The robe of youth
Xi Murong
I am a clear river
Bypassing the sandbank you set up
On that sunny summer day
In the afternoon with many white clouds
Your green dress
Swaying in the wind
Reflected in my heart
Like a gentle waterweed
With sweet pain
I look back frequently
I will shed tears I will never come back again
I will never be able to meet you again in this life
I know winter is coming
The reed flowers will also wither
< p>The joys and sorrows on both sides of the Taiwan Strait will be like cloudsOnly the stars will be left in the distant sky
Before the ice freezes
I will flow into the sea
And in the dark and lonely seabed
I will think of you
And you and your green dress
p>
The sad song of youth
——Appreciation of "The Clothes of Youth"
Article/Youyou Bailan
Xi Murong's "Youth of Youth" "Coat" is probably just a love poem, written for those people who meet by chance, have feelings for each other, and then part ways. However, I think the image of this poem has transcended itself and is a sad song of youth.
The artistic conception of the poem is very beautiful. There is both hazy beauty and clear beauty. The beauty with her clothes fluttering in the breeze is lined with sandbanks, reed flowers and clear streams. All of this naturally reminds people of "the sky is green and the white dew is frost. The so-called beauty is on the side of the water." But this is not the dawn when the white dew is frost, nor is it The golden autumn is full of desolation, but it is a "clear summer afternoon with many white clouds." Some people say that youth is the spring of life. No, youth is the summer of life. It is also worth the long afternoon of white clouds. Youth has a warm and bright beauty. But because "I" is a river that flows "never again" and "I can never meet you again in this life", the bright youth is cast in a sad tone. This poem repeatedly renders this kind of youthful sadness.
It is the characteristic of youth to move forward courageously, and it is the sadness of youth to never return. What the author wants to express is that on the way forward, we will inevitably miss many scenery, even the scenery that reminds us of a lifetime. "The green dress" no longer only represents the image of a beautiful woman, but also a symbol that youth will inevitably miss. In "my" heart, it is not only a gentle waterweed, nor even just an indescribable lovesickness, it has become an eternal sweet and painful memory and concern. Youth must move forward, youth must be missed, youth must look back frequently, until the reed flowers wither, the river freezes, all the joys and sorrows we have experienced disappear, the winter of life has truly come, and "I" also return to the boundless sea, "and In the dark and lonely seabed/I will still think of you/and your/green clothes”! Why is this? Perhaps Xi Murong gave a good interpretation in her poem "Youth": Turning over the yellowed pages, I read and reread with tears in my eyes, but I had to admit that youth is a book that is too hasty!
Youth is beautiful, but it is also accompanied by inevitable sadness. This kind of sadness is not decadent. To be precise, it should be "sad but not sad" like "Guan Ju". Let me ask, of everyone who has experienced youth, who has no regrets? Being able to chant this kind of regret with a sweet and painful mood should itself be another form of beauty of youth. Let's call it "poignant beauty" in one word. Being able to appreciate this kind of poignant youth may be more worth recalling than singing along without any regrets.
Let us remember "The Clothes of Youth", which is the sadness of youth and the sweetness of youth; it is sad and elegant, and it is a sad song of youth!