poem, the language expression is concise, but the connotation is rich. In other words, poetic language itself is a high degree of unity of image and logic. In four poems, the poet roughly describes the image characteristics of Lushan Mountain, and accurately points out the reasons why it is irrelevant to see the mountain. Bright sensibility and clear rationality are intertwined and mutually causal, so the image of poetry is sublimated into a model in the field of rationality, which is why people regard the last two sentences as philosophical epigrams for thousands of times.
If the poetic tradition before the Song Dynasty was characterized by expressing ambition and expressing emotion, then in the Song Dynasty, especially Su Shi, a new poetic style characterized by reasoning appeared. This poetic style is a new poetic style created by Song people after Tang poetry. In Su Shi's words, it means "creating new ideas in statutes and leaving wonderful ideas outside the bold". The characteristics of this kind of poems are: shallow language and deep meaning, reasonable things and light taste. The title Xilin wall is such a good poem.