Article 1
First, the tone of prose.
Prose always observes everything in the world from the author's subjective point of view, and gets some insights from it, so it feels and expresses its own feelings. Reading and listening to prose seems to follow the author's thinking and finally think with him. Because it is a process of reading, thinking and feeling, the tone of prose recitation is gentle. There is not much ups and downs; Even in the * * * of the work, it will not be as sudden and impassioned as a speech. When reading aloud, you should use moderate speed and soft timbre, and generally use the method of lengthening rather than aggravating to deal with stress.
Although prose is not as regular and strict as poetry, it also pays attention to the beauty of rhythm and rhythm. The regionality of prose and some sentences also have symmetrical structures.
For example: "The wind is light and quiet; Grass, soft. " When reading aloud, we can read these sentences with the same intonation, so as to express the rhythmic beauty of the text.
Prose also has different types. Some essays are mainly lyrical and don't write about people and things.
For example, Mr. Zhu Ziqing's famous essays "Moonlight on the Lotus Pond" and "Hurry" all express the author's feelings. Although some things will appear in some articles, they are all imaginary rather than real, and they are general rather than specific.
For example, Mr. Zhu Ziqing's description and praise of spring in his famous prose "Spring" gives people the feeling that "a year's plan lies in spring", thus inspiring his love for life. The tone is warm and pleasant. We should read it in a clear and sweet voice. Although there are landscapes, flowers and birds and figures in the article, these are not specific people. When we read this type of prose aloud, we can take the author's feelings as clues. When reading "Spring", it was a passionate emotion from the beginning. Read "Mountain Time, Langrun; Water, rising; When the sun blushes, we should read three levels and read the feeling that spring is getting closer and closer and people are getting happier. The middle part describes spring from all aspects, and also shows the author's love for spring. We can distinguish description from lyricism by reducing the speed and volume of speech. In the last three sections, dolls, girls and young people are used to compare spring, which reflects people's yearning and hope for the new year and their mood turns high. The volume and speed of speech should also be increased step by step.
Another type of prose is slightly different. These essays are interspersed with some people and things. Sometimes, it is these people and things that inspire the author, which leads to feelings. So how do we read this type of prose? Generally speaking, we should regard people and things as an integral part of prose, not as a story.
the second
The recitation of modern prose should grasp the main line of the article, highlight the key points, find the right logic and avoid reading the article.
The reading of modern prose is easy to be unchangeable and straightforward, so we should pay attention to finding the author's intention in the narrative or description of the article and avoid falling into simple scenery description, which seems to be very sensational, but in fact it lacks change and single color.
Don't be clumsy and too loose when pronouncing, and pay attention to discretion. Prose is mostly the expression of the author's inner feelings. When reading aloud, you should speak at a moderate speed, with a soft and simple voice and a soothing breath, strengthen the introversion of control, and avoid the formalization of melodrama and voice change.
People see things with their own eyes-the imagination of broadcasters will be released in this part. There are specific descriptions of scenery, things and people in the article. The announcer should fully mobilize his imagination and associative ability, be able to see its existence and make the picture active in his mind.
Accept * * * and fully feel-perceive from the outside and accept from the heart. Without a sense of image, the manuscript will not be given concrete and rich colors, and there will be no real and vivid image. This is a bridge from understanding to expression. Only concrete feelings can make oral English full of vitality.
Form language, show changes-actively accepting * * * will produce a positive inner reaction, and further melt into the audio language, making it a person, thing, thing and scene that you have seen and experienced with your own eyes, and reappearing it, making full use of the changes in stress, pause, tone and rhythm of the audio language to make it vivid.
Have a clear purpose and reach the audience-read prose and other styles, not self-appreciation and monologues. The author of the article has a certain purpose when creating, and today's readers also have a certain purpose, either to let the audience appreciate or to inspire the audience. The destination of spoken language flow is the audience's heart.
Article
1, feelings should be true. Reciting prose should strive to show the "emotion" that the author devoted to the work and fully show the personality image in the work. Prose is the embodiment of the soul and the expression of true feelings. We should fully grasp different themes, structures and styles when reciting. For example, Mao Dun's "Praise for Poplar" enthusiastically praised the poplars, then praised the farmers in the north and praised the simplicity, strength and enterprising spirit of our nation in the liberation struggle. We should fully grasp this emotional tone when reciting.
It's time to change the expression. The prose language is free to stretch and the expression is delicate and vivid. Lyric, narrative, description and design complement each other and are lively. Different styles should be treated differently. The recitation of narrative language should be relaxed in tone, clear and soft in voice, beautiful in expression, vivid, vivid, natural and appropriate in description language; Lyric language should be natural, cordial and heartfelt; Argumentative language should be deep, implicit and penetrating. The reciter should grasp the language characteristics of the article, properly handle the tone, intensity, speed and urgency of the rhythm, and strive to truly express the author's "feelings". Grasp the characteristics of "scattered form and gathered spirit".
Prose has a variety of structural layouts, including horizontal and vertical; There are layers, depths and twists and turns.
For example, Yuan Ying's essay "Jinggang Cuizhu" takes the merits of Phyllostachys pubescens as a clue, and around this main line, the author reviews the past and looks forward to the future, enthusiastically eulogizing the revolutionary integrity and spirit of the people of China. This is an article with a vertical structure. Lu Xun's essay "From Hundred Herbs Garden to Three Tans Printing the Moon" describes the Hundred Herbs Garden and the Three Tans Printing the Moon respectively, which is a horizontal essay with a comparative structure.
Prose has many styles and writing methods, but no matter what prose it is, there is always a clear clue running through the whole article. Or there is a rich * * * to describe touching people and things from beginning to end, which makes the full text seamless.
For example, in Wei Wei's "Who is the cutest person", the author shows an impassioned patriotism and internationalism; Or some profound words dominate the full text, such as Ke Yan's Love in Lanshan, which was conceived with a heartfelt word as the theme when Zhou was seriously ill. According to the theme and development clues of the article, the length of pause is used to show the change of structure and the development of language context, and stress and intonation are used to highlight the theme and make the language context clear and coherent.