College entrance examination language: appreciation of ancient poems (lyrical with scenery, touching the scenery with emotion, the difference between emotion and scenery)
I. Concept
"Lyric by borrowing scenery" means that the poet looks at a scene or scene with some feelings, and in his works, this scene or scene is also stained with some feelings.
"Touching the scene and feeling" refers to the expression of some emotion naturally triggered by a poet after seeing a certain scene.
"Feeling in the scenery" means that the poet observes and describes the objective natural scenery with strong feelings (such as joy, sadness, depression, hesitation, etc.). ) comes from one's own experience or situation, and consciously or unconsciously melts this subjective feeling into the description of the objective scenery, entrusting one's feelings to the objective scenery.
Second, the difference
(1) The difference between "expressing emotion by borrowing scenery" and "touching the scenery";
"Lyricizing by borrowing scenery" means choosing scenery with emotion first, which is my place and everything is my color. "Touching the scenery and feeling" is a kind of foresight. The change of natural scenery causes the author's association, arouses and touches the author's inner thoughts and feelings.
(2) the difference between "borrowing scenery to express feelings" and "feeling in scenery":
It is more direct to borrow scenery to express emotion. After reading the poem, I feel that I can see "feelings" but not "scenery"; When expressing feelings, you can't say a word; After reading the poem, you can feel that you can see the "scenery" but not the "feelings". However, after careful analysis, you find that the poet's feelings are in the natural scenery in front of him, and all the scenery words are sentimental.
Third, for example
Example 1
Today (1) Li Shangyin
In the distance, books are dreams, and only empty beds are enemies.
Under the steps of moss mangroves, the moon is sad in the rain.
[Note] ① End residence: idle residence. ② Pingqiu: synonymous with autumn.
Q: What are the artistic features of the three or four sentences in this poem? Please analyze it briefly.
A: In terms of artistic techniques, the greatest feature of the third and fourth sentences of this poem is to express emotion through scenery. By describing the colors such as moss, mangrove, rain and moon, the poet endowed the objective scenery with strong subjective colors, expressed sadness, loneliness and homesickness, and created a cold and lonely atmosphere. (comment)
Example 2
Chuzhou Xijian
wei yingwu
Alone, grass grows by the stream, and orioles sing on the trees.
The spring tide brought the rain late and urgent, and there was no boat on the wild crossing.
Q: What are the characteristics of this poem in describing feelings and scenery? Try to make a brief analysis.
The poet used the technique of expressing his feelings in the landscape. The poet only loves the quiet grass beside the ravine, lonely, poor and sober, and has no intention of flattering the orioles at that time. The country ferry is a leisurely scene, with speedboats passing by. (analysis) shows the poet's calm mentality and helpless and sad feelings that are not in place and can't be used. (comment)
Example 3
Tite chrysanthemum
Chao Huang
The west wind is rustling all over the courtyard, and cold butterflies are hard to come by.
If I were Di Qing next year, I would report to Taohua.
(Note) Di Qing: the God of the Four Seasons.
Q: What are the characteristics of this poem in the expression of emotion and scenery?
A: This poem uses the technique of touching the scene and combining reality with reality. (Syria) Butterflies rarely fly to pick up the fragrance of chrysanthemums, because it is cold and silent when it opens in autumn. Imagine that if you were a Di Qing, you would change the situation of chrysanthemum and let it blossom in spring. (Analysis) Expressed the regret and grievance that chrysanthemum failed to open in time. (comment)
Third, summary.
It is not a terminology level to express emotions through scenery or to integrate scenery with scenes. The first two are rhetoric, and the latter refers to artistic conception.
There are both connections and differences between borrowing scenery to express emotion and borrowing scenery to express emotion.
The foothold of borrowing scenery to express emotion is emotion, and scenery serves for lyric, so borrowing scenery to express emotion may not be able to reach the point of scene blending.
For example, the willow branches outside the window are gently swaying, which is my gentle love for you.
The focus of this sentence is lyricism. But it's definitely not scene fusion.
The feeling in the scene is very important in the scene, and writing the scene contains emotions.
For example, we snuggle under the willow tree, and the willow branches are gently entangled.
The second sentence of this sentence is not lyrical, but tells the fact that willow branches are entangled in the wind, but it contains feelings. Love and scenery blend together.
The focus of "lyric by scenery" is emotion, and scenery or image is the medium of lyric;
"Emotion in the scene" focuses on the scene, and "emotion" is contained in the scene or image. If they "perform well", it is called "scene fusion".