Ancient poems with place names are poetic.

When we appreciate ancient poems, we often encounter many place names, which seem to be inextricably linked. Place names are substantive nouns, and poetry is a literary work, which mainly expresses feelings and focuses on creating artistic conception. Whether the use of place names in poetry can set off the artistic conception or weaken the destruction, our answer is the former, because the poet only arouses his interest in what place and what kind of environment, and he must always point out. Otherwise, all descriptions will become rootless trees and passive water. A night-mooring near maple bridge written by Zhang Ji in the Tang Dynasty is a well-known poem. The third sentence "Hanshan Temple outside Gusu City" is a narrative, which points out the location and looks unremarkable, but with this sentence, the first two sentences can be made "The moon sets with black hoofs and frost all over the sky, and the rivers and villages fish right." It is precisely because of this sentence that the next sentence "Midnight bell knocks on a passenger ship" is introduced, which completely tells the whole story about the specific environment here and now.

Now I'll give you a few examples to explain the seven laws, seven quatrains and ancient poems:

The first year of Guangde in Tang Daizong (AD 763) was the year when the Anshi Rebellion ended. The insurgents all collapsed due to the suicide of the leader Shi Chaoyi, surrendered to the Tang Dynasty, and recovered the northern and southern regions centered on Ji Cheng (now Beijing). The good news reached Du Fu, who was living in Zizhou (now Santai County, Sichuan Province) at that time, and he could not restrain his inner joy. I couldn't help but write the famous seven-rhythm poem "The Imperial Army Recovered the Banks of the Yellow River". The first sentence is "the news of this distant west station!" The north has been taken back! " And I started with two place names. Factor continent is in the south of Jianmenguan, so it is called "outside the sword", which shows that the poet heard the news thousands of miles away. Another place name "Northern Hebei" refers to the recovered place centered on Ji Cheng, indicating the content of the news. The next five sentences are "At first, I couldn't stop crying from my coat. Where are my wife and son?"? There is not a trace of sadness on their faces. ? However, I frantically packed my books and poems, sang my songs loudly, drank my wine, and started my home on a green spring day "... vividly described the poet's feeling of being pleasantly surprised and ready to return to China. The next two sentences immediately began to act.

"Come back from this mountain, pass another mountain, go up from the south, and then go north-to my own town!" . The mood here is extremely high, and four place names have been used in succession to explain the journey home. From Zizhou to Sichuan, we have to pass through Fujiang, Jialing and Yangtze rivers, so we use "crossing Wuxia under the dam" to represent this voyage. "Xiangyang goes down to Luoyang", two common place names here represent the avenue between the north and the south at that time. It starts in Jiangling on the north bank of the Yangtze River, passes through Jingmen and Xiangyang, leaves Nanyang Basin and reaches Luoyang. These four place names, two pairs before and after, all end with the same sound, which is easier to sing and the syllables are loud and beautiful. Six place names are used in the whole poem, which is highly praised by poetry critics in past dynasties.

Look at Mao Zedong's Long March. This Seven Laws is full of revolutionary optimism, which has been told by thousands of people. The first two sentences, "The Red Army is not afraid of difficult expeditions, and Qianshan only has leisure", dominate the overall situation with thunderous momentum. The following five place names-Wuling Mountain, Wumeng Mountain, Dadu River, Jinshajiang Mountain and Minshan Mountain-have been used one after another, which has unfolded a magnificent picture of the Long March for us. What are the mountains and rivers passing by on the way to the Long March? Because they are key locations in the Long March, they contain rich historical facts and witness the revolutionary history. In the geography of China, it is also an important place name with distinctive geographical features, with a majestic weather, which is beyond the reach of ordinary mountains and rivers. All the poems containing these five place names, on the one hand, describe the local geographical features, and in essence express the broad mind of revolutionary soldiers. When we recite this revolutionary poem, these place names one after another make our mood gradually rise and sublimate, reaching its peak.

Three or four sentences in the Seven Laws are called couplets, which pay attention to the neatness of antithesis and often use some place names to express the poet's interest. For example, when Du Fu lived in Chengdu, he wrote "Climbing the Building", whose cloud is "a silk river with beautiful spring, floating between heaven and earth, like a cloud of jade peaks, between ancient and modern times". Looking up at the clear stream and the mountains, he pointed out that these two place names are. Fresh in his water ",hence the name" Fuhe ". Lei Yu is the name of this mountain. In the Tang Dynasty, a pass was set up here to control the main road leading to Tibetan areas. Connecting the river with space and connecting the gateway with time not only makes the antithesis accurate and stable, but also makes the weather vigorous and powerful, which opens the way for painting the poet's feelings below. Another example is two sentences written by Lu You, a patriotic poet in the Song Dynasty: "Crossing Guazhou overnight is an iron boat. "The latter is a pass in the Qinling Mountains southwest of Baoji, and it is the main road to Guanzhong. These two strategic places, one water and one land, one east and one west, are the front lines of Song and Jin Dynasties. The poet expressed his patriotic enthusiasm through two place names. Moreover, these two places were visited by the poet in Zhenjiang and Nanzheng Army in his early years. Looking back now, whether in the country or in oneself, why not let him feel sad and angry?

