The first one is that Liu Yong leans on the dangerous building wind, looks at the spring sorrow, and the sky is dark. Who will rely on silence in the afterglow of grass smoke?
I plan to get drunk on the map of madness and sing songs for wine, which is strong and tasteless. I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq.
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This is a people-oriented poem. The poet combines the loneliness of wandering in a foreign land with the lingering feelings of missing the right person, and writes lyrically and sincerely with the expression of "winding path leading to seclusion" In the first part, I wrote the scene of going upstairs to see it. Images such as breeze, grass color, smoke light and sunset constitute a picture of spring dusk. The last film focuses on "Spring Sorrow", describing the scene, state and graceful brushwork of spring sorrow. The next film is lyrical and straightforward, and the screenwriter is deeply convinced. The three sentences of "quasi-music" and "strong music" were suddenly broken, and the screenwriter wanted to call it out with a song of madness. Tao Ran was drunk, seeking drunkenness and forgetting worries, and sang for a while, in order to get rid of the depression and entanglement of spring worries, but he ended up with a "tasteless" boredom and emptiness, which shows that his spring worries are deep and cannot be underestimated. Finally, it reveals the poet's resolute attitude towards "Spring Sorrow": "Never regret". "For Iraq" is the only sentence that can explain that spring sorrow is hard to send far away, because the secret of spring sorrow is haggard and regretless: for her, for the loyal love of "Yingying Fairy" (Qu), I am also worthy of haggard and thin loss, believe in my life! The frank and passionate speech is really exciting. The whole poem successfully depicts the image of a sincere man, and describes his psychology fully and delicately, especially the last two sentences of the poem, which reveal the hero's spiritual realm directly and as the finishing touch, and are called "the strange man who specializes in love stories" by Wang Guowei.
Night berth on Jiande River, when my boat moved in the fog and daytime berth, ancient memories began.
The vastness of the wilderness is deeper than trees, and the moon is very close to the moon.
To annotate ...
1, Jiande River: In Zhejiang Province, Xin 'an River flows through Jiande.
2. Mobile boat: wharf.
3. Smoke bamboo: a sandbar filled with fog.
translate
I moored my boat on the twilight-shrouded continent,
The vast twilight adds a bit of homesickness to the wanderer.
The sky is lower than the trees in the boundless wilderness,
The river is clear and the moon is more pleasant. ...
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This is a poem about twilight in Qiu Jiang. Write about staying overnight first, and then add sunset sorrow; Then I wrote that the universe is vast and quiet, and the bright moon is closer to people. A hidden, a present, virtual and real alternate, two sets off, complement each other, forming a special artistic conception. Although there is no word "sorrow" in the poem, the Qingjiang River is vast and the "autumn colors" are distinct. The whole poem is light and elegant, containing but not revealing; Natural outflow, natural charm, quite distinctive.
A night-mooring near maple bridge/Ye Bo Fengjiang Tang Dynasty: Zhang Ji
Crows fell on the moon, crowed coldly, slept on maple trees, and slept in fishing lanes by the river.
In the lonely Hanshan Temple outside Suzhou, the bell that rang in the middle of the night reached the passenger ship.
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This is the most famous poem in Dali. The whole poem begins with a sad word. The first two sentences are full of images: falling moon, crow, frosty sky, Jiang Feng, fishing fire, sleepless people, which creates an aesthetic situation with rich meanings and rhymes. These two sentences not only describe the scenery along the river in autumn night, but also express the author's homesickness. The last two sentences, the image of the city, the image of the temple, the image of the ship and the image of the bell, are an ethereal and far-reaching artistic conception. It is difficult to see things at night without a moon, fishing and fire are eye-catching, frost and snow are cold; Midnight is a silent moment, but I hear crows and bells. This contrast between light and shade, silence and sound, makes the scenery all in love, the sound all in sound, the artistic conception scattered and scattered, muddy and far away. A faint ray of guest sorrow is blurred and meaningful, swaying in the night sky of Gusu City, adding eternal amorous feelings to the bridges, water, temples and cities there and attracting dream seekers from ancient times to the present. "Three Poems of Tang Poetry" "The whole poem begins with' worrying about sleep', and the beauty lies in silence." "Tasha Tang Poetry": "The word" worrying about sleep "is the whole chapter. Clearly swearing the word' worry', misreading the evening scene, tossing and turning. " "Interpretation of Ancient Poetry": "This poem is the best, like a connection, like a break, like a connection."
