Zheng Chouyu City, Taiwan Province Province
I walked through Jiangnan.
The appearance in the season is like the opening and falling of lotus flowers.
If the east wind does not come, catkins will not fly in March.
Your heart is like a little lonely city.
Like a bluestone street facing the night.
The voice is silent, and the spring in March is not revealed.
Your heart is a small closed window.
My dada horseshoe is a beautiful mistake.
I am not a returnee, I am a passer-by. ...
Appreciation of mistakes
Zheng Chouyu's poem "Wrong" is light and clear, and it is still widely known.
The masterpiece of mouth. If Zheng Chouyu's works can attract people's attention and touch people's hearts.
Nothing is more profound than beauty and affection, so the poem "Error" is the most beautiful one.
, established his position and influence in the poetry circle of Taiwan Province Province for the poet.
When I first read this poem, the first thing I felt was its China. This is definitely a song.
China's poems belong to China people and tell the story of an eternal and beautiful China.
Story. Therefore, although the shell of this poem flaunts the modernism of learning western learning from the East, it is
There is no doubt that China's deeper traditional consciousness is conveyed.
The poem "Wrong" can be said to be a poem that has been in my heart since it inherited China's ancient palace grievances.
Tradition. In the poem, the hero "I" rode to the south of the Yangtze River, leaving a woman to live alone in an empty boudoir.
Waiting day and night, expecting the return of my lover "I". However, the woman's stupidity has changed.
What followed was a long and boring wait. So, her heart is "like a small lonely city", no
There is a "east wind" to deliver news for her, but there is no "catkins" flying all over the sky in spring; So hers
The heart is a "small window", always paying attention to the "sound" on the bluestone road, even the curtains.
Don't open it, go and see the colorful spring scenery outside the window. "New Makeup Appropriate for Face" in Liu Yuxi's Poems of Spring
Going to Zhu Lou, locking spring scenery and worrying about a hospital seems to have the same effect as the above grievances, which is implicit.
Not exposed, but far-reaching and far-reaching. Finally, "I" came back, and the sound of dada's hooves was beautiful to her.
Yes, because the lover I looked forward to day and night came back, but in a flash, this infinite joy became.
Infinite disappointment. Because "I" was just passing by, not "going home". This "beauty"
Sally's mistake "played a trick on her, as if heaven had played a trick on her."
Perhaps, some people will understand the "I" in the poem as the sorrow of the prodigal son returning home.
And this understanding is acceptable. In those turbulent times, the mentality of people in Taiwan Province Province was one.
Kind of wandering, waiting for a place one day, they are just a pass on the island of Taiwan Province Province.
Guest, thinking that one day I can return to my hometown and reunite with my relatives. However, for political reasons,
Their wishes could not be realized, resulting in a sense of loss and melancholy. However, if you try
Comparing Zheng Chouyu's other poems with mistakes, it is not difficult to find a powerful side.
Certificate. For example, in Zheng Chouyu's Mistress, "I think loneliness and waiting are good for women" and
The lines "Because I'm not the kind of person who often goes home" both show that women live in boudoir, and so on.
The theme to be returned by the protagonist. In another poem, The Slave Outside the Window, "I am the God of the South,
Bare arms wrapped in gauze-like night. Therefore, the star hanging on my wrist is my slave. "
It also tells the sad heart of women waiting for men to return in the long and lonely years.
Conditions.
Mistake has nine lines and 94 words. The whole length is not long, but it shows that
His artistic skills were not only praised, but also passed down orally. Structurally, it's hidden.
There are two clues. The obvious vertical line is from large view to small view, with distinct layers.
The first two sentences are set in the vast south of the Yangtze River, and then the camera goes to the small town and then to the street.
The road, curtains and window leaves finally landed on the horseshoe, breaking the silence in front of the horseshoe.
This kind of writing, like Liu Zongyuan's Jiang Xue, starts from the big scene of "There are no birds in the mountains" and ends with pen and ink.
The small scene of a fisherman fishing alone in the river is quite similar in space processing and poetic.
