In the early Tang Dynasty, Shen Quanqi, Song, Du, Li Qiao and others began to write articles. In the prosperous Tang Dynasty, Wang Wei, Li Qi, Cen Can and Jia Zhi all intended to train them to master the system. However, Cui Hao and Li Bai still have works that are mixed and mixed, semi-ancient and semi-rhythmic. At the same time, in the prosperous Tang Dynasty, poets such as Li Bai, Wang Wei and Gao Shi were mostly wrong.
It was not until Du Fu that the seven-character rhythmic poem showed its poetic potential and opened up the artistic world. Du Fu opened up the realm of metrical poetry in an all-round way, and current affairs, politics, life experiences, customs, cultural relics and historical sites were all integrated into strict metrical style, which raised the value of this poetic style to the level of being juxtaposed with ancient poems and quatrains.
Extended data:
Metric Analysis of Nanjing on the Phoenix Terrace
This paper analyzes the meter of "Nanjing on the Phoenix Terrace" from three aspects: rhyme, level tone and antithesis.
1, rhymes
Although it is an ancient metrical poem, it adopts the rhyme format of the first sentence, which rhymes with swimming, flowing, hills, continents and worries;
2. Flat and uniform
Parallel prose is quite different from the standard seven-character metrical poem. The meter of the first couplet is correct, but it is not standard from the beginning. According to the meter of the first couplet, the meter of the third sentence should be flat, flat and even.
Similarly, "three mountains and a half fall into the sky" and "golden clothes are ancient dust" are also stuck. Except for the rhymes of couplets and necklaces, the rhymes of the first couplet and the last couplet are quite standard.
Step 3 compare
The antithesis of couplets and necklaces is very neat. The Wu Palace in the couplet is opposite to the Jin Dynasty, the flowers and plants are opposite to the clothes, and the secluded path is opposite to the ancient hills. In the neck couplet, there are three mountains facing two waters, half in the middle, and the sky outside is very neat for Bailuzhou.
"On the Phoenix Terrace in Nanjing" is the representative work of Li Bai's seven laws, because it is a poem in the development stage of rhyme. Although there are occasional irregularities, it is still an excellent seven-rhyme poem.
References:
Baidu Encyclopedia-Seven-character Rhyme