The title of this poem is Autumn on Paper, and autumn is the eye to solve problems. Autumn and the moon are the end of a year and a day and night, respectively. "Autumn Moon Comes to Paper" indicates that the whole poem points to "end", which echoes the identity setting of two sentences of "old man". When the old people think about the past again, the first thing they encounter is the complacency in the morning of life, which is the spontaneous exploration and thinking when they are young.
"This is an autumn ending", time forms a node at this moment, and then returns to the concept of "one afternoon". There are two protagonists in the whole poem, namely "I" and "the old man". When I read the life of the "old man", "South" became a gentle and moist background in the form of concept. In fact, life passes so fast, but it is as short and smooth as reading a book. Until I reach the end of "death", I will be surprised and burst into tears looking back at the "smoke and snow" of life-the beauty and purity of life.
While the time axis keeps jumping, the space of the whole poem is also changing. Perhaps the old hero wrote his own life memories in the splendor of the city, but at the same time, he was constantly reborn and growing in the rural land. In the face of a powerful cycle of life, the ego seemed dispensable.
In the last paragraph, "I" returned to the narrative identity of poetry. In the silence surrounded by the silent sunset, although the paper in front of me has presented "an aging experience", as another dimension, "I" still relies on synaesthesia to feel "light, silence, or the dead". The author was still very young when he wrote this poem. Perhaps his feelings are more about thinking about aging and death, but also about the autumn of later life.
Zhou Youan 17.03. 15