Back to Yan 'an is a passionate poem written in the form of folk songs. The poet praised the Yan 'an spirit of creating a generation of revolutionaries with a pure heart, from which we can feel the poet's beating pulse-his true feelings for "mother" Yan 'an.
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[Edit this paragraph] Author introduction
He Jingzhi is a famous modern revolutionary poet and playwright. Born in Yixian County, Shandong Province, 1924. 15 years old to participate in the anti-Japanese national salvation movement. /kloc-went to Yan' an at the age of 0/6 and studied in the literature department of Lu Xun Art College. /kloc-joined the party at the age of 0/7. 1945, together with Yi Ding, he created China's first new opera, White-haired Girl, and won the Stalin Literature Prize of 195 1. This is a milestone in the development of China's new opera, which vividly shows the profound theme of "The old society forced people into ghosts, and the new society turned ghosts into people". He has served as director of Chinese Writers Association and Dramatists Association, and vice minister of culture. After the founding of People's Republic of China (PRC), he wrote such famous poems as Back to Yan 'an, Singing aloud, Song of Sanmenxia, Ode to October, Song of Lei Feng, Window of Westbound Train, October in China, and Song of Bayi. Returning to Yan 'an, he has been selected for the seventh grade of Jiangsu Education Press. 1939 participated in the anti-Japanese and national salvation activities in Sichuan and began to publish his works. 1939 to 1940 studied in No.6 Middle School for Nationalities (now Mianyang Nanshan Middle School). After the victory of the Anti-Japanese War, he worked in the College of Literature and Art of North China United University with the Literature and Art Working Group. During the war of liberation, he took part in mass work such as land reform and supporting the front line. 1947 participated in the clearance battle and made meritorious service. 1949 participated in the first national congress of literary and art workers, was elected as the director of the Chinese Dramatists Association and the Chinese Writers Association, and worked in the creative room of the Central Academy of Drama. Later, he served as the editorial board of the monthly script and poetry magazine and secretary of the Secretariat of the Chinese Dramatists Association. 1997 was elected as the representative of the 11th National People's Congress of China * * * Production Party. He has served as Vice Minister of Culture, Vice Minister of Propaganda Department of CPC and Acting Minister of Culture.
[Edit this paragraph] Basic information
Back to Yan 'an Poetry Title: Back to Yan 'an Time: Modern and Contemporary Author: He Jingzhi's Works: Back to Yan 'an
[Edit this paragraph] Original works
Don't jump so hard, the dust can't stop my eyes ... I won't put down the loess and stick it to my heart. ..... A few dreams back to Yanan, arms around Baota shan. Thousands of voices call you-Yan' an mother is coming! Du Fuchuan is singing and laughing in the willows, and the red flag is fluttering. White sheep belly towel and red belt, relatives welcome Yanhe. Full of words to detain said not to come out, plunged into the arms of relatives. 220 Li Pu sent Liu Lin Puying to go home 10 years later. There are branches and roots at the top of the tree and relatives near the mountain. Lamb lamb looked at her mother beside her breast, and the small grain of rice supported me to grow up. Dongshan millet, west valley, red flag on the shoulder, book in hand. Teach me by hand. My mother sent us across the Yellow River. The revolutionary road is thousands of miles away, and I miss you all over the world ... three mouthfuls of rice wine, oil, steamed bread and charcoal fire, and I sit on the kang and surround myself. There is no wind around the kiln, and footsteps are still ringing in my head. As soon as Grandpa entered the door, he panted, "I dreamed of a chicken feather letter-I can really see my relatives …" My relatives saw tears of joy in their eyes. You have worked hard to defend Yan 'an, and your white hair has added a few more. The communist youth league secretary also led the director of the agency, and the shepherd boy of that year has now grown into an adult. The brushed enough paper is red, and the dolls are scrambling to hold hands. A sip of rice wine pushes the waves behind the Yangtze River. Ten years of revolutionary development, I can't tell you 3600 days ... 40 million legs,10 million eyes, not enough for me to walk. With a blue sky and a big mirror overhead, Yan 'an City shines in my heart: the streets are wide and flat, and the buildings are covered with rainbows; Bright lights, rows of trees welcome the spring breeze ... Compared with the past, I didn't recognize you. My mother changed clothes in Yan 'an. Yang Jialing's red flag is flying high, the climax of the revolution in Wan Li! Baota shan left footprints and Chairman Mao boarded Tiananmen Square! Zaoyuan lights shine on people's hearts, and Yanhe rolls and shouts "Forward"! Red guards, youth league, red scarf, our heroes from generation to generation ... striding forward along the socialist road, the brilliant Yanhe River is still ahead! With wings and feet, go back to Yan' an to see your mother! 1March 9, 956 Yan 'an
