Li Qingzhao was born in a family of scholar-bureaucrats who loved literature and art. After marrying Zhao Mingcheng, a Taipei student, they studied epigraphy, calligraphy and painting together, and lived a happy life. After the Jingkang Incident in 1127, she and Zhao Mingcheng fled to the south of the Yangtze River and lost most of their collection of cultural relics. Later, Zhao Mingcheng died of illness, and she drifted alone in Hangzhou, Yuezhou, and Jinhua, spending her later years in misery and loneliness. Her <<slow voice>> was created at this time, so in the poem, from the first few pairs of compound words, we can see her sadness. She is a poet, poet, poet and poet. There are all accomplished writers, but the one who is best at and most famous is lyrics. In her early years, she wrote "Theory of Ci" and advocated that "ci is not the same family". Paying attention to the characteristics of word style, consonance, emphasis on narration, and sentimentality, he also criticized Cong Liu Yong[/urLi Qingzhao was already worried about her husband going out, but now faced with such a scene where the lotuses are left behind, the seats are cold, and everything is desolate, it is unavoidable. When he touches the scene, his longing for his husband will inevitably linger in his mind, and the pain in his heart is self-evident. How did she want to get rid of this depression? This is how the next two sentences are derived: Take off Luo Shang lightly and board the orchid boat alone. That is to say, I gently untied my silk skirt, put on my casual clothes, and rowed the boat alone to have fun. The reason why she wanted to go "alone on the orchid boat" was because she wanted to take advantage of the boating to relieve her worries, and it was not a leisurely activity. In fact, "going alone on an orchid boat" to relieve sorrow is just like "raising a glass to relieve sorrow and make it worse." In the past, we may have gone boating together, but today we are alone. The scene in front of us can only remind the past, how can we distract it? ? However, Li Qingzhao is different from ordinary women. She does not attribute her sorrow to the other party's separation. Instead, she imagines that the other party will also miss her own shortcomings, such as Su Shi, Qin Guan, and Huang Tingjian. A talented woman, she was born into a family of famous officials. She had an unforgettable memory when she was young, spoke amazing words, and was well-read. The magnificent mountains and rivers of Qilu nurtured Qingzhao's creative spirit, and she became famous and distinguished as a girl. After the marriage, Qingzhao and her husband were in love, and "the husband is like a good friend." However, the good times did not last long, and the old and new parties in the DPRK were intensified. The pair of mandarin ducks were separated alive, and Zhao and Li faced each other across the river and suffered from lovesickness. The Jin people marched southward, and the Southern Song Dynasty was corrupt and incompetent, destroying the Great Wall. Zhao Mingcheng was full of enthusiasm, but unfortunately he died before leaving the army. Qingzhao "despite the hardships and poverty, but his determination was unyielding". In her later years, she devoted all her energy to compiling "Inscriptions on Gold and Stone" to complete her husband's unfinished work. Therefore, it can be said that Li Qingzhao's works are inseparable from the word "sorrow", from the beginning of love and hatred, to the sorrow of the family being broken up, and then to the sorrow of the family. The national hatred caused by the fall of the country. This complicated melancholy made her step by step into the temple of literature. It can be said that it is an eternal sorrow! Qingzhao's writing is exquisite, uncanny craftsmanship, unprecedented, unprecedented, and is respected as the graceful master, the Chinese A monument in the history of spiritual civilization. Not only in terms of literature, but also in terms of history, her "Inscriptions on Stones" also have extremely high literary value. The theme of spring farewell and boudoir life shows the sentimental personality of the female poet. She is filled with sadness and praises endlessly when she writes. She witnesses the loss of her country and family, her life experience is separated from her husband, and she feels endless sighs and endless sorrow. , spent his old age in misery and loneliness. Li Qingzhao, your words still shine through time and space, gently touching people's heartstrings, exuding a fragrance, making people savor endlessly... I just want to hold your hand and get close to your soul. , feel your heart. You were once an innocent girl with beautiful hair and a face as beautiful as a flower. You were sentimental and could not hold back your love. The dew is thick and the flowers are thin, and the sweat is thin and the clothes are light. When the guests come in, the gold hairpin slips out of their socks. He walked away shyly, leaned against the door and looked back, sniffing the green plums. "... I want to savor the faint fragrance of tea with you, lean against the building, listen to the wind and rain, and feel your mood. The soft wind, drizzle, and light fragrance set off your face, making you feel lonely because of lovesickness." People with a westerly wind are thinner than yellow flowers." It can be said that "the deeper the love, the more you miss it." You are looking forward to a letter from your husband, "There is no way to eliminate this feeling, so I lower my brows but it is in my heart." It is so hard to wait. Those ordinary things What is written on the yellow paper is your sadness and thoughts. You were happily playing with antiques with your husband, and were intoxicated in the world of poetry, painting and music. Your smile was as beautiful as a bud, and your beauty followed your words. Float together into the distance, through time and space. How happy and joyful you are. However, everyone has to experience ups and downs. The changes in dynasties and the turmoil of the times have caused all the beauty to disappear. Your melancholy. I hold your hand and feel the sorrow in your heart. The country is destroyed, the family is destroyed, everything has changed. In the wind, I can vaguely hear your voice, but it is so cold and cold. It's so transparent, the sky is blue, waiting for the mist and rain, and you are waiting for him. The smoke from the kitchen smoke rises thousands of miles across the river. What is lost will never come back. Facing north, thinking about the past, "searching and searching", there is a sense of loss and nothing to rely on. The demeanor of being alone and sad in a "deserted, miserable" environment is all expressing your sadness. "Three cups and two cups of light wine, how can I defeat him? The wind is coming late at night?" I was so worried that even the wine was light and tasteless, unable to offset my sorrow. "The yellow flowers all over the ground are piled up and haggard, so who can pick them now?" It is sad, sad, and self-pitying in the autumn.
