Emotional changes in ancient autumn poems

This poem creates a bleak mood in autumn. Set off the sadness of homesickness.

Tianjingsha Qiu Si is a poem written by Ma Zhiyuan, a writer in Yuan Dynasty. This song juxtaposes a variety of scenery into a picture of the sunset in the autumn suburbs, which makes the wanderer ride a thin horse on the bleak background, revealing a sad mood and expressing the sadness that a wanderer misses his hometown and is tired of wandering in autumn.

This poem is unique, the first three sentences are all composed of noun phrases, and one * * * lists nine kinds of scenery, which is concise and meaningful. There are only five sentences and twenty-eight characters in the whole song. The language is extremely concise but huge, with profound meaning, exquisite structure and ups and downs. It is praised as "the ancestor of Qiu Si" by later generations.

Extended data:

Ma Zhiyuan was undoubtedly influenced and inspired by Dong Qu when he wrote Tianjingsha Qiu Si, but he did not blindly imitate it, but recreated it according to his own life experience and aesthetic vision. In the choice of scenery, in order to highlight and strengthen the sad feelings, he chose the scenery that best reflects the bleak depression in autumn.

Put ten images that can best express travelers' lonely and melancholy feelings into the song, concentrate their feelings in these ten images, and finally reveal the theme of the whole song with a touch of sunshine. He deleted some beautiful scenery, but it was not consistent with the feelings expressed. For example, the thatched cottage reflects flowers, the sunset glow reflects the sunset, and the area is picturesque, which makes the image of the whole song unified in expressing emotions.

On the tempering of words and phrases, Ma Zhiyuan fully demonstrated his talent. The first three sentences are eighteen words, all nouns and adjectives, without verbs. The relationship between various scenes and their respective dynamics and forms depends on the reader's understanding according to the organization and arrangement order of images and his own life experience.