The book "Goddess" is a collection of poems created by the modern Chinese writer Guo Moruo. This book has extremely high literary value. This book is also the most inconsistent work of the writer's style. The following is a collection of poems written by me. The compiled "800 words of reflections after reading "The Goddess" in high school" is for reference only, everyone is welcome to read it. 800 words after reading "The Goddess" in high school (1)
I really like the creative personality of the "self-lyric protagonist image" that appears repeatedly in the poems of "The Goddess". Perhaps, the success of "The Goddess" lies in the poet's bold creative personality and the needs of the society at that time.
The self-lyric protagonist in "The Goddess" is first of all the "big self that opened up the wilderness", that is, the image of the reborn Chinese Ming clan awakened in people's hearts during the May Fourth period, such as the phoenix in "Phoenix Nirvana". Before dying, they danced low and whirlwind, and sang together. The phoenix bird sang "right away", and the phoenix bird "completely" responded. The shallowness and vulgarity of ordinary birds are intended to lash out the ugliness and vulgarity in reality. At the same time, it further highlights the sorrow and magnificence of Phoenix's self-immolation. As the May Fourth Youth of the 21st century, we should have the May Fourth-style thoroughness, uncompromising, fighting and tenacious national spirit of "sacrifice." The passionate pursuit of freedom and individual liberation and the full affirmation of human value, dignity and creativity are the kind of spiritual world in which "heaven moves vigorously, and a gentleman strives for self-improvement".
When "The Goddess" was born, the whole of China was a dark labor cage, which inspired the poet's rebellious and rebellious spirit. The self-immolation of the Phoenix in "Phoenix Nirvana" is an act of rebellion that completely breaks away from the old world, and is a strong explosion and burning of the rebellious spirit. As a generation of aspiring young people, we should have the rebellious spirit of fighting against the forces of darkness. The ancient legend of the phoenix "gathering fragrant wood and burning itself, then resurrecting from the ashes" also shows the strong patriotic passion and the anti-imperialist and anti-feudal spirit of the times. The main image of the phoenix is ??not only the incarnation of young people, but also a poetic declaration of national awakening. It is also the spiritual food for our young students to read.
"Goddess·Coal in the Furnace" expresses the poet's strong emotion of being willing to go through fire and water for the motherland without any sacrifice. "Coal in the furnace" is a metaphor for the poet's patriotic heart like a burning hearth of a furnace. The subtitle of the poem, "Emotions of attachment to the motherland," is as passionate as this burning coal fire. The coal "buried alive in the ground for many years" is used as a metaphor for the patriotic feelings that have been deeply buried in the poet's heart for a long time. This patriotic feeling only burst out of his heart during the "May Fourth Movement" and saw the light of day again like coal. Today in the prosperous 21st century, as a new generation of successors to the motherland, don’t we even have this passion and passionate patriotism? Then who are we, the pillars of the motherland and the future masters of the country?
"Goddess Good Morning" writes that the poet looks towards the "young motherland", "new compatriots", towards the pioneers of the revolution, the giants in the art garden, and towards the magnificent mountains and rivers in the "morning light of a thousand years" , exhaling twenty-seven "Good mornings" in one breath towards all the beautiful things in the world. How heroic and majestic this is! It fully expresses everything that boldly denies the dark reality, abandons the traditional self, and passionately yearns for a fresh, clear, gorgeous and fragrant new world. It embodies the spirit of pursuing the liberation of the nation and the optimistic spirit of fighting, fully expresses the author's ideal of a progressive society that actively destroys old things to create a bright world, and shouts for the brightness of the new world and the new youth. It is a cry to future generations, inspiring us and encouraging us! Awaken the lofty pursuits and lofty ambitions of our hundreds of millions of Chinese sons and daughters!
Youth is our capital. As a new generation of young people, "We can be destroyed, but we cannot be conquered." If you have nothing to do in your spare time, just pick up "The Goddess" and read it. It will arouse the conscience and responsibility deep in your soul, it will bring tremors to your soul, and make your heart full of inspiration. 800 words after reading "The Goddess" in high school (2)
Today I finished reading Guo Moruo. "Goddess", I also remembered the scene when I visited Guo Moruo's former residence earlier. The ancient town of Shawan, Leshan was immersed in the cold rain. I seemed to have a deeper understanding and understanding of Guo Moruo, and I also had an appreciation for his works.
Thinking back to the glory of the leading creation society, the brilliance of "Goddess" and "Starry Sky", the high-pitched voices of "Qu Yuan" and "Tangdi Flower"...all have now become "Heaven". "Footprints in the Sand" in "The Street Market" was finally submerged in "Elegy in the Yellow Sea". Everything was swallowed up by the "Tengu" of the commercial society. At the moment of "The First O'clock After Dropping out of Class", The poet who is afraid of death and has suffered humiliation "Stands on the edge of the earth to send a call", "Death", "the temptation of death", "Crematorium"! In this "Age of Flood", "the sun is gone", only what remains Next is "Sphinx under the Moon", "In the Black Cave of Words" is full of "Fire of Terror", "The Magic of Money" controls the whole world, "Friends Gather in Prison", "Blood" "The Phantom" and "Singing and Laughing in the Gardens of the Rich"...