Faced with the decline of his country, he could not gallop on the battlefield, go to court to discuss affairs, or drink and curse, he could only feel sad in secret. How could such sorrow be called sorrow? At this time, you are as thin as a yellow flower, and your haggard figure cannot bear to make people feel distressed. In the streets with falling flowers, although the passing time cannot be forgotten, the scenery is still the same as before, and you are still the same person you were that day, with tears in your eyes. I meet you, hold your hand, get close to your soul, and feel your mood... //zw.lhjy/yilunwen/xxynj/200803/32555 For your reference Li Qingzhao (1084 ~ about 1155) No. Yi An layman, An outstanding female poet in the Song Dynasty, Han nationality, from Jinan, Shandong Province, with a sect of graceful poetry. He was born in the seventh year of Yuanfeng in the Northern Song Dynasty and died in Lin'an at the age of seventy-one. Together with Xin Qiji, a native of Licheng, Jinan, they are collectively known as "Jinan Er'an". His father, Li Gefei, was a native of Licheng County, Qizhou in the Northern Song Dynasty. He was a famous scholar and essayist in Qilu. His mother, Wang, was good at writing and writing. Her husband, Zhao Mingcheng, was the son of Zhao Ting, the Minister of Civil Affairs, and a master of epigraphy and stone research. Li Qingzhao lived a prosperous life in his early years, was good at writing and writing, and was proficient in music. After marriage, he and Zhao Mingcheng devoted themselves to sorting out calligraphy, painting and epigraphy and compiled "Inscriptions on Epigraphy". His residence was "Yi'an Hall", so Li Qingzhao proclaimed himself the layman of Yi'an. After the fall of the Central Plains, she and her husband moved southward, living a miserable and miserable life. Mingcheng died of illness and was left alone. He inherited his family education at a young age and has long been famous for his talents. Li Qingzhao, who is famous for his ci, is also a poet and essayist, and is the author of ci theory. He enjoys a high reputation in the history of Chinese literature. "Li Qingzhao has Li Qingzhao in literature, and Qin Liangyu has Qin Liangyu in military affairs." In his early years, his life was stable, and his poems mostly wrote about lovesickness; Later, when the country encountered great changes, many of his poems lamented the loss of his life. Her poems are inspired by time and history, and are very different from her style of writing. She is also good at calligraphy, painting, and music. The existing poems and lyrics were compiled by later generations, including "Shu Yu Ci" and so on. He advocates that "ci should be unique in its own way". And the words she wrote are also unique, called "Yi'an Ti". She is the only woman in Chinese history whose name is used as a crater in outer space. Li Qingzhao has a graceful style of writing, and her artistic characteristics are as follows: 1. She is good at creating lyrical situations. She is good at casting strong emotions into artistic images, creating an artistic realm where scenes blend together. She is also good at depicting a plot and a thought twists and turns, showing a touching artistic conception. 2. The language is simple and novel. The language of Li Ci is both simple and natural, novel, magnificent and expressive. She doesn't have many dictionaries, but she is good at using colloquial language and common slang to make her words clear and homely. The syllables of Li's poems are harmonious, flow like pearls, and are full of musical beauty. "The great river has been running for hundreds of generations, and the waves have rushed together, and they have collected all the heroes of the ages; the garden of Ci has been for thousands of years, and the flowers have competed with each other, and a daughter flower has bloomed." It describes Li Qingzhao. The male lead, Li Houzhu, and the female lead, Li Yian, are both in their true colors. The previous one was too white, so he was called Sanli, a poet. (Shen Qujin) Qingzhao is a woman, and the style of poetry is Kangyi Zhouliu. Although there are not many poems, it must be preserved as a treasure, and it is a major lineage of poets. ("Siku Synopsis") Li Yi'an's poetry is unique and impressive. It originated from Huaihai and Dasheng, and Zhuyu was made many times. It is strange for a woman to have this. ("Bai Yu Zhai Ci Hua") Yi An's beautiful poems, such as the seven-character cloud in "A Cut of Plum Blossoms": "The fragrance of red lotus roots lingers in the jade mat of autumn", they are exquisite and unique, and they are truly incomparable. (Same as above) Li Qingzhao was a girl in her youth, and she was pregnant; after marriage, Li Qingzhao and her husband were close to each other; after being widowed, Li Qingzhao spent the rest of his life alone, lonely, and miserable. After being widowed, most of Li Qingzhao's poems were sad and miserable.
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