The poet's thinking is meticulous. Six scenes are included in just four poems, and a quiet and distant artistic conception is constructed in the most poetic language: fishing by the river in autumn night, and passengers lying listening to the bells in the quiet night. The selection of all scenery is unique: one is static and one is dynamic, one is bright and the other is dark. The collocation of scenery and the artistic conception of characters have reached a high degree of tacit understanding and blending, and * * * has formed this artistic realm that has become a model for later generations. Its famous sentence is: "Hanshan Temple outside Gusu City, the bell rings at midnight to the passenger ship."
"a night-mooring near maple bridge" describes an autumn night, when a poet berthed at Fengqiao outside Suzhou. The beautiful scenery of autumn night in Jiangnan water town attracted this wanderer with travel worries, which made him appreciate a meaningful poetic beauty and wrote this poem with far-reaching artistic conception. Expressed the poet's lonely and sad thoughts and feelings during his journey.
Why did the poet stay up all night? The first sentence wrote three closely related scenes: "The moon sets, crows crow and the sky is covered with frost". The first quarter moon rises early, and when the moon sets, it is about dawn, and birds in the trees will also crow at dawn. The "frost" of autumn night is suffused with the chill of soaking bones and muscles, which surrounds the poet's boat from all directions, making him feel that the vast night sky outside is filled with frost. In the second sentence, the poet used "Jiang Feng" and "fishing fire" to stay up all night.
Summary: The first two sentences describe six kinds of scenes, namely "the moon sets", "crows", "first frost is full of sky", "Jiangfeng", "fishing fire" and the guests on board who stayed up all night. The last two sentences only describe the scene of Meng Xun ringing the bell and boarding the boat at Hanshan Temple outside Gusu City. The first two sentences were seen by the poet, and the last two sentences were heard by the poet. In the silent night, I suddenly heard the distant bell. How did the poet feel when he stayed up all night? Facing the Jiang Feng fishing fire wandering in the frosty night, I felt a faint sadness. This poem "Midnight Bell" not only sets off the quietness of the night, but also reveals the depth of the night. Needless to say, the poet feels all kinds of unspeakable feelings when lying down and listening to the bell.
This poem is written in flashback, first writing the scene at dawn, and then recalling the scene last night and the midnight bell. The whole poem is full of colorful feelings and scenes.
The fourth article Li Shangyin-untitled time was long before I met her, and even longer after we parted, the east wind rose and a hundred flowers blossomed.
Silkworms in spring will weave until they die, and candles will drain the wick every night.
In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! .
Precautions:
Untitled: Since the Tang Dynasty, some poets often use "untitled" as the title of their poems when they are unwilling to mark the topic that can express the theme.
Silk exhaustion: silk is homophonic with "thinking", and "silk exhaustion" means missing until death.
Tears began to dry: tears refer to the burning candle oil, and pun here refers to the tears of acacia.
Xiaojing: Dress in the mirror in the morning; Yunbin: A woman's beautiful hair is a symbol of her youth.
Pengshan: Penglai Mountain, the legendary fairy mountain on the sea, is a metaphor for the place where mourners live.
Jade bird: a mythical messenger who sent letters to the Queen Mother of the West.
Appreciate:
This is the most famous love poem among many poems titled Untitled by the poet. There may be other meaning in this poem, but as a love poem, few people object. The whole poem revolves around the first sentence, especially the words "Don't be embarrassed". "East wind" ends the season, but it is a metaphor for people's lovesickness. Because of lingering feelings, people are as lifeless as dead spring flowers. Three or four sentences are a portrayal of mutual loyalty and vows of eternal love. The fifth and sixth sentences respectively describe the feelings of depression, resentment, indifference and even decline caused by not meeting each other. The only thing we can hope for is the idea in those seven or eight sentences: I hope the bluebird can spread acacia frequently.