Write down what you have experienced. Such poems are closest to life. Look at Du Fu's poems, such as "Three Officials", "Three Farewells" and "Looking for Flowers Alone by the River". Some of them write about their personal lives, the lives around them and the lives of their relatives. Some also reflect national experience. With the increase of experience, his poems are eclectic and extensive. Moreover, Du Fu's poems are very touching because they are mostly personal and emotional.
Write true feelings. No matter what poem you write, you are writing your own true feelings. Because writing the true feelings is like writing with the help of God. Reading thousands of books is an important condition for writing like a god, but I think true feelings are a more important condition for writing like a god. With true feelings, imagination, association, synaesthesia and second vision have a solid foundation and direction. Otherwise, it is a castle in the air, and everything is impossible. Those poems that are moaning, artificial and mysterious are really disgusting to read.
Do what you have to do. It is an important symbol of realistic poetry. When things happen, you can feel that what you write can be specific and in-depth, and you can feel it in your heart. It is clear at a glance whether the language expression is in place. At the same time, small things are not small things. This can prevent the poems written from being empty and tasteless and generalizing. Of course, there are scenes, plots, feelings and feelings. In fact, they all have the same meaning, and they are all important features of realistic poetry.
Scenes blend together, expressing emotions with scenes, which are subtle and tasteful. Classical poetry writing is a very important writing method. Realize the blending of scenes through empathy, such as "sneaking into the night with the wind, moistening things silently" and writing warm and pleasant situations.
End with a view. This method is often used in ancient poetry and can also be used in today's poetry. Such an ending is thought-provoking, with a long aftertaste and won the samadhi of poetry. Tell me how to write the ending of this poem. For example, "Look at the red and wet place, flowers are more important than the golden crown city", and a feeling of silence and warmth is clearly expressed.
The language of poetry is self-based and comes from the author's intuitive feelings. The feelings of eyes, ears, nose and tongue are the main elements of poetic language. For example, "the wild path is dark, Jiang Zhouming." It is visual language. "The city where flowers value officials" is the language of spiritual feelings.
Write around the theme. "Happy Rain" is the theme of this poem. Eight poems were written around these two words, concise and in place.
Usually observation should be good at grasping the characteristics and nuances, and the expression can be concise and vivid. At the same time, the use of words is also very particular: the use of words such as "dive" and "fine" in "Sneaking into the night with the wind" is clear and concise, and is deeply rooted in the hearts of the people.
I am so emotional that I have to write when I write. This poem was written because of happiness. You can't write this poem without "Hi". "Xi" must also be a real "Xi".
The whole poem is natural, holistic, objective and implicit. Spring night is the main scene, and "small talk" is relative to spring night. Take time as the red line and express emotions with typical materials. Without conceptual words, subjective words and heartfelt words, the whole poem makes people feel objective, natural, holistic and meaningful.
Dare to write poems, respect your true feelings and write poems. This is the embodiment of the poet's subjective consciousness, and it is also the touchstone to test whether a poet is confident. Many people are afraid to write their own things and feel that their things are not worth writing. This is a sign of inferiority. The ancients did better in this respect than today, and boldly writing their own unique feelings is the embodiment of the value of poetry.
The heart is human. A poet can't just think about himself in his heart, but have a broad mind to have a far-reaching poetic realm. If Du Fu had been thinking about his situation all day, I'm afraid he would have hanged himself. Even if the hut was broken by the autumn wind, he thought of sheltering the poor in the world. This is worth studying, which is also an important reason why Du Fu can become Du Fu.
Language naturally contains simplicity and beauty. This poem does not use allusions, flowery rhetoric or modernist techniques, but only writes this eternal swan song in ordinary ways. It is worth thinking about, and its significance needs further discussion.
Chen went. The so-called Chen Yan, that is, those images that are used to it, as other poets often say, have no new ideas, have no feelings after reading, and have no internal content, are all Chen Yan. Unnecessary sentences, words and proverbs must be deleted to ensure the freshness, flexibility and elegance of poetry.
The vivid use of imagination, association, rhetoric, synaesthesia and second vision is the guarantee of poetic language. For example, "A good rain knows the season" is to use anthropomorphic techniques to make poetry feel intimate and easy to understand. This also tells me how to write the beginning of a poem.
Only by integrating into life, living honestly, thoroughly understanding life, loving poetic language skills, having a certain ability of perception and a higher ideological realm, constantly digging deeply, gaining unique insights and revising repeatedly, can we write more good poems.
The selection, clever use and repeated revision of facts, real situations, real scenes, real feelings and real objects have created this magnificent and thrilling poem. This fully tells us that the idea of poetry does not have to be strange, but it must arouse people's singing, and the singing of poetry is an unavoidable problem in writing poetry, and it is also the real value of poetry, which should be paid special attention to in the future.