Kneel for the writing background of "Spring Dawn"

Xiao Chunmeng Haoran This morning in spring, I woke up carefree and there were birds singing everywhere. But now I remember that night, that storm, I wonder how many flowers were broken? The poem "Spring Dawn" seems bland at first reading, but after repeated reading, I feel that there is a world in the poem. Its artistic charm lies not in gorgeous rhetoric and fantastic artistic techniques, but in its charm. The style of the whole poem is as simple and natural as running water, but it is profound and unique. For thousands of years, people have read it and discussed it, as if there were inexhaustible artistic treasures in this short four-line poem. Nature without rhythm is superficial; If there are no ups and downs, it is flat. "Spring Dawn" has both beautiful charm and ups and downs of writing, so the poem is mellow and eternal. The poet wanted to express his love for spring, but he didn't say it all or fully. The windward door is half open, which makes readers ponder and guess, showing hidden twists and turns everywhere. "Love is hidden outside the words, and the appearance is in front of you." (Quoted from Zhang Jie's Poems of the Old Cold Hall) When the poet wrote his feelings, he chose the emotional fragments at the moment of waking up in the morning to describe them. This fragment is the beginning and embryonic stage of the poet's ideological activities, and it is the most productive moment that can make people imagine his emotional development. The poet seized the moment, but did not unfold it. He just confides in his readers and leads them to his emotional trajectory, leaving it alone. The rest will be enriched and supplemented by readers along the direction of the poet's thinking. When writing about scenery, he only chose the spring side. Spring has charming colors and intoxicating fragrance, and poets don't write about it. He just started writing from the perspective of hearing, and wrote sound of spring: birds are singing everywhere, and it's raining. Birds are euphemistic, sweet and beautiful. Add the word "everywhere", chirp, one after another, and the distance should be matched, which makes people feel at the end of their tether. Spring breeze and spring rain poured down one after another, but on a quiet spring night, the rustling sound also made people want to see the dreamlike artistic conception of misty clouds and the new look of flowers after rain. These are just what the poet heard indoors. However, these bursts of spring sounds have exposed the boundless spring scenery, led readers to the vast nature, and let readers imagine and appreciate the brilliant spring scenery. This is to use the sound of spring to render the beautiful scene of outdoor spring. These scenes are lively. It describes the poet's feelings and shows the poet's inner joy and love for nature. Ye Shaoweng, a poet in the Song Dynasty, wrote a poem "Don't Meet in the Garden", which is a famous sentence from ancient times to the present. In fact, there are * * * similarities in writing with Xiao Chun. Ye Shi introduced people into the wall, and let people imagine it through a visual image, an almond protruding from the wall; Meng's poems lead people out of their homes and make people imagine through auditory images. With only a few strokes, I wrote a prosperous spring with good weather and strange rain. Both poems show that abundant spring is unstoppable. You see, didn't it break through the wall of the house, show it in front of your eyes and linger in your ears? Shi Buhua said, "Poetry is literature, not expensive."