There are only four lines and 28 words in the Seven Musts, which are short in length, rich in content and profound in meaning. There are many excellent works, full of sounds and feelings, and endless feelings. They are regarded as treasures in China's classical poems. In this kind of poetry with limited words, can you use place names freely? In a four-line poem, one sentence with a place name is very common. Of course, there is no need to say I more, that is, two, three or even four sentences all use the name of the land. There are also five or six place names in the works of famous artists in the Tang Dynasty, as many as them. Now let's give a few examples:

The luxury of the Six Dynasties in Nanjing had long since disappeared in the Tang Dynasty. Poets often express their ups and downs of the past and present through nostalgia or visiting the past. Wu Yi Xiang, a poet in Tang Dynasty, is a masterpiece of this kind of works. Poets are highly respected for writing poems with folk songs, and this poem also has the meaning of folk songs. Its first twenty years were "wild flowers on Suzaku Bridge and sunset at Wuyi Xiangkou". Wuyi Lane is located in the southeast of Zhuque Bridge, not far from Qinhuai River. It is the home of the largest gentry Wang and Xie in the Eastern Jin Dynasty. It is the best artistic means to choose these two places and outline their decline scenes to hint at the profound changes in the aristocratic residential areas in the previous dynasty, and to prepare for the transition to the next twenty years, when Lao Wang Xietang flew into the homes of ordinary people. Poetry is free and clear, and these two place names still exist today.

Li Bai's poem "Farewell to Meng Haoran on the way to Yangzhou by Yellow Crane Tower";

The old friend said that the fireworks of the West Yellow Crane Tower will go to Yangzhou in March.

Lonely sails, distant shadows, blue sky, only the Yangtze River flows in the sky.

There are thirty days in this poem, and there are place names in it. The first two sentences explain the departure and destination of the guests, and the last two sentences describe other feelings, but only the last sentence points out that only the mighty Yangtze River flows on the horizon, which pushes the poet's frustration to the peak. It can be seen that this third place name is quite critical.

Jia Dao in the Tang Dynasty, who is famous for being a poet, wrote a poem "Du Sanggan", each sentence contains a place name, which is quite ingenious. Today's quotation is as follows.

Next:

The guest house in Bingzhou has been ten frost homes, and I remember Xianyang day and night.

I crossed the Mulberry River for no reason, but I hope that Bingzhou is my hometown.

In Tang Dynasty, Bingzhou refers to the middle reaches of Fenshui River, and Kaiyuan changed to Taiyuan. Xianyang is in Guanzhong, Shaanxi; Sanggan River is in the north of Shanxi, which is the upper reaches of Yongding River. The place names used in poems may also be a general term. Ice refers to the place where the poet lives, and Xianyang is used to represent his hometown. Forced by food and clothing, the poet lives abroad and often misses his hometown. He wanted to leave as soon as possible, but he was forced to go further. At this time, he felt that the original guest residence was his hometown. How to express this complexity and complexity? The poet used these four simple place names to tell the whole story.

In Li Bai's poems, there are many places that praise the moon. When he was about to leave Shu at the age of twenty-six, he wrote a farewell song of Emei Mountain. The original poem is as follows:

Emei Mountain shadows into Pingqiang River in half moon and autumn.

In the evening, Qingxi went to the Three Gorges and missed Yuzhou.

Pingqiang River, now Qingyi River, originates in the eastern part of Jin Jia Mountain, flows through the northeast of Emei Mountain, and flows into Minjiang River from Leshan. Mount Emei and the peaceful Qiangshan Jiangdu are famous landscapes in this area. The poet's use of these two place names is not only a realistic scene, but also a galloping imagination, expressing his love at other times through the moon shadow in the river. The two place names in the third sentence indicate the starting place and the journey he has traveled. Qingxi is a translated name, belonging to the lower reaches of Minjiang River. The fourth sentence, Yuzhou is the area around Chongqing today. As Xia Yuzhou left the Three Gorges, it became more and more profound. Nearby Shen Zufen commented that this poem "has reached the realm of seeing love in scenery and blending scenes", and the scenery written in the poem is expressed by means of place names. There are five place names in the poem, but there is no trace, which is smooth enough to show the great poet's skill in choosing words. Du Fu's poems focus on depicting the geographical features of a place, so they are also called maps.