"The Millennium is frost. The first two paragraphs clarify the time and environment. Just look, the lush reeds have shown a bright green color, and the crystal dew has formed a brushed frost flower, which is clearly the scenery in the late autumn morning. The slight autumn wind conveys the coolness of the attack. At this moment, the poet is wandering by the reedy Okawa. Sometimes he looked up and looked away, sometimes he bowed his head in meditation, anxious and restless. It turned out that he was missing and chasing someone. " The so-called Iraqis are on the water side. These two sentences explain who the poet admires and where he is. "Iraqis" is not a general term, but refers to people who are closely related to poets and never forget them. The word "so-called" runs before "Iraqi", which shows that this Iraqi is often mentioned and recited, but now he has left the poet on the other side of the long river. The positive tone of On the Water Side shows that the poet is convinced of his existence and full of confidence in his pursuit. Just across the river, it is not easy to meet each other. At this time, the poet is eager to see through the autumn water, and his heart is surging. He looked around and searched assiduously, hoping to find a way to meet the Iraqis on the other side!
"Retreat from it, and the road is long; Swim back from it, in the middle of the water There are roads, and there is more than one, but which one to choose? If you take the path by the river, the road is rugged, dangerous and long. Even if you can get there, it will take a long time. How can you wait for a poet who is already in a hurry and can't meet at once? Then choose the waterway and swim directly. Although the distance is not far, but this road is full of autumn water, within reach, it is difficult to do. The poet thought, as if he saw the Iraqi figure on the island surrounded by water in the middle of the river. At this time, although the poet was still standing by the river, his mind and spirit were already flying, and his eyes were blurred, making it difficult to distinguish between true and false. The word "Wan" is used magically and skillfully, which vividly depicts the poet's infatuation with Iraqi people at this time. These poems are melodious and tactfully written, which is wonderful. Fang Yurun has a pertinent comment: "If you play with their words, you can't count on them;" "Taste its meaning, ask for it not far away, and think about it." (The Book of Songs Primitive Man)
The poem adopts the form of overlapping sentences, and the contents of the second and third chapters are basically the same as those of the first chapter. The conversion of individual words avoids the stagnation of poetry, increases the harmonious beauty of rhythm, and makes poetry progress slightly. At the same time, repeated singing makes the feelings expressed in the poem stronger and stronger. For example, in these three sentences, the color of reed changed from green to blue, from blue to white, and the desolate atmosphere of late autumn became more and more intense step by step, which showed the poet's environment at that time. The three sentences "White dew is frost", "White dew is not wet" and "White dew is not full" capture the gradual process of dew forming frost, frost flowers melting into water, and water evaporating continuously, vividly depicting the track of time development, indicating that the poet came to the river at dawn and stayed until the end of dawn, and the sun was about to rise. Imagine that he wandered alone in the cold and lonely wilderness for a long time, facing endless autumn waters, waiting for people to disappear, thinking about people, how anxious and melancholy he was! Another example is the description of the location of the Iraqi people in the poem, which is more clear and specific chapter by chapter. The first chapter says "by the water", which is more general, the second chapter says "on the water Mae", which is more specific, indicating that there are aquatic plants there, and the third chapter says "by the water", which means that Iraqis are at the water where aquatic plants meet. Presumably the Iraqis may be on the other side at this time, waiting for the arrival of the poet. In this way, it not only expands the artistic conception of poetry, but also makes it more urgent for poets to meet the wishes of Iraqis. In addition, for example, write a road that follows it, first of all, "the road is blocked and long", then "the road is blocked and connected", and then "the road is blocked and connected to the right". The transformation of the words "long", "pass" and "right" shows that this road is not only long, but also steep, tortuous and difficult. This shows that it is really difficult to find Iraqis. The harder it is to write the road here, the more the poet is eager to see the Iraqis. As for the description of Iraqis, it is "in the middle of the water", "in the water" and "in the water", and it is also more specific step by step. Write down the direction first-the middle of the river, then point out that it is an island, and finally say it is a small beach in the water. Although this is the poet's illusion, it makes people feel very real. Through this form of overlapping singing, this poem expresses profound meaning and can be chewed and appreciated by people.
This is a lyric poem, and the beginning of each chapter adopts the brushwork of seeing interest in fu. By writing what you see, you create an ethereal and lyrical artistic conception, covering the whole article. Jiaxu and Bailou are two natural scenery that can best render the bleak atmosphere in late autumn. The poet does not hesitate to describe them repeatedly with heavy ink, which makes the whole poem full of "cool" meaning and effectively sets off his sad and melancholy mood. At the same time, because of the sad mood, it is even more sad and lonely in the late autumn scenery. This expressive technique of expressing emotion with scenery and empathizing with scenery not only deepens the role of poetry, but also increases its artistic influence.
In addition to describing real scenes such as "Jiaxu", "White Dew" and "River Water", and the fact that people are pregnant and know their way, the last sentence of each chapter turns to "Wan Chai", creating a new world of imagination and fantasy with the pen of imagination writing. It seems that the pregnant person is just around the corner. This combination of reality and fiction broadens the artistic conception of poetry, at the same time, it also enhances the lyrical meaning of poetry and euphemistically expresses the rich and sincere feelings of pregnant women.
This poem has obvious artistic influence on later poems. For example, Song Yu, a writer of Chu Ci, has such a description of autumn scenery in Nine Arguments:
"Sad autumn is also gas! Bleak, the vegetation falls and decays; If you want to travel far; Climb the mountain near the water and send it back. The sky is crisp; Lonely and lonely, clear water; Sad and lonely people. By writing about the weather in autumn and the colors and shapes of fallen trees, a chilling atmosphere is created to express the poet's sadness. From the application of this scene blending technique, we can see the inheritance and development clues of Chu Ci to the Book of Songs. Another example is the poem "There are tall buildings in the northwest" in Nineteen Ancient Poems, which originated from Fu and flourished in Fu, and set off the lyrical atmosphere of the whole poem with scenery, and completely adopted the writing method at the beginning of the poem "Jiaxu". In addition, Cao Pi, who was far away in the era of The Book of Songs, also learned the poem "The rank wind is bleak and the weather is cold, and the vegetation is exposed to frost" from the poem "Jiaxu" (see Xing). It can be seen that the expression of the poem "The Sword Family" is indeed inspiring to later poets.