Push to a climax. Judging from the horizontal line, the first two sentences should be the end, precisely because "I" comes from
Jiangnan went to a woman's place and didn't go in. The woman's expectation is that her face is like a lotus flower.
The passion for waiting turned into despair. The last two sentences should be "I am not a returnee, but" ...
A passer-by ",so" My horseshoe is a beautiful mistake "is used by the poet here.
It's a little backwards. This arrangement has caused uneven levels in the structure, which is even more obvious.
Poetry shines in disharmony.
Another touching feature of this poem is the beauty of its language, especially the number of "beautiful mistakes"
Words. This sentence is inherently contradictory. The horseshoe of Dada sounded women's expectation for reunion.
Deep down, so beautiful. However, this horseshoe only passes in front, not for the sake of
It was a mistake for her to stop and wait. This kind of falling together, the reversal of the scene before and after,
It has produced a high degree of drama and formed a trend of ups and downs. If and the China nature of this poem.
Lenovo, like William Wang's "luminous glass of wine, urges you to drink pipa immediately".
At the same time, Zheng Chouyu also used the images of China's traditional classical poems in his poems, such as
Lotus, Catkin, Horseshoe, Spring Owl, and especially East Wind.
The picture is taken from "It was a long time before I met her, but it was even longer after we broke up" in Li Shangyin's Untitled. There are also "branches" where the east wind has started and a hundred flowers are blooming.
Meaning, and then show that Zheng Chouyu's China is the most fundamental. Yang Mu in Biography of Zheng Chouyu
"Strange" long article said: "Zheng Chouyu is a China poet, in China, make good use of China.
Chinese characters are accurate in writing image, beautiful in sound and absolutely modern, which emphasizes the right and the ugly.
China's poetic language reflects China's thoughts and feelings.
Pure writing is another advantage of this poem. When Zheng Chouyu talked about the skills of writing poems,
He said: "Be true to yourself when writing poetry, and don't bluff. If you write even numbers,
You're not sure, that's infidelity. "Therefore, Zheng Chouyu's" mistake "emphasizes purity.
Agile, fresh, light, do not play word games, do not make up words, and strive to be the most loyal self.
Real words express the poet's most faithful feelings. This is a true and sincere poem.
Mistake still touches the heartstrings of countless readers. I think the most important factor is not.
It wins by words, not by its inner feelings. This feeling is undisguised,
Without carving, the scenery in the poem is harmonious and consistent, which has inexhaustible artistic appeal.
Appreciate "mistakes"
1. Solve the problem
Zheng Chouyu, a major member of the modern poetry club, is good at graceful poems, and his love poems are fresh and graceful. Cuo, with the image of a small town in the south of the Yangtze River as the center, describes the thinking about women and the yearning for people. It has a beautiful and far-reaching artistic conception and is known as the "swan song of modern lyric poetry".
Yang Mu: "In modern times, some foreign poets have appeared in China. They wrote their' sense of modernity' in unfamiliar and bad China literature, but Zheng Chouyu is a poet of China in China. He writes Chinese characters well, with accurate images, gorgeous poems and absolute modernity. "
Most of Zheng's poems take travelers as lyric heroes and are called "prodigal poets". "I grew up in War of Resistance against Japanese Aggression, so I was exposed to the suffering of China and the wandering life of the people. I wrote these in poems, and some people called me a prodigal son. In fact, what influenced my childhood and youth was more the traditional spirit of benevolence and righteousness. " (The combination of benevolent spirit and prodigal feelings) His poems are probably as well known as Li Houzhu and Li Shangyin in Taiwan Province. One of his poems is the spirit of "benevolence and righteousness" which is bold, frank and open-minded, just like Li Bai; The other is graceful mood, full of twists and turns, touching feelings, shy to speak, just like Li Shangyin. These two qualities fully show the poet's profound classical literature accomplishment. It is this accomplishment that made him avoid the shortcomings of modernist poetry in Taiwan Province Province, and integrated China's traditional consciousness with the expression of western modernism, becoming an out-and-out "China poet in China".