2. Fine brushwork, freehand brushwork, poetry, books, paintings and printing.
3。 Fine brushwork and freehand brushwork.
Meticulous figure: Natalie, the author of "The Picture of the Lady of Guo You Chun", artistic features: exquisite conception ability, accurate grasp of women's aesthetic view with the characteristics of the times in the prosperous Tang Dynasty, accurate description of women's lives in different times and different classes, and exquisite and skillful pommel horse painting realism.
Freehand brushwork figure: Liang Kai, the author of "The Poem of Walking White" in the Northern Song Dynasty, has artistic features: Li Bai's character of "valuing talents over glory" and his high-spirited, chic and moving expression are vividly expressed with a few quick and free strokes. Kai Liang's bold changes in the artistic techniques of figure painting have enriched the techniques of traditional figure painting in China.
Evonne, the author of the meticulous flower-and-bird painting "Lotus Golden Rooster" in the Northern Song Dynasty, has the following artistic characteristics: he works on image, which is the most basic point of an excellent meticulous flower-and-bird painting in China. Therefore, China meticulous flower-and-bird painting furniture has the ability of "measuring things to take their truth" and "taking their beauty, taking their reality and taking their reality". Fine brushwork flower-and-bird painting puts real and concrete modeling description and artistic expression in an important position. Whether it is a fan or a giant system, it has been painstakingly managed. This is not only a formal feature that distinguishes meticulous flower-and-bird painting from other schools, but also an important aesthetic standard of meticulous flower-and-bird painting in China.
Xu Wei, the author of "Ink Grape Map", a freehand flower and bird in Ming Dynasty, painted an ink grape covered with a string of fruits. The water is tender and vivid. Lush leaves are dotted with large areas of ink and wash. The style is sparse but not French, which represents the style of Xu Wei's freehand brushwork flowers and is also a high-level masterpiece of freehand brushwork flowers in Ming Dynasty. Self-title: "Half-life has become an Weng, and it is easy to write a book alone; There is nowhere to sell the pearl at the bottom of the pen, and epilepsy is lost. " The brushwork is also incisive, which can be described as a master of freehand brushwork.