At the moment, as a confused person who believes deeply in literature, I am wandering alone in the back garden of Moruo's former residence, under the gray sky , the beauty mountain in the distance cannot be seen, only the loneliness of the winter trees, the dripping water from the eaves, and the Suishan Mountain Pavilion where Mo Ruo studied as a child has aged silently, so old.
"Lu, Guo Moruo, Mao Dun, Ba Jin, Lao She, Cao Yu", this modern Chinese literati who was famous in the old edition of "Modern Chinese Literature", is here and now in his hometown and his former residence. , have become an amber in history, a vivid cultural relic that has been forgotten in the dust.
When I stepped out of the threshold of Moruo’s former residence, I suddenly looked back and was surprised that this former residence was the last tile-roofed house in Leshan Shawan Ancient Town, the last remaining dream of the old era.
There are no shadows in the distant mountains, and the cold air envelopes the old house of Moruo. It is so deserted, desolate and miserable that people can’t find it anymore...
Read more These are the works of literati. Visit the places where these literati have traveled and experience the world of literature. Thanks to Guo Moruo for making me passionate about literature. 800 words after reading "The Goddess" in high school (3)
Chinese new poetry developed with the "May 4th" cultural movement and the "Poetry Revolution". The cause of poetic liberation began with Hu Shi and was completed by the poets of the Literary Research Association who practiced the idea of ??"literature is life". The establishment of the Creation Society with Guo Moruo as its banner in 1921 can be described as a "sudden rise", focusing on "life full of defects". If we say that Hu Shi and his "Anthology", who pioneered the "Great Liberation of Poetry", can only be regarded as the boundary between old and new poetry; then it is Guo Moruo and his works that can be called the pioneers and monumental works of the new poetry revolution. "Goddess".
"The Goddess" uses mythological themes, poetic drama genres, and symbolic techniques to reflect reality. Among them, "Rebirth of the Goddess" symbolizes the Civil War in China at that time. The poet once said: "The workers symbolize the south and Zhuan Xu symbolizes the north. I want to build a third China - a beautiful China - outside the two." However, the poet's early social ideals were vague. He once said: "In the beginning, nature was not differentiated. It was just vaguely opposed to the old society and wanted to build a new society. What the new society will look like and how to build it are all hazy." Therefore, the goddess is going to Create a fresh sun, but it is still a vague creation, just an ideal vision and a bright pursuit. But during the May Fourth Movement, it gave young people a powerful inspiration.
The artistic network of "Goddess" is the unity of diversity. Passion is like lightning and thunder, and a volcano erupts; tenderness is like the breeze, the bright moon, and the trickling spring. The artistic style of the representative poem "Tengu" in "The Goddess" is definitely the former. This poem was written during the explosive period of Guo Moruo's new poetry creation. It was the most intense emotional moment for young Guo Moruo. The style of this poem is strong, violent, and tense.
At the beginning, the poet called himself "Tiangu", which can swallow the moon, the sun, and all planets. And "I am who I am" is the pride brought about by fully expressing one's personality. Therefore, it is the poet's hymn to the liberation of individuality under the spirit of the May Fourth Movement. It is precisely because of having the courage to break through all constraints on individual development that individuality can be fully developed. The new talents of the May Fourth Movement have unlimited energy: "I am Quanyu The total amount of energy is at the bottom of the temple! "Such May Fourth newcomers will change the mountains, rivers, the earth, and the universe. "I flew, I screamed, I burned..." The emotional power released by the poem was like a violent hurricane or a rushing torrent, which produced a strong shock wave in that era. "I Run" is an exciting cry, fully demonstrating the painful process of personality liberation during the May Fourth Movement. In short, "Tengu" is a thrilling spiritual hymn played during the May Fourth Movement. It was the first time people heard the brave and roaring voice of the times from poetry during the May Fourth Movement. The heroic spirit of the "Tengu" that can swallow "all planets" is the reappearance of the spirit of the May Fourth period that demanded the destruction of all traditions and the destruction of the old world.
And "Tengu" is just a small wave created by the collision, integration and splashing of the poet's emotion and art in the creation of "Goddess". It can be seen that the creative imagination of "The Goddess" is rich and unique, and the bold and passionate lyricism is a masterpiece in the poetry world. Its unparalleled romantic artistic color will be a dazzling light shining through the poetry art corridor; its searing verses are like a noisy heat wave, roaring the strongest voice of the May Fourth era. 800 words after reading "Goddess" in high school (4)
Read Guo Moruo's collection of poems "Goddess" and think about his every move after 1949. The romantic boldness, enthusiasm and freedom in "Goddess" disappeared from him He disappeared without a trace and fell as fast as riding on the Seventh God.