[Edit this paragraph] Poetry appreciation
He Jingzhi's poem Back to Yan 'an is selected from Selected Poems of He Jingzhi. Published on 1956. Described the poet's joy when he returned to Yan 'an after a ten-year absence, and praised Yan 'an's great contribution in the revolutionary history of China and the great changes since the founding of the People's Republic of China. Adopting the form of northern Shaanxi Xintianyou, the language is simple and the feelings are warm. Back to Yan 'an is divided into five parts. The first part can be abbreviated as: going back to Yan' an is to write back the excitement and joy of Yan' an; The second part: recalling Yan' an, recalling the life in Yan' an that year; The third part: Yan 'an is a warm scene to write about family gatherings and heart-to-heart talks; The fourth part: looking at Yan' an is to write the new face of Yan' an city; The fifth part: Bless Yan 'an, praise Yan 'an's glorious history and look forward to the future. The whole poem "Back to Yan 'an" is not only the vivid source of the poem, but also the poet's image combination description of the customs of northern Shaanxi, which adds the life breath and local beauty of the poem, as well as the beauty like national music flowing from simplicity. 1956, the poet returned to Yan 'an, the cradle of revolution where he lived for many years, and his second hometown was haunted by dreams. Now, seeing it again, he was deeply moved and deeply touched, so he wrote this passionate and popular political lyric poem. The whole poem has a distinct lyrical level: first write the excitement and excitement of going back to Yan 'an, then recall the battle life scene in Yan 'an, then write the touching scene of gathering with Yan 'an relatives, then write the great changes in Yan 'an in the past ten years, and finally praise Yan 'an's great achievements in the revolutionary process and look forward to its bright future. Taking the process of "returning to Yan 'an" as a clue, the theme guidance describes the joy of returning to Yan 'an's mother's arms after ten years and the reunion of relatives, which shows the author's childlike innocence of missing Yan 'an's mother and expresses his attachment to Yan 'an's mother. Writing characteristics ① Successful use of various rhetoric. ② Choose appropriate and vivid verbs. The first part is about the poet's excitement and joy when he returned to Yan 'an's mother's arms after a long absence of 10.
Yan 'an is the place where He Jingzhi lived and fought, and he has deep feelings for Yan 'an. When the poet revisited his hometown, he was particularly excited. "Don't beat so hard in your heart/don't block my eyes with dust", and the two prayers of "Don't" and "Don't deal with it" show that the poet can't control his inner excitement. The next few words, the loess bosom, dream back to yan' an, hold Baota shan tight, issued a long-awaited call. Successive plots and actions express the poet's attachment to his mother Yan 'an. The welcome scene of Yan' an relatives is even more warm. The personified Du Fuchuan, Liu Linpu and Hongqi are singing, laughing and waving. Relatives are wrapped in white sheep belly towels and red belts around their waists to welcome Yanhe River. At this time, the poet "talked too much to say,/threw himself in the arms of his loved ones." A word "jump" can express feelings better than a thousand words.
The second part, recalling the fighting life in Yan 'an, shows the kinship between the poet and Yan 'an's mother.
At that time, the production and fighting in Yan 'an were in full swing, and the author did not spend a lot of ink to describe them one by one. He gave full play to the specialties of Fu, Bi and Xing, and showed an unusual life experience. "The treetops have branches and roots./I am close to the mountain and have relatives." "The lamb is nursing to see her mother, and the little rice is feeding me to grow up." I have a good relationship with Yan 'an's mother. "There are millet in Dongshan Mountain, valley in Xishan Mountain, books in hand and red flags on shoulders", using Fu's method, selecting typical things to summarize the life in full swing in that year. Teach me by hand, writing about mother-child affection. "The road to revolution is thousands of miles away,/I miss you all over the world", which shows my gratitude and nostalgia for my mother.
In the third part, the poet described the reunion with his relatives and expressed their profound friendship.
In the reunion scene, the author highlighted things with local characteristics in northern Shaanxi, such as rice wine, oil buns, charcoal fire, heatable adobe sleeping platform, white window grilles and red window grilles, which set off a lively atmosphere. Three generations of old people, young people and teenagers get together to talk about the new year and the old year. "A mouthful of yellow rice wine is worth a thousand words,/the waves behind the Yangtze River push the waves before" is an exaggeration and metaphor. The topic flew from Yan 'an to Qian Shan, and the national situation surged like the Yangtze River and the Yellow River.
The fourth part describes the new face of Yan 'an and praises the great changes that have taken place in Yan 'an under the leadership of the Party in the past 10 years.
"A thousand legs make a thousand eyes" is an exaggeration, which shows that the change is too great to be seen. The parallelism of "one strip at a time", "one block at a time", "Yi Deng Yi Deng" and "one row at a time" is characterized by the use of overlapping words in quantity. "Wearing a rainbow", "welcoming the spring breeze" and "changing clothes" are anthropomorphic techniques that give people a vivid impression.
The fifth part eulogizes the glorious history of Yan 'an and looks forward to a bright future.
"The red flag of Yang Jialing is fluttering,/Revolutionary Wan Li is at its climax", which is a pleasant reminder of the excellent situation of the revolution. In the following paragraphs, the poet reviews the history of Yan 'an, and writes that the people of Yan 'an advance wave after wave, as if the river were rolling forward. At the end of the paragraph, "Let's go back to Yan 'an to see our winged mother. "With exaggerated techniques and heroic tone, I once again expressed my attachment to Yan 'an's mother.
2. This poem is an excellent work created by modern poets absorbing the nutrition of folk songs. The poet praised Yan 'an in the form of folk songs of "believing in heaven", which in itself is a return to Yan 'an's mother's kindness. Each part of this poem consists of two sentences. According to the characteristics of "Xin", the first sentence rises, and sometimes the two sentences are used together or together, which generally rhymes. For example, "there are branches and roots at the top of the tree,/people have relatives near the mountain", and the rise of "trees" is a metaphor for the poet's flesh-and-blood ties with Yan' an and Yan' an fellow villagers. "The lamb suckles to see the mother, and the millet feeds me to grow up" is a symbol of Yan 'an's kindness to the poet. "Yang Jialing red flag fluttering,/the climax of the revolution in Wan Li", the former sentence stirred up a thousand waves, reminiscent of the expansion of the revolutionary situation from Yan 'an to the whole country, followed by exaggeration. "The students with beards have red enough papers,/and the dolls are fighting for their hands." This sentence is more popular and has the function of describing the environment. The expression of "Xing" in Xintianyou often gives readers a lot of imagination and makes emotional expression more powerful. Making good use of exaggeration is also a feature of "believing in heaven", such as "a million words of rice wine,/the Yangtze River makes waves", "you have wings, your feet have clouds,/go back to Yan 'an to see your mother" and so on. There are also rhetorical devices commonly used in folk songs, such as personification, parallelism and antithesis, which add a cordial and lively emotional color to this poem. There are also many northern Shaanxi dialects in this poem, such as repeated words "several times", "roots", "lamb", "white beard" and "full mouth", and some children's voices "tight" and "hand in hand". In short, praise Yan 'an in the form of "believing in heaven" and express the poet's attachment to his mother. The form and content of this poem have reached a perfect unity. Back to Yan 'an is a new poem written in the form of Pilgrim's Progress, a folk song in northern Shaanxi. The poet recalled the fighting life in Yan 'an with full passion, praised the great changes in Yan 'an, and looked forward to the future of Yan 'an, showing the author's heart of missing "mother" Yan 'an and expressing his attachment to her mother Yan 'an.
The form of "Xintianyou"