Top ten most beautiful works in fine print

The top ten most beautiful works in fine print: Manifestation of Sage, Recommended Season Report, Yue Lun Yi, Huang Tingjing, Filial Piety, Luo Shenfu, Jing, Ji An Biography, Tao Te Ching and Li Sao Ching.

1, declaration form

Reason for listing: Compared with Zhong You's other works, the Declaration Form shows a more mature posture and breath of regular script in brushwork and structure. The font is simple, broad and flat, which fully shows the artistic characteristics of regular script that is maturing in Wei and Jin Dynasties.

2. "Recommended Quarterly Straight Table"

Reason for being on the list: The Recommended Seasons Table is concise and broad, with a flat volume and proper limit. Although there are many immature places, the structure is not as neat as that of Jin and Tang Dynasties, but it is full of fun and colorful, which is a microcosm of the evolution of Chinese characters from official script to regular script.

3. Music Theory and Yi

Reason for listing: If Zhong You's small script in the Three Kingdoms period was the embryonic stage of regular script, then by Wang Xizhi's On Le Yi in the Jin Dynasty, regular script had reached the mature stage. "Le Yi Lun" is meticulous and mature in brushwork. Shi Zhiyong believes that On Yue Yi is the first official work of Wang Xizhi.

4. Huang Tingjing

Reason for listing: The overall composition of Huang Tingjing is similar to that of Le Yi Lun, with vertical lines and no horizontal lines, but the vertical lines are clear, but not very straight. The shapes of words are not limited to height and width, and the connections between words are patchy. There are many factors in the form of contrast in Huang Tingjing, which makes Huang Tingjing more "contemporary" than Le Yi Lun.

5. Daughter Cao E Monument

Reason for listing: the structure of northern Cao and Hubei is flat. Compared with other low-key calligraphy works handed down by Wang Xizhi, the brushwork of this tablet is more stretched, which is more obvious in paintings with horizontal strokes. The brushwork of Lishu is hidden between brushwork and structure.

6, "Luo Shen Fu"

Reasons for being on the list: Luo Shenfu (Thirteen Lines) is elegant in style and free and easy in brushwork, while Bin's man of iron Zhai Shu Hao thinks that "the words are beautiful and elegant, and the lowercase letters are the best in the world". From the poem "Ode to Luoshen" (line 13), we can see that Wang Xianzhi's writing style of regular script no longer has the meaning of official script, and the font changes from horizontal to vertical, which is a fully mature regular script.

7. scenery

Reason for being on the list: The Ling Fei Classic is full of chapters. Because the size, length and height of the whole word are uneven, the density is natural, and the whole word is taken care of from word to word and from line to line. The whole word is integrated. Although it is regular script, it has the smooth and elegant rhyme of running script, which is varied and interesting.

8. Biography of Ji 'an

Reason for listing: Regarding the Biography of Ji An, Zhao Mengfu claimed that the Biography of Ji An was a legacy of the Tang Dynasty, while Feng Yuan in the Qing Dynasty commented that "this book Jun Fang, although based on the European style, still had to draw his own praise and praise." Ni Zan also said: "Zi Ang writes fine print, which is beautifully tied, and he hits hard with a pen. It' s really a shame for people in the Sui and Tang Dynasties. "

9. Tao Te Ching

Reason for listing: Tao Te Ching, one of Zhao Mengfu's representative works in lower case, was written in Yanyou three years (A.D. 13 16) at the age of 63. Zhao Mengfu wrote Tao Te Ching in lower case many times in his life. According to Fang Jia's evaluation, this 5,000-word lower case written in his later years is his masterpiece. The calligraphy structure is rigorous, the brushwork is accurate, the precision is static, the spirit is steady and smart, and the charm is consistent.

10, Lisao well

Reason for listing: The style origin of Wen Zhiming's Lisao Jing is mainly influenced by Zhong You's Xianbiao, Wang Xizhi's Huang Ting and Ni Zan's style in Yuan Dynasty. The brushwork is calm and calm. In the whole practice, the ethereal spirit of Xu Shu arises spontaneously, especially when the pen is horizontal, it is as thin as a needle tip, and it is like swimming in the clear sky.