"The Goddess" contains the author's major poems from 1919 to 1921, together with 57 preface poems, most of which were written by the poet while studying in Japan. Among the representative poems are "Phoenix Nirvana", "Rebirth of the Goddess", "Coal in the Furnace", "Sunrise", "Looking from the Top of the Mountain", "Earth, My Mother", "Tengu", and "Good Morning" , "Standing on the Edge of the Earth and Making Numbers" etc. In terms of poetry form, it broke through the constraints of old poetry and created a vigorous and unrestrained free verse style, which opened up a new world for the development of free verse after the "May Fourth Movement" and became the foundation of my country's new poetry. It is a pity that the later goddess is no longer reborn, and the phoenix is ??no longer nirvana.
Guo Moruo's poems in the late period have become political illustrations. Not only are they not poetic, but they are full of flattery and flattery. This earth-shaking change is shocking and thought-provoking. The traditional fashions of intellectuals such as "maverick" and "indifferent and clear-minded" have become cultural dinosaurs after 1949. All the memorable qualities of personality have passed away with the new society that has changed from dynasty to generation.
However, a careful reading of the text reveals that Guo Moruo after 1949 still had his own development context in his early "Goddess" poems, and it was not that he was transformed out of thin air. However, everything is magnified to the extreme, and it is really unbearable to read his poems in his later years. 800 words after reading "The Goddess" in high school (5)
"The Goddess" is a poem of "self-expression". The phoenix in the poem, etc., are all the poet's "self-expression". The subjective spirit of "self" in the poem is a strong spirit of resistance and rebellion, and an idealistic spirit that pursues light. An expression of explosive catharsis. Romanticism takes the direct expression of one's feelings as the main expression, and the direct expression of one's feelings in poetry is expressed as an eruptive catharsis. Poems such as "Phoenix Nirvana" most typically embody this expression feature.
Strange imagination and exaggeration. For example, from the folk tale of Tengu swallowing the moon, one imagines that the Tengu swallowed up the entire universe, "roaring like the sea," etc. This extremely exaggerated and strange imagination can best express the strong demand for personal liberation and the spirit of resistance and rebellion against the old world. The way the image is depicted has a heroic style. The language is highly subjective.
Some sentences describing nature are stained with the poet’s subjective feelings at that time. Individualism was the dominant thought of Guo Moruo in his early period. In literature, it requires self-expression, respect for individuality, and self-inner expression as the basis. The call for individual liberation is expressed through the discovery of "self" and the affirmation of self-worth. For example: The powerful image of "Tengu" in "Tengu" that breaks through all snares and destroys all old things is an extreme exaggeration of the poetry that required the liberation of personality in that era. The self-image in "Bathing in the Sea" is also a poetic expression of the liberation of one's own personality. This requirement for individual liberation not only focuses on the individual itself. The poet regards individual liberation as the prerequisite for the liberation of society, nation, and country, integrating them into one. It can be seen in "Earth, My Mother" that his demand for individual liberation shows the consistency of the interests of the working people. Resistance and rebellion are reflected in: when "The Goddess" was born, the whole of China was a dark prison, which inspired the poet's rebellious and rebellious spirit. For example: in "Phoenix Nirvana", the two phoenixes sang before they immolated themselves, which gave a very real and painful description of the decaying old world. Phoenix's self-immolation is an act of resistance that completely breaks away from the old world. It is a strong explosion and burning of the rebellious spirit. In "I Am an Idolator", the poet expresses his worship of all things that symbolize life in nature and society, and negates all man-made idols and all old traditions that stifle vitality, showing his extreme contempt for feudal authority. "Ode to the Gangster" praises Lenin, Russell, Nietzsche and others, expressing his firm will to follow in their footsteps and stand up to resist. "Standing on the Edge of the Earth and Broadcasting Numbers" believes that continuous destruction and continuous creation are the laws of the development of all things. A tribute to the scientific civilization of the 20th century, such as "Looking forward to the top of the mountain".
In singing about the magical power of nature, the nature described by the poet is fully humanized. Such as "Good Morning" and "Sea of ??Light". In the era of "The Goddess", Guo Moruo lived in a foreign country. He felt the poverty, weakness and backwardness of his motherland, and the covetous gaze of the great powers, and he often felt worried about his country. From the images of the young girl in "Coal in the Furnace" in "The Goddess" and the reborn phoenix in "Phoenix Nirvana", it is not difficult to see the poet's deep nostalgia and infinite love for the motherland. Metaphorical and symbolic techniques of "Goddess" "Goddess" often use metaphors and symbolic techniques to express and express one's feelings with the help of a certain image, so that the feelings can be expressed vividly. This is the main feature of the romanticism of Guo Moruo's poetry.
In "Goddess", whether it is characters from ancient myths, historical stories, or personified natural scenery, the choice of images is very clever, appropriate, and novel, consistent with the emotional content to be expressed. , mountains and oceans, sun, moon and stars, wind, cloud, thunder and lightning, all sing "Guo Moruo's Song". "Tengu" uses the image of the heavenly destroyer in folklore to express the rebellious and destructive emotions towards the world, while "Coal in the Furnace" uses the image of the black and lowly "black slave" - ??coal, who is suppressed underground to express the toilers. The patriotism is very novel and appropriate.