The poet wrote an insurmountable obstacle in history with exaggerated pen and ink, which blended into the myth of Wuding Mountain and touched the magical color, just like the overture of a movement, which was fascinating and magical. The following is a description of the high danger of Shu Dao.
From a height, such as on a high flag, six dragons drove the sun to the point where even hearing its pale cheeks was another passage. This paragraph describes the high risk of this mountain. The more complete the mountain is, the harder the road is. Look at that abrupt mountain, towering high in the sky, blocking the operation of the sun god; At the foot of the mountain is a choppy and winding river.
Poets not only combine exaggeration with myth, but also describe mountains and heights, and are lined with the risk of "returning to Sichuan" Only its water risk, but also its mountain high risk. The poet's meaning is not enough, and he compares it with that of an ape. The mountain is so high that even the yellow crane flying thousands of miles away can't fly, and the agile ape is worried that he can't climb it. It goes without saying that it is even more difficult for people to walk. The above is the foil of layers of imaginary writing, and the following is a detailed description of the difficulty of clearing the spirit.
Qingniling, "Wan Ren on the Cliff, Cloudy and Rainy" (Yuanhe County Records), is the main road for people in Shu in the Tang Dynasty. The poet focuses on the entanglement of the peak road and the steepness of the mountain, showing the hardships and fears of pedestrians, and capturing detailed actions such as wandering on the ridge, touching the stars, breathing nervously, touching the chest and sighing. In a few words, he vividly described the difficult steps and expressions of fear of pedestrians, and the situation of being trapped and dangerous was like this.
At this point, the difficulty of Shu Dao seems to have been written to the extreme. However, when the poet turned his pen, he used "ask the gentleman" to draw out his travel worries, and with a low melody, he brought the reader into a realm of desolate ancient trees and sad birds. The cuckoo is ringing in the empty valley, full of sadness, which makes people feel pale and more difficult to escape from the road. Poets express their feelings with scenery, and use natural landscapes with strong feelings such as "sad birds, ancient trees" and "Zigui Strip" to render the lonely and desolate environment and atmosphere on Shu Road, which effectively sets off the difficulties of Shu Road.
However, the winding Shu Road has a more magical scenery. From "barely one foot below the highest cliff in the sky" to the end of the whole article, it mainly reveals the difficulty of Shu Dao from the danger of mountains and rivers, and tries to render a thrilling atmosphere. If "the sky is high and the cliff is low" is a boast of the height of the mountain peak, then "the withered pine hanging from the cliff surface" is a danger of precipice.
The poet first showed the high risk of the mountain, then turned from static to static, and wrote the thrilling scene of water and stone stirring and valley roaring. Like a series of focal planes: at first, it is a distant view of rolling mountains and continuous peaks; Then gently push it into the close-up of dead pine hanging upside down.
Then, followed by a group of fast shots, speeding rapids, waterfalls, cliffs and rocks. With the sound of thousands of valleys and thunder, it flashed quickly from the eyes, which was amazing and dizzying, thus causing overwhelming artistic effects and making the description of Shu Road difficult to reach its peak. If the high risk of the mountains above is daunting, then the mountains and rivers here are even more thrilling.
The scenery is changing and there are many dangers. In a very thrilling atmosphere, I finally wrote the Jiange fortress in the middle of Shu. There is a 30-mile plank road between Dajianshan and Xiaojian Mountain. The peaks are like swords, standing tall, cutting walls like doors, forming a natural fortress. Because of its dangerous terrain, it is easy to defend but difficult to attack. Historically, there were many people who claimed to be kings here.
The poet described a political situation from the danger of Jiange. He used the phrase "If you win, it's not suitable for bandits' relatives to live in" in Zhang Zai's Ming of Jiange in the Western Jin Dynasty to advise people to take warning and be alert to the occurrence of war. In connection with the social background at that time, he revealed that "he bared his teeth and claws, and Sichuan jackal killed people like hemp", thus expressing his anxiety and concern about state affairs. In the early years of Tianbao in the Tang Dynasty, there was a crisis lurking behind the peaceful and prosperous times, and the Anshi Rebellion that happened later proved that the poet's worries were of practical significance.
Li Bai vividly described the dangers of Shu Dao with unpredictable brushwork, artistically expressed the winding, majestic, lofty and rough face of ancient Shu Dao, and described a colorful landscape painting. The touching scene in this poem seems very vivid.
Original poem
Ode to the Difficult Road of Shu
li po
Whoa, whoa, whoa! High risk!
Such a trip is more difficult than climbing the blue sky.
Until the two rulers of this area forced their way through in the foggy age.
Forty-eight thousand years have passed, and no one has crossed the Qin border.
And Dabaishan, to the west, still has only one bird path, which can cross Emei Mountain.
Once it was broken by an earthquake, some brave people lost it, and then the ladder stone pile was hooked.
On the high flag, six dragons drive the sun, and far below, the river lashes its twisted channel.
This height is difficult for even yellow cranes to climb, because apes are eager to climb.
The Green Mud Mountain is made up of many circles. For every hundred steps, we have to turn nine times in the middle of its mound.
Panting, we passed Orion, passed Jingxing, and then fell to the ground with our arms folded and groaned.
We are wondering, will this path to the west never end, afraid of the road? Rock and roll is out of reach.
Nothing can be heard except the cries of birds surrounded by ancient forests. The male bird rotates smoothly and follows the female bird.
Jathyapple, what comes to us is the melancholy voice of Du Fu, a sad empty mountain.
This kind of trip is more difficult than climbing the blue sky, and even hearing it will make people pale.
The highest cliff is less than a foot from heaven, and the withered pine trees hang low on the cliff surface.
A thousand waterfalls poured out, and Shi Bing Cliff turned to stone.
If the risk is the same, people from afar will be called by Hu Weiwei.
Although the pass of the watchtower is strong and steep, one person guards it and ten thousand people can't beat it.
What if he is not loyal, but a wolf to his companions? .
There are scary hungry tigers during the day and poisonous reptiles at night.
With their teeth and fangs, they kill like hemp.
Although the Silk City is beautiful, I'd rather go home soon.
Such a trip is more difficult than climbing into the blue sky and looking sideways at the west for a long time.
Brief introduction of the author
Li Bai (70 1 ~ 762), whose name is Taibai, is a violet layman. He is the most unique and greatest romantic poet after Qu Yuan. He has the reputation of "poetic immortal" and is also called "Du Li" with Du Fu. His poems are mainly lyrical, showing the arrogant spirit of contempt for powerful people, expressing sympathy for people's sufferings, being good at depicting natural scenery and expressing his love for the mountains and rivers of the motherland.
The poetic style is magnificent and bold, the imagination is rich, the language flows naturally, the melody is harmonious and changeable, and it is good at absorbing nutrients and materials from folk literature and myths and legends, which constitutes its unique magnificent and gorgeous color and reaches the peak of poetic art in the prosperous Tang Dynasty. There are more than 1000 poems, including 30 volumes of Li Taibai's Collection.