He is a romantic poet, who creatively uses many romantic expressions in his poems, giving people a feeling of being on cloud nine. In his poems, he exaggerates and personifies, such as "Don't you see, how the water of the Yellow River moves out of the sky and into the ocean, never to return", "I'm afraid the Milky Way will fall for nine days" and "I'm so bright at the foot of my bed, will it have frost already?" And "but since the water is still flowing, although we cut it with swords, it is even more worrying to raise a glass to eliminate our worries." They all reflect the poet's unique temperament and style.
Du Fu's opening summary carried forward the fine tradition of realism in China's poetry creation and had a far-reaching influence on later generations.
He is good at selecting and summarizing typical social phenomena, selecting and shaping typical characters, and expressing his love and hate, so that these images are true and vivid and have strong artistic effects.
Du Fu's poems are mostly used to reflect people's sufferings and state affairs. In the form of expression, Du Fu's study of dialogue and spoken language in the folk song movement greatly improved the expressive force of poetry and made it closer to life and people.
His Yuefu narrative poems profoundly reflected the social outlook of the Tang Dynasty from prosperity to decline, became a true portrayal of social contradictions and struggles in that period, and profoundly expressed his lofty thoughts of caring for the country and the people all his life, such as "the wine and meat in Zhumen stink, and the road freezes to death." Li Bai is unconstrained style.
Du Fu was depressed and frustrated.
Li Bai, a poet, and Du Fu, a poet sage, are typical representatives of China's romantic and realistic literary styles. They are two masters, and they have a far-reaching influence on later generations. The two sects they represent coincide with two different cultural industry policies.
Shi Li's imagination is unique and unrestrained, and it is difficult to imitate and learn. It can be said to be a form of content overflow, such as "have you seen how the water of the Yellow River moved out of heaven and into the ocean, never to return?" Have you seen the lovely hair in the bright mirror in the high room, although it is still silky black in the morning, it turns into snow at night? Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! "And so on, stirring, very talented, seems to have no norms to follow, but wonderful and strange, incredible.
Du Fu's poems are magnificent, but they are closer to reality, approachable, easy to understand and more neat and formal in content. Due to the regularity of form and content, Du Fu's poems can be a model of effective practice. We can seek beauty, explore beauty and create beauty in the Fiona Fang he established.