"Image combination". The so-called "image combination" refers to juxtaposing several nouns representing things and scenes to form a poem. The understanding of these poems cannot be achieved through grammatical analysis. Only through imagination and association can the objects represented by nouns be combined into a picture, thus creating artistic conception and understanding the thoughts and feelings of the article with the help of artistic conception. With this sentence pattern, the most typical one is Ma Zhiyuan's "Tianjingsha Qiu Si": "The old vine is faint, the small bridge is flowing, and the old road is thin. When the sun sets, heartbroken people are at the end of the world. " The first three sentences of this poem are completely juxtaposed by nine images. There are no verbs to link these nine nouns with images, but with the help of our imagination and association, we skillfully organize nine different scenes into a picture, rendering a bleak and bleak late autumn atmosphere, thus implicitly highlighting the traveler's mind.
"Intertextuality". In other words, intertextuality rhetoric is used to express the meaning of sentences in poetry writing. "Wen" means modification, and the so-called "intertextuality" means that the words used in adjacent sentences of poetry complement each other and combine to express a complete meaning. For example, "I, the host, have dismounted, my guest has boarded his boat, and we raise our glasses in the hope of drinking-but, alas, there is no music." It is wrong to interpret it as "the master gets off the horse and the guest stays on the boat". We should combine "the master" with "the horse", and "getting off the horse" and "getting on the boat" are the actions of peers, that is, the master and the guest get off the horse and get on the boat again. For similar examples, we have learned many poems, such as "don't be happy with things, don't be sad for yourself." Plant conifers and cypresses in the east and west, and phoenix trees in the left and right. "The bright moon in Qin dynasty, the bright moon in Han dynasty, and the Long March people don't return it." The poem "Different Meanings and Intertextuality" should be understood with integrity, and the two words in intertextuality cannot be understood separately. In terms of expression effect, the structural sentence pattern of "intertextuality" is conducive to the neatness and rhyme of sentences.