Qingyang grass Changting road, easy to walk when young; The bell on the first floor struck the fifth watch, and the sadness in my heart was like being sprinkled in the spring rain in March. What do yo

Qingyang grass Changting road, easy to walk when young; The bell on the first floor struck the fifth watch, and the sadness in my heart was like being sprinkled in the spring rain in March. What do you mean? On the verdant ancient pavilion road, like a couple, he left me easily and boarded the boat to leave. The bell on the roof awakened Wu Geng's dream, and his heart was sad like the spring rain in March at the bottom of the flower. This sentence comes from Yan Shu's "Yulouchun" in the Song Dynasty.

Spring is in the jade house, and spring hates it.

Author Yan Shu? Song dynasty

Lvyang Fangcao Changting Road. It's easy to throw people away when you are young.

The dream on the roof is five minutes old, and it rains in March at the end of the flower.

Ruthlessness is not like sentimentality and bitterness. One inch or a thousand strands.

Ultima Thule is still far from the end, only the mind is infinitely long, and there is no time.

Vernacular translation:

On the verdant ancient pavilion road, he left me easily like a couple and boarded the boat to leave.

The bell on the roof awakened Wu Geng's dream, and his heart was sad like the spring rain in March at the bottom of the flower.

Where can a heartless person know the distress of a sentient person? An inch of acacia is inextricably linked.

No matter how far the horizon is, that day will have an end, but people's sorrow is infinite and endless.

Extended data

This word describes the feelings of parting and endless sadness after parting, expresses the pain of lovesickness in life, and places the author's feelings about the shortness of life, the impermanence of gathering and leaving, and the loneliness after a feast.

In the first part, spring scenery and spring resentment are combined into one, Five Nights and Rain in March are about time and the scene of cherishing people, Remnant Dreams and Leaving Love are about the feeling of cherishing people, and two sentences are about the blending of precision and scene. The film goes deeper and deeper, from ruthlessness to ruthlessness, which embodies sentimental troubles and turns abstract emotional images into inextricably linked.

The last two sentences always see the bitterness of family, and the beauty lies in their loyalty and no resentment. The whole poem is sincere, sad, lyrical and graceful, showing charming artistic charm.