For example, The Wind in July and Feng Wei for Mang are both poems: the former describes all the working life of slaves in spring ploughing, mulberry picking, textile, field hunting, wine making, storage and preparation for winter, showing class opposition and slaves' grief and indignation; The latter flashbacks the tragic experience of the abandoned wife and the self-protection from love to marriage until being abandoned by self-protection, showing the sadness and determination of the abandoned wife.
Another example is Feng Wei's Storytelling and Gaofeng Xintai, both of which are concrete: the former compares the exploiters to greedy rats; The latter compared the lewd and shameless Wei to a toad (qú chú: also known as "CUS"); Both contain great irony.
Another example is Guan Ju and Fa Tan, both of which are popular styles: the former is popular with the "Guan" cry of a bird and a pigeon, which reminds people of the love between men and women; The latter began with the "Kan Kan" logging sound of slaves, and was linked with the unearned gains of the slave owners.
In the Book of Songs, fu, bi and xing are often used alternately, including fu and bi, bi and xing, and xing and bi.
For example, "Feng Wei killed himself" is a fu style, but the poem "Mulberries have not fallen, their leaves are lush, and there is no mulberry to eat" is obviously "thriving and comparing".
Another example is "Feng Wei Tells People", which describes the beauty of Zhuang Jiang in great detail, but in it, it is "soft, skin is coagulated, teeth are like rhinoceros, and a cicada's head is beautiful", vividly showing the natural beauty of Zhuang Jiang, which is obviously "giving comparison".
The successful application of fu, bi and xing techniques is an important reason for the strong local flavor of folk songs in The Book of Songs.