Example:
Liu Hongxi seems to have caught the most painful part of his roots at once. This understanding of working is from the bottom of my bones, which is a metaphor to put it bluntly. It describes the feelings and consciousness of migrant workers, including anxiety, loneliness and the test of will brought by work and life. The feeling of this work is real, subtle and poetic. Migrant workers live at the bottom of the city and are the most special group in the city. They are to the city what frogs are to fish. Although the temperature and smell of the city are closely related to their bodies, the city has not finally accepted them. The city is just a bottomless abyss, tempting everyone to jump proudly, but in the end it is black and blue, even shattered. They can't find sunshine, soil and water to live on, waiting for their fate to be "eaten" or become floating clouds, fallen leaves and garbage in the city. They crawl in every corner of the city, experiencing a despised life. Their lives are so small, humble and insignificant that they may not be able to change their fate at all. They are homeless. There is a hidden ideal and temperament that ordinary "frogs" don't have, but the sweeping power of the city completely devours them. This abyss between appearance and truth, essence and identity, appearance and inner is verified as a poem here by Liu Hongxi. A frog jumping in the city contains great sadness behind the calm lyric. Through the metaphor of frog, it expresses the cold feelings and helplessness of migrant workers. In addition to facing their own limitations, the city's indifference and contempt for them also takes them a long time to adapt. The bustling city has become their habitat, and all this has nothing to do with them. Regardless of reality or spirit, the city is just a post station for them, which has natural rejection and malicious ridicule for their deep-rooted ideas. For cities, they are parasites of cities and competitors of rice bowls; For rural people, leaving the land is no longer a real farmer. In this way, it is difficult for us to summarize their identity with an accurate name-this is the result of the dual structure of urban and rural areas in China. In most cases, they are often called discriminatory "migrant workers" and suffer unfair jurisdiction from defense team members, neighborhood committees, public security bureaus, labor bureaus and other institutions and groups. Among them, any unit is enough to make them unable to stand in the city. The city is not the other side of the joy that frogs are looking for. When they fled the countryside and tried to get rid of their original fate, another fate was already lurking in front of them. History is repeating itself. Moreover, such history may be repeated for a long time. Due to the influence of the traditional household registration system, although most migrant workers work in cities, their lives and roots are still in their hometowns and rural areas, and "amphibious" life has become their helpless choice. Although the urbanization process in China is irreversible, in view of the particularity of the national conditions, "ten million frogs" will continue their "amphibious existence" for a long time and will be forced to accept a harsh reality. The mission of a just social system is to correct this fact. In the face of the jumping "frogs" in the city, what kind of mood should we watch? Is it contempt, disgust, contempt, or sympathy, understanding and equal treatment? With the social progress and self-development, migrant workers' demands for fairness, justice and equal rights are more sensitive and urgent. An effective response to these needs is the key to long-term social stability and the touchstone